Giovanni Battista Gaulli Paintings & Artwork for Sale | Giovanni Battista Gaulli Art Value Price Guide

Oct. 28, 2024
Circle of GIOVANNI BATTISTA GAULLI (Genoa, 1639-Rome, ca. 1709). "Pope Clement IX." Oil on canvas. It has bands of tension on the sides. It conserves frame of the XIX century with faults.
Est: €8,000 - €9,000
Circle of GIOVANNI BATTISTA GAULLI (Genoa, 1639-Rome, ca. 1709). "Pope Clement IX." Oil on canvas. It has bands of tension on the sides. It conserves frame of the XIX century with faults. Measurements: 62 x 51 cm; 84 x 74 cm (frame). Stylistically this work follows the models of the portrait of Pope Clement IX, which is in the collection of the Palazzo Bianco in Genoa and was painted by Giovanni Battista Gaulli. Pope Clement IX, born Giulio Rospigliosi, was head of the Catholic Church and ruler of the Papal States from June 20, 166, until his death in December 1669. Giulio Rospigliosi was born into a noble family in 1600 and studied at the Roman Seminary and at the University of Pisa. He held various positions in the Church, including titular archbishop of Tarsus and apostolic nuncio in Spain. As a man of letters, he wrote poetry, dramas and librettos, and was patron of the artist Nicolas Poussin. Appointed cardinal by Pope Alexander VII, Rospigliosi was elected Pope Clement IX in 1667. His pontificate was marked by mediation in the European wars, and his popularity in Rome was due to his charity, humility and refusal to promote his family's wealth. Clement IX was a patron of the arts, commissioned works by Gian Lorenzo Bernini and inaugurated Rome's first public opera house. He attempted to strengthen Venetian defenses against the Turks in Crete, but failed to gain wider support. In 1669, after learning that the Venetian fortress of Candia surrendered to the Turks, Clement IX fell ill and died. Giovanni Battista Gaulli , also known as Baciccio, was an Italian artist of the High Baroque and early Rococo periods. He is best known for his grandiose illusionistic frescoes of the vault of the church of the Gesù in Rome Biography. Gaulli was born in Genoa, where his parents died from the plague of 1654. He was apprenticed to Luciano Borzone. In the mid-17th century, Gaulli's Genoa was a cosmopolitan Italian artistic center open to commercial and artistic enterprises from northern European countries, including countries with non-Catholic populations such as England and the Dutch provinces. Painters such as Peter Paul Rubens and Anthony van Dyck stayed in Genoa for some years. Gaulli's early influences would come from an eclectic mix of these foreign painters and other local artists such as Valerio Castello, Giovanni Benedetto Castiglione and Bernardo Strozzi, whose warm palette Gaulli adopted. In the 1660s he experimented with the cooler palette and linear style of Bolognese classicism. He was first noticed by the Genoese art dealer Pellegrino Peri, who lived in Rome. Peri introduced him to Gianlorenzo Bernini, who promoted him. In 1662 he was admitted to the Accademia di San Luca (Academy of St. Luke), a Roman artists' guild, where he would later hold various positions. The following year he received his first public commission, an altarpiece for the church of San Rocco in Rome. He received numerous private commissions for mythological and religious works. However, beginning in 1669, after a visit to Parma, the dome-ceiling frescoed by Correggio in the cathedral of Parma, Gaulli's painting took on a more painterly (less linear) aspect, and the composition, organized di sotto in su ("from below looking up"), would influence his later masterpieces. In his heyday, Gaulli was one of Rome's most esteemed portraitists. Gaulli is not known for any medium other than painting, although numerous drawings in many media have survived. It has tension bands on the sides.
Setdart Auction House
Jul. 04, 2024
The Assumption of Mary Magdalene
Est: £30,000 - £50,000
Giovanni Battista Gaulli, called Baciccio Genoa 1639–1709 Rome The Assumption of Mary Magdalene oil on canvas unframed: 81.1 x 62 cm.; 32 x 24⅜ in. framed: 98 x 79.4 cm.; 38⅝ x 31¼ in.
Sotheby's
May. 16, 2024
Giovanni Battista Gaulli (Italian, 1639-1709) Virgin and Child with St. Anne and Angels
Est: $10,000 - $15,000
Giovanni Battista Gaulli (Italian, 1639-1709) Virgin and Child with St. Anne and Angels pen, ink, and wash on paper, squared in black chalk inscribed 4 (lower left) 10 1/2 x 6 5/8 inches The present work is likely a preliminary study for the altarpiece by Giovanni Battista Gaulli, Saint Anna and the Virgin Mary, in the chapel of Palluzzi Albertoni. The chapel is located in the 17th Century Baroque church of San Francesco a Ripa, in Rome.
Hindman
Apr. 24, 2024
STUDIO OF GIOVANNI BATTISTA GAULLI (ITALIAN 1639 -1709)
Est: £6,000 - £8,000
STUDIO OF GIOVANNI BATTISTA GAULLI (ITALIAN 1639 -1709)PORTRAIT OF THE CARDINAL MARCO GALLIOil on canvas49 x 37.5cm (19¼ x 14¾ in.)Provenance:Moltini, Milan; Acquired from the above by James Irvine, 17 March 1828, in Milan, for 15 Louis (as Domenichino)Gifted from the above, in gratitude for his employment, to Sir William Forbes, 7th Baronet of Pitsligo (1773-1828), of Fettercairn, Kincardineshire, 14 October 1828By descent to his son Sir John Stuart Hepburn-Forbes, 8th Baronet of Pitsligo (1804-1866)By inheritance to his son-in-law Charles Trefusis, 20th Baron Clinton (1834-1904)Thence by descentTheir sale, Sotheby's, London, where purchased by Count Manfredi della Gherardesca, 8 December 2016, lot 161Exhibited:Edinburgh, Royal Scottish Academy, Works of Old Masters and Scottish National Portraits, 1883, no.187 (as Domenichino, Head of a Nobleman). This portrait exists in at least four published autograph variants by Gaulli: two half-length paintings (London, National Gallery, inv. no. NG6534, and Brianza, Valerio collection), one bust-length (sold Sotheby's, London, 10 July 1974, lot 32), and one three-quarter length, seated (Bucharest, Musée d'Art, inv. no. 8169/203)
Dreweatts 1759 Fine Sales
Feb. 02, 2024
Study for the figure of Scipio
Est: $12,000 - $18,000
Giovanni Battista Gaulli, called Baciccio 1639 - 1709 Study for the figure of Scipio Pen and brown ink and wash over traces of red chalk 432 by 278 mm; 17 by 11 in.
Sotheby's
Jan. 31, 2024
Lot 1015 - GIOVAN BATTISTA GAULLI IL BACICCIO - Alegoría de l…
Est: €1,000 -
GIOVAN BATTISTA GAULLI IL BACICCIO - Alegoría de la pureza
Arte Subastas Bilbao
Jan. 31, 2024
An allegory of the Church
Est: $10,000 - $15,000
Giovanni Battista Gaulli, called Baciccio Genoa 1639 - 1709 Rome An allegory of the Church Pen and brown ink and gray wash over black chalk, on a fragment of a map of the area around Grosseto; inscribed in brown ink: PATRINIO bears old attribution in brown ink, lower left: C. Maratta and numbering, lower right: 83 235 by 185 mm; 9 ¼ by 7 ¼ in.
Sotheby's
Dec. 11, 2023
GIOVANNI BATTISTA GAULLI (attr. a)
Est: €200 - €500
(Genova, 1639 ; Roma, 1709) Angelo Penna e acquerello su carta, cm 17X10
Wannenes Art Auctions
Dec. 07, 2023
Giovanni Battista Gaulli Cardinal Giovanni Battista Costaguti
Est: €10,000 - €15,000
Giovanni Battista Gaulli 1639 Genua - 1709 Rom Cardinal Giovanni Battista Costaguti Oil auf canvas. 34 x 25 cm. Relined. Restored. Minor damage to frame (45.5 x 37.5 cm). Literature: Fagiolo dellArco, Maurizio / Pattanella, Rossella, Museo Baciccio in margine a quattro inventari inediti. Rome 1996, page 59, number 91 (illustration on page 93). - Petrucci, Francesco, Baciccio. Giovan Battista Gaulli 1639-1709. Rome 2009, page 409, number A44. The painting is listed in the Fondazione Zeri database under number 48924. Literatur: Fagiolo dellArco, Maurizio / Pattanella, Rossella, Museo Baciccio in margine a quattro inventari inediti. Rom 1996, S. 59, Nr. 91 (Abb. S. 93). - Petrucci, Francesco, Baciccio. Giovan Battista Gaulli 1639-1709. Rom 2009, S. 409, Nr. A44. Das Gemälde wird in der Datenbank der Fondazione Zeri unter Nr. 48924 geführt. provenance: private collection, Rome. - Art dealer Enzo Marianelli, Florence (sale document from 1989 available).- Private collection, Vienna. Ausstellung: Palazzo Chigi, Arriccia, Giovan Battista Gaulli. Il Baciccio. 1639-1709. Exhibition Rome, 11 December 1999 - 12 March 2000, page 345, number 214.
Neumeister
Aug. 30, 2023
Giovan Battista Gaulli (attribuito a) (Genova, 1639 - Roma, 1709) Ecce Agnus Dei olio su tela ovale cm115x87; con cornice cm 132,5x104,5
Est: €3,600 - €4,400
Giovan Battista Gaulli (attribuito a) (Genova, 1639 - Roma, 1709) Ecce Agnus Dei olio su tela ovale cm115x87; con cornice cm 132,5x104,5
Gliubich Casa d'Aste
Jul. 13, 2023
GIOVAN BATTISTA GAULLI IL BACICCIO Alegoría de la pureza
Est: -
GIOVAN BATTISTA GAULLI "IL BACICCIO" (Génova, Italia, 1639 - Roma, Italia, 1709) "Alegoría de la pureza" Óleo sobre lienzo 74 x 61 cm
Arte Subastas Bilbao
Jun. 20, 2023
GAULLI GIOVAN BATTISTA
Est: €20,000 - €22,500
GAULLI GIOVAN BATTISTA (1639-1709) 'L'Apostolo Giovanni' e 'Nicodemo' coppia di olii cm. 54 5x64 7 autentica di Gilberto Zabert Torino 5 Dicembre 1982 La formazione artistica del Gaulli si colloca nell'ambito della pittura genovese indipendentemente dal suo alunnato presso il ritrattista genovese Luciano Borzone. Egli copia gli affreschi di Perin del Vaga nel palazzo Doria e Genova ma è attento contemporaneamente alle opere del Rubens e del Van Dick (da lui conosciuti attraverso il fiammingo Cornelis De Wael) di cui coglie soprattutto la libertà nell'uso del colore. Da questi contatti Gaulli dovette trarne una impressione indelebile tale da condizionare il suo gusto nel successivo periodo romano e da ricavarne soluzioni formali non solo in alcune opere giovanili ma ancora in opere della maturità :giunto a Roma nel 1657 godette della protezione del Bernini che sembra averlo direttamente ispirato per le sue grandi composizioni decorative e ben presto divenne ritrattista ufficiale della potente famiglia Chigi.
Aste Boetto SRL
Jun. 03, 2023
ALLEGORY OF THE IMMORTALITY BY GIOVAN BATTISTA GAULLI BACICCIA (ATTRIB)
Est: €1,100 - €1,800
Oil on canvas (rentoiled), not signed. The Chronos caught by women. Minerva held his wing and one of women break his scythe. Giovan Battista Gaulli, il Baciccio (Genoa 1639 â€“ 1709 Rome). Italy circa 1700, dimensions 58 x 70 cm. Restored, relining, retouches. On the back marked "G.B. Gaulli"Condition 2-
Antikvity
Mar. 29, 2023
GIOVANNI BATTISTA GAULLI, CALLED IL BACICCIO, ITALIAN 1639-1709- TWO FEMALE ALLEGORICAL FIGURES;
Est: £2,500 - £3,500
Giovanni Battista Gaulli, called il Baciccio, Italian 1639-1709- Two female allegorical figures; black chalk, pen, brown ink and brown wash on laid paper, 16.1 x 18.4 cm., (unframed). Provenance: with Hill-Stone, USA. Private Collection. Note: We are grateful to Dr Francesco Petrucci for confirming the attribution of the present lot. Characteristic of Gaulli's preparatory drawings in its emphasis on the outlines of the figures, these allegorical subjects perhaps refer to continents or nations of the world. They recall the pair of sculptures at the base of the vaulted ceiling of the Church of the Gesù in Rome, for which Gaulli provided the drawing (F. Petrucci, 'Baciccio, Giovanni Battista Gaulli 1639-1709', Rome, 2009, pp.243-247). For a comparable drawing by the artist, and of similar dimensions, see Anon. sale, Sotheby's, London, 1 July 1991, lot 8, 'Seated figures of Prudence and Fortitude'.
Roseberys
Dec. 03, 2022
Allegory of the Immortality by Giovan Battista Gaulli Baciccia (attrib)
Est: €1,400 - €1,800
Oil on canvas (rentoiled), not signed. The Chronos caught by women. Minerva held his wing and one of women break his scythe. Giovan Battista Gaulli, il Baciccio (Genoa 1639 – 1709 Rome). Italy circa 1700, dimensions 58 x 70 cm. Restored, relining, retouches. On the back marked "G.B. Gaulli" Condition 2-
Antikvity
Oct. 07, 2022
GIOVANNI BATTISTA GAULLI, CALLED BACICCIO (GENOA 1639-1709 ROME) The Lawgiv
Est: $40,000 - $60,000
GIOVANNI BATTISTA GAULLI, CALLED BACICCIO (GENOA 1639-1709 ROME) The Lawgivers and Leaders of Israel, a bozzetto oil on canvas 16 3/4 x 14 3/4 in. (42.5 x 37.5 cm.)
Christie's
Jul. 09, 2022
ATTRIBUTED TO GIOVANNI BATTISTA GAULLI, CALLED IL BACICCIO, (ITALY, 1639-1709)
Est: $10,000 - $15,000
Old Man with Manuscript, possibly an Apostle, oil on coarse linen, unsigned, in carved gold and black Italian frame with brown velour line, OS: 34 1/2" x 27 3/4", SS: 28" x 21", cleaned, relined, retouched.
Thomaston Place Auction Galleries
May. 21, 2022
Giovanni Battista Gaulli, called Il Baciccio, copy after, Portrait of Giovanni Lorenzo Bernini
Est: €6,000 - €8,000
This half-length portrait depicts the Roman sculptor, painter and architect Giovanni Lorenzo Bernini. The portrait is a - presumably contemporary - replica of the portrait Giovanni Battista Gaulli painted of his important friend around 1675. Gaulli's painting is slightly larger (99 x 74.5 cm) and is housed in the Scottish National Gallery, Edinburgh.
Kunsthaus Lempertz KG
Mar. 22, 2022
Circle of Giovanni Battista Gaulli, called il Baciccio, Italian 1639-1709- Studies of three Saints
Est: £300 - £500
Circle of Giovanni Battista Gaulli, called il Baciccio, Italian 1639-1709- Studies of three Saints; pen and brown ink and grey wash on paper, 11 x 19.8 cm. Provenance: Private Collection, UK. Note: This charming sketch may be by the hand of Il Baciccio. See, for comparison, his study of three angels which sold at Anon. sale, Bonhams, New York, 27 January 2006, lot 25. Please refer to department for condition report
Roseberys
Dec. 22, 2021
Da Giovan Battista Gaulli, detto il Baciccia RITRATTO DI CLEMENTE X olio su tela, cm 72,5
Est: €4,000 - €6,000
Da Giovan Battista Gaulli, detto il Baciccia RITRATTO DI CLEMENTE X olio su tela, cm 72,5x60
Itineris
Nov. 30, 2021
Giovan Battista Gaulli detto il Baciccio o il Baciccia (Genova 1639 - Roma 1709) bottega
Est: €1,300 - €2,000
Giovan Battista Gaulli detto il Baciccio o il Baciccia (Genova 1639 - Roma 1709) bottega Ritratto di nobildonna Olio su tela 74 x 60 cm Si forma a Genova, sotto l’influenza Rubens e Anton van Dyck, e con gli insegnamenti di Luciano Borzone. E’ a Roma fin dal 1657 ed entra nell’atelier di Gian Lorenzo Bernini, di cui è uno dei più dotati collaboratori. Grazie al Bernini lavora copiosamente a Roma: la Chiesa del Gesù (1674 - 1679), affrescandone la volta, il presbiterio e la cappella di Sant'Ignazio (che proprio in quegli anni veniva rifatta da Andrea Pozzo e ornata di statue da Pierre Legros, a Sant'Andrea al Quirinale e a San Francesco a Ripa, a Basilica dei Santi Apostoli e Basilica di San Pietro. In queste importanti opere egli è in grado di riscrivere pittoricamente l’esuberanza creativa del Bernini. Altresì all’esuberanza dei grandi cicli decorativi berniniani nella pittura da cavalletto egli mostra di apprezzare e condividere l’ascendenza classica del barocco, rinverdendo la lezione di Pietro da Cortona. Gaulli fu anche ritrattista di ottima qualità, fra i suoi effigiati ci sono papi, cardinali e personalità della nobiltà romana del tempo. La nostra opera trova riscontro comparativo col ritratto di Eleonora Boncompagni Borghese della collezione Lampronti. Giovan Battista Gaulli known as il Baciccio or il Baciccia (Genoa 1639 - Rome 1709) workshop Portrait of a noblewoman Oil on canvas 74 x 60 cm
Lucas Aste
Nov. 26, 2021
GIOVAN BATTISTA GAULLI CALLED BACICCIO (GENOA, 1639 - ROME, 1709), ATTRIBUTED TO: SAINT THERESA (?) SURROUNDED BY ANGELS
Est: €6,000 - €8,000
Ink and watercolor on paper, cm. 43x46. Framed The present work is accompanied by Export License. PROVENANCE: private collection, central Italy
Bertolami Fine Art s.r.l.
Oct. 20, 2021
Attributed to Giovanni Battista Gaulli Baciccia (1639-1709): Design for a Wall Decoration
Est: $1,000 - $1,500
Ink and wash on paper, signed 'Baccici' lower left, inscrined 'No 7' lower center and '6' lower right, with an indistinct collector's mark lower right, inscribed 'Giovanni Battista Gaulli/dito Baccici/Genova 1639 Roma 1709' in another hand on the reverse. 16 x 21 1/2 in. (sheet), 25 1/2 x 31 1/2 in. (frame). Property from the Collection of Gayfryd Steinberg
STAIR
Oct. 14, 2021
GIOVANNI BATTISTA GAULLI (1639-1709), "PORTRAIT OF POPE CLEMENT IX", 17TH CENTURY ITALIAN SCHOOL
Est: €7,000 - €12,000
Oil on canvas, re-woven, measures: 59 x 49 cm
Templum Fine Art Auctions
Sep. 21, 2021
GIOVAN BATTISTA GAULLI (attr. a)
Est: €1,500 - €2,500
(Genova, 1639 - Roma, 1709) Riposo dalla fuga in Egitto Olio su tela, cm 134X98 Non possediamo molte notizie sulla formazione e gli anni genovesi del Baciccio, se non per un rapporto con il più versatile e fantasioso Giovanni Battista Castiglione. Fu probabilmente il Grechetto nel 1657 a persuadere il giovane a trasferirsi a Roma, dove grazie all'impiego con il mercante d'arte Pellegrino Peri incontrì Gian Lorenzo Bernini, che lo prese sotto la sua protezione. Infatti, all'inizio degli anni '60 Gaulli viene accolto dagli Accademici di San Luca dove assunse ruoli di crescente rilievo fino alla nomina di Principe nel 1673. Ma già nel 1661 l'artista ottiene la commissione della pala raffigurante la Madonna e i santi Rocco e Antonio per la Chiesa di San Rocco e nel 1666 ; 1671 la decorazione della cupola di Sant'Agnese in Agone su richiesta della famiglia Pamphili. Nell'anno successivo realizzerà la Gloria di Santa Marta per il soffitto della omonima chiesa al Collegio Romano e il committente, il genovese Giovanni Paolo Oliva allora padre generale dei gesuiti, gli affiderà l'anno dopo la decorazione della chiesa del Gesù. La tela in esame bene risponde ai confronti con le opere dell'artista, in modo particolare con la Sacra Famiglia con San Giovannino e Santa Elisabetta di collezione privata (cfr. Petrucci, pp. 539 - 540, n. C17), che databile intorno al 1695 propone una composizione affine per quanto riguarda il fondale paesistico e le figure di San Giuseppe e della Vergine. Per quanto riguarda quest'ultima, invece, l'iconografia con il Bimbo in piedi che bacia la madre si riscontra nella tela appartenente alla Galleria de Robilant-Voena, riconducibile alla tarda maturità del pittore, presumibilmente alla fine degli anni Novanta (cfr. Petrucci, pp. 612 - 613, n. D. 62). Bibliografia di riferimento: F. Petrucci, Baciccio. Giovanni Battista Gaulli (1639Â¬1709), Roma 2009, ad vocem
Wannenes Art Auctions
Jul. 21, 2021
Old Master Pen, Ink, and Wash on Paper, Elders
Est: $250 - $350
Elders and Soldiers, Attributed to Giovanni Battista Gaulli (Italian, 1639-1709) 17th C. (Detto il Bacicco) unframed. Overall: Apx. 20"h x 15"w Sight: 11-1/2"h x 8-1/2"w Provenance. Property from a Private East Coast Collection
Nye & Company
Jul. 07, 2021
Giovanni Battista Gaulli, genannt Il Baciccio Damenporträt
Est: €4,000 - €8,000
Giovanni Battista Gaulli, called Il Baciccio Portrait of a woman c. 1690 oil on canvas; unframed 66.5 x 55 cm Dorotheum, Vienna, 21 April 2015, lot 235; private property, Austria
Im Kinsky
Apr. 21, 2021
Old Master Pen, Ink, and Wash on Paper, Elders
Est: $500 - $700
Elders and Soldiers, Attributed to Giovanni Battista Gaulli (Italian, 1639-1709) 17th C. (Detto il Bacicco) unframed. Sight size: 11-1/2"h x 8-1/2"w Overall: Apx. 20"h x 15"w Provenance. Property from a Private East Coast Collection
Nye & Company
Apr. 15, 2021
Louis Desplaces (1682-1739)
Est: €450 - €650
This is a rare first state before any lettering (!). St Clare in the heavens kneeling offering a reliquary to the Virgin of the Immaculate Conception, while a dragon lies crushed below. After a painting in the collection of Mr. Crozat attributed to Giovanni Battista Gaulli (1639-1709) a painter of Genua who workedin Rome in the studio of Gianlorenzo Bernini. A very large impressive work.
Old Master Print
Jan. 20, 2021
Old Master Pen, Ink, and Wash on Paper, Elders
Est: $1,000 - $2,000
Elders and Soldiers, Attributed to Giovanni Battista Gaulli (Italian, 1639-1709) 17th C. (Detto il Bacicco) unframed. Sight size: 11-1/2"h x 8-1/2"w Overall: Apx. 20"h x 15"w Provenance. Property from a Private East Coast Collection
Nye & Company
Dec. 14, 2020
Giovanni Battista Gaulli, "il Baciccio" (Genoa, 1639 - Rome, 1709) "Portrait of a Magistrate"
Est: €3,000 - €4,000
Giovanni Battista Gaulli, "il Baciccio" (Genoa, 1639 - Rome, 1709) "Portrait of a Magistrate" Oil on canvas 45 x 37 cm 3.000 - 4.000 €
Goya Subastas
Dec. 10, 2020
Giovan Battista Gaulli (Genova 1639 - Roma 1709), Gloria di Sant'Ignazio
Est: €5,000 - €7,000
olio su tela, cm 46x36, Bozzetto preparatorio per l'affresco della volta della Chiesa del Gesù a Roma.
Cambi Casa d'Aste
Nov. 14, 2020
Giovanni Battista Gaulli (zugeschrieben) - Martyrium des hl. Laurentius
Est: €1,400 - €1,680
Feder in Braun, grau laviert auf Bütten. 21,8 x 16,1 cm. differenzbesteuert (VAT: Margin Scheme)
Karl & Faber
Oct. 21, 2020
Follower of Giovanni Battista Gaulli, called il Baciccio (Genoa 1639-1709 Rome) Portrait of Cardinal Paluzzo Paluzzi Altieri degli Albertoni, bust-length
Est: £2,000 - £3,000
Follower of Giovanni Battista Gaulli, called il Baciccio (Genoa 1639-1709 Rome) Portrait of Cardinal Paluzzo Paluzzi Altieri degli Albertoni, bust-length oil on canvas 66.7 x 50.6cm (26 1/4 x 19 15/16in). For further information on this lot please visit the Bonhams website
Bonhams
Oct. 07, 2020
STUDIO OF GIOVAN BATTISTA GAULLI, CALLED IL BACICCIO (GENOA 1639-1709 ROME) - The Glorification of the Virgin
Est: £4,000 - £6,000
STUDIO OF GIOVAN BATTISTA GAULLI, CALLED IL BACICCIO (GENOA 1639-1709 ROME) The Glorification of the Virgin oil on canvas 20 5/8 x 34 in. (52.3 x 86.4 cm.)
Christie's
Sep. 27, 2020
ITALIAN SCHOOL PORTRAIT OF POPE CLEMENT IX
Est: $300 - $500
Framed Italian School oil on canvas painting, Portrait of Pope Clement IX, after Giovanni Battista Gaulli (Italian, 1639-1709), unsigned, half-length, in red papal robes, paint loss, sight: approx 27"h, 21"w, overall: approx 31.75"h, 25.75"w Start Price: $200.00
Austin Auction Gallery
Sep. 02, 2020
Old Master Pen, Ink, and Wash on Paper, Elders
Est: $2,000 - $4,000
Elders and Soldiers, Attributed to Giovanni Battista Gaulli (Italian, 1639-1709) 17th C. (Detto il Bacicco) unframed. Sight size: 11-1/2"h x 8-1/2"w Overall: Apx. 20"h x 15"w Provenance. Property from a Private East Coast Collection
Nye & Company
Jul. 03, 2020
Giovanni Battista Gaulli, 1639 – 1709, Umkreis des
Est: €1,500 - €2,500
CHRISTUSKIND AUF WOLKENBANK Öl auf Leinwand. Doubliert. 28,2 x 21,2 cm im Oval. In perlbandbeschnitztem vergoldetem Rahmen. Auf einer Wolkenbank nach halb rechts schreitend, seine Arme öffnend. Sein Blick gleitet aus dem Bildgeschehen hinaus. Typisch für Gaulli wäre das ovale Format, die Farbauswahl und die Darstellung als Lichtfigur, indem das Kolorit der Hauptfigur mit dem lichtdurchfluteten Hintergrund vereint wird. So wurde ein ähnliches Motiv mit Christus als Erwachsenem gewählt, welches am 09. Dezember 2015 bei Christie’s London verkauft wurde und Christus ebenfalls auf einer Wolkenbank im Hochoval zeigt (Lot 178). Literatur: Vgl. Robert Enggass, Pensylvania, The Paintings of Baciccio. Giovanni Battista Gaulli. 1639-1709. Francesco Petrucci, Baciccio Giovan Battista Gaulli 1639-1709, Rom 2009. Ugo Bozzi, Baciccio. Giovan Battista Gaulli, 2009. (1230262) (13)
Hampel Fine Art Auctions
Jun. 30, 2020
Giovan Battista Gaulli (Genova 1639 - Roma 1709), Gloria di Sant'Ignazio
Est: €8,000 - €12,000
olio su tela, cm 46x36, Bozzetto preparatorio per l'affresco della volta della Chiesa del Gesù a Roma
Cambi Casa d'Aste
Jun. 19, 2020
GIOVANNI BATTISTA GAULLI called IL BACICCIO
Est: CHF30,000 - CHF50,000
GIOVANNI BATTISTA GAULLI called IL BACICCIO (Genoa 1639–1709 Rome) The adoration of the Golden Calf Oil on canvas. 249 × 137 cm. Provenance: - Art Trade, London, October 1962 (together with its pair). - Claudio Gasparrini, art dealer, Rome 1964 (together with its pair). - Sotheby Parke Bernet & Co., London, 17.11.1982, Lot 49 (pair Lot 48). - Collection of G. Giorgi, Ospedaletti, before 1993 (together with its pair). - Swiss private collection. Literature: - Robert Enggass: Addenda to Baciccio: I, in : The Burlington Magazine, Feb 1964, Vol. CVI, pp. 76–79, Fig. 35 (pair Fig. 36). - Francesco Petrucci: Baciccio. Giovan Battista Gaulli 1639–1709, Rome 2009, p. 623, No. D72 (pair No. D71). --------------- GIOVANNI BATTISTA GAULLI genannt IL BACICCIO (Genua 1639–1709 Rom) Die Anbetung des goldenen Kalbs. Öl auf Leinwand. 249 × 137 cm. Provenienz: - Kunsthandel, London, Oktober 1962 (zusammen mit dem Gegenstück). - Kunsthandel Claudio Gasparrini, Rom, 1964 (zusammen mit dem Gegenstück). - Auktion Sotheby Parke Bernet & Co., London, 17.11.1982, Los 49 (Gegenstück Los 48). - Sammlung G. Giorgi, Ospedaletti, vor 1993 (zusammen mit dem Gegenstück). - Schweizer Privatbesitz. Literatur: - Robert Enggass: Addenda to Baciccio: I, in : The Burlington Magazine, Februar 1964, Vol. CVI, S. 76–79, Fig. 35 (Gegenstück Fig. 36). - Francesco Petrucci: Baciccio. Giovan Battista Gaulli 1639–1709, Rom 2009, S. 623, Nr. D72 (Gegenstück Nr. D71). Das hier angebotene grossformatige Gemälde von Giovanni Battista Gaulli hing ursprünglich wohl in einem römischen Palazzo, wo es für seine Farbigkeit und Komposition geschätzt worden sein dürfte (siehe Enggass 1964). Bei der Inszenierung dieser alttestamentarischen Szene setzte Gaulli den Schwerpunkt auf die Darstellung der jubelnden Götzendienerinnen. Bis vor 1993 wird unser Gemälde mit einem Gegenstück aufgeführt, "Das Dankopfer Noahs". Letzteres ist eine Variante einer kleineren Version (163 ×132 cm), die sich heute zusammen mit einer "Opferung Isaaks" im High Museum of Art in Atlanta befindet (Inv.-Nr. 58.30 und 58.31). Mehrere Vorstudien für das hier angebotene Gemälde von Giovanni Battista Gaulli sind bekannt (siehe Dieter Graf: Die Handzeichnungen von Guglielmo Cortese und Giovanni Battista Gaulli, Düsseldorf 1976, S. 126–127, Abb. 477–480). Während Robert Enggass unser Gemälde sowie sein Gegenstück um 1685–90 datiert, geht Dieter Graf (siehe Petrucci 2009) von einer Entstehung um 1695–1700 aus. Prof. Erich Schleier und Mary Newcome, denen wir für ihre Hilfe bei der Katalogisierung dieses Gemäldes anhand einer Fotografie danken, datieren es eher um 1700, ins Spätwerk des Künstlers.
Koller Auctions
May. 29, 2020
Giovanni Battiste GAULLI dit BACICCIO (Gênes 1639 - Rome 1709) Étude d'ange
Est: €6,000 - €8,000
Giovanni Battiste GAULLI dit BACICCIO (Gênes 1639 - Rome 1709) Étude d'ange Plume et encre brune, lavis gris - mise au carreau au crayon noir. Annotée en bas à droite " Bernino " à la plume et encre brune. (Légèrement insolée, petites taches). 35 x 24 cm On peut rapprocher notre dessin de l'ange situé à droite de La mort de Saint François-Xavier, de 1676, conservé à l'église Saint André du Quirinal à Rome (Voir : Francesco Petrucci, Baciccio, Giovan Battista Gaulli, Ugo Bozzi Editore, Edizioni per la storia dell' Arte, Roma, 2009, p.523, reproduit).
Ader
Mar. 22, 2020
GIOVANNI BATTISTA GAULLI [IL BACICCIO] (ITALIAN 1639-1709)
Est: $9,000 - $11,000
GIOVANNI BATTISTA GAULLI [IL BACICCIO] (ITALIAN 1639-1709) Quarter-Length Portrait of a Lady in Ermine Coat, oil on canvas 66.5 x 55.5 cm (26 1/8 x 21 7/8 in.) PROVENANCE Dorotheum, Vienna, April 21, 2015, lot 235 Acquired at the above by the present owners LOT NOTES The current portrait is assumed to be of Eleanora Boncampagni Borghese (1642-1695) and bears a striking similarity to other portraits of her, particularly one in the Uffizi Gallery in Florence. For comparable reference, see Sotheby's, London, December 7 2017, lot 187 The attribution of this painting has been confirmed by Francesco Petrucci.
Shapiro Auctions LLC
Jan. 28, 2020
Giovanni Battista Gaulli, called il Baciccio (Genoa 1639-1709 Rome) - An angel seated on a cloud, playing a harp
Est: $20,000 - $30,000
Giovanni Battista Gaulli, called il Baciccio (Genoa 1639-1709 Rome) An angel seated on a cloud, playing a harp black chalk, pen and brown ink, brown wash, squared in black chalk 10 7/8 x 8 7/8 in. (27.7 x 22.4 cm)
Christie's
Dec. 03, 2019
GIOVANNI BATTISTA GAULLI detto IL BACICCIO
Est: €40,000 - €60,000
(Genova, 1639 - Roma, 1728) San Giuseppe con il Bambino Olio su tela, cm 115,5X96 Bibliografia: M. Di Penta, 'Giovan Battista Spinola. Cardinal San Cesareo (1646-1719), collezionista e mecenate di Baciccio', Roma 2007, p. 99, n. 1.54 F. Petrucci, 'Repliche, copie e falsi del Barocco romano, in Originali, repliche, copie. Uno sguardo diverso sui grandi maestri', a cura di P. Di Loreto, Roma 2018, p. 198 Di premesse artistiche genovesi, Gaulli é uno dei massimi interpreti e registi del barocco. Nella Città Eterna, grazie a Gianlorenzo Bernini e alla lezione cortonesca, il pittore predispone un linguaggio confacente alle necessità della grande decorazione, senza tralasciare le seduzioni del colore rubensiano e il lascito classicista di matrice bolognese. Questi esempi illustri, gli consentono di creare immagini di grande impatto emotivo, di raggiungere esiti sublimi nell'affresco, ideando spazi e scenografie mai concepite e di accingersi con successo alla ritrattistica e all'iconografia sacra, per sancire il trionfo della chiesa cattolica e dei suoi principi. Il dipinto in esame, riconosciuto da Francesco Petrucci collocandone l'esecuzione ai primi anni Settanta del XVII secolo (1670-1675 circa) é considerato 'un pregevole doppio del San Giuseppe con il Bambino del Norton Simon Museum di Pasadena, corrispondente al prototipo, ma senza scemare in qualità e freschezza di tocco' (inv. F.1973.36.P, cm 127 x 96,5- Selected paintings at the Norton Simon Museum. Pasadena, California, introduced by F. Hermunn, London and New York 1980, p. 42). Lo studioso evidenzia anche quanto la composizione sia un 'omaggio del Gaulli all'arte del Bernini, essendo la composizione in rapporto con il San Giuseppe con il Bambino tracciato a sanguigna dal maestro nella cappella del Palazzo Chigi di Ariccia' (Di Penta 2007, p. 33- Petrucci 2002, scheda D.22, p.5,7,7). La versione americana era verosimilmente appartenuta alla collezione genovese di Giuseppe Renato Imperali, dove era registrato 'un quadro in tela d'Imperatore per alto rappresentante San Giuseppe con il Bambino nelle braccia opera del Baciccio cornice dorata liscia' (cfr. F. Petrucci, Baciccio. Giovanni Battista Gaulli (1639¨1709), Roma 2009, scheda D22, p. 577). Tuttavia, si deve segnalare che sempre a Genova negli inventari del cardinale Giovan Battista Spinola (1646-1719) é altresi'annotata una 'mezza figura di un San Giuseppe col Bambino in braccio in tela di palmi 3 1/2 con cornice di pero, et un filetto d'oro. Della prima maniera di Baciccia'. Si deve poi evidenziare che leggendo gli inventari resi noti dalla Di Penta, in un elenco del 1748 inerente ai beni dell'Abate Giovanni Battista é citato 'un Quadro sopraporta rappresentante San Giuseppe con Bambino in Braccio, e cornice dorata', valutato 24 lire e verosimilmente riconoscibile nella tela citata nell'inventario del 1719 destinata proprio all'abate Giovanni Battista Spinola, il quale possedeva l'ulteriore versione di questo soggetto con misure leggermente inferiori. (MANCA BIBLIOGRAFIA)
Wannenes Art Auctions
Nov. 27, 2019
ATTRIBUTED TO GIOVANNI BATTISTA GAULLI CALLED IL BACICCIO (GENOA 1639 - ROME 1709)
Est: £1,500 - £2,500
ATTRIBUTED TO GIOVANNI BATTISTA GAULLI CALLED IL BACICCIO (GENOA 1639 - ROME 1709) The Dream of Joseph Pen and brown ink and grey wash 235 x 177 mm (9 1/4 x 7 in)
Chiswick Auctions
Sep. 27, 2019
Attributed to GIOVANNI BATTISTA GAULI IL BACICCIA
Est: CHF1,200 - CHF1,500
Attributed to GIOVANNI BATTISTA GAULI IL BACICCIA (Genoa 1639 - 1709 Rome) Apostle preaching with an angel holding an open book. Pen and brush in brown on laid paper with a brown wash. 21.3 x 14.7 cm. In a gilt frame. Central Italy, beginning of the 17th century. --------------- GIOVANNI BATTISTA GAULI IL BACICCIA (ZUGESCHRIEBEN) (Genua 1639 - 1709 Rom) Predigender Apostel mit Engel, der ein geöffnetes Buch hält. Feder und Pinsel in Braun, auf braun laviertem Bütten. 21,3 x 14,7 cm. In einem vergoldeten Rahmen, Mittelitalien, Anfang 17. Jahrhundert.
Koller Auctions
Jul. 02, 2019
Giovanni Battista Gaulli, Il Baciccio (Genoa 1639-1709 Rome) Allegory of Papacy pen and brown ink, brown wash heightened with white on blue paper 7 5/8 x 6 1/8 in. (19.4 x 15.5 cm)
Est: £3,000 - £5,000
Giovanni Battista Gaulli, Il Baciccio (Genoa 1639-1709 Rome) Allegory of Papacy with inscription 'OTTAVIO LEONI/ EX COLL. AOSTA' and number '44' (verso) pen and brown ink, brown wash heightened with white on blue paper 7 5/8 x 6 1/8 in. (19.4 x 15.5 cm)
Christie's
May. 29, 2019
GIOVAN BATTISTA GAULLI detto IL BACICCIO (attr. a)
Est: €300 - €500
(Genova, 1639 - Roma, 1709) San Filippo Neri Olio su tela, cm 66X49 Di premesse artistiche genovesi, Gaulli è uno dei massimi interpreti e registi del barocco. Nella Città Eterna, grazie a Gianlorenzo Bernini e alla lezione cortonesca, il pittore predispone un linguaggio confacente alle necessità della grande decorazione, senza tralasciare le seduzioni del colore rubensiano e il lascito classicista di matrice bolognese. Questi esempi illustri gli consentono di creare immagini di grande impatto emotivo, di raggiungere esiti sublimi nell'affresco, ideando spazi e scenografie mai concepite e di accingersi con successo alla ritrattistica.
Wannenes Art Auctions