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      • Knud Andreassen Baade, 1808 Skjold – 1879 München
        Jun. 27, 2024

        Knud Andreassen Baade, 1808 Skjold – 1879 München

        Est: €1,000 - €2,000

        NORWEGISCHE MEERESLANDSCHAFT MIT BERGSPITZEN UND SEGELSCHIFF BEI MONDSCHEIN Öl auf Leinwand. 38,5 x 60 cm. Links unten signiert und datiert „1860“. Baade war Kollege und Freund der deutschen Romantiker Caspar David Friedrich und Clausen Dahl. Eine Zeichnung Friedrichs zeigt ihn um 1836/38 an der Staffelei. Nach Studium an der Kopenhagener Akademie schuf er norwegische Landschaften, zog dann nach Dresden. 34 Jahre wirkte er als Hofmaler in München. Berühmt wurde er durch seine norwegischen Seestücke bei Mondschein, deren Romantik im Sinne eines Caspar David Friedrich zu sehen ist. (1401332) (11)

        Hampel Fine Art Auctions
      • Baade, Knud Andreassen: Mondschein über der norwegischen Küste
        May. 30, 2024

        Baade, Knud Andreassen: Mondschein über der norwegischen Küste

        Est: €3,000 - €4,000

        Mondschein über der norwegischen Küste. Öl auf Leinwand. 86 x 117,5 cm. Unten mittig auf den Felsen signiert und datiert "Baade 1863". Der Norweger Knud Baade erhielt seine Grundausbildung an der Akademie in Kopenhagen bei dem dänischen Maler C.W. Eckersberg, gut zehn Jahre nachdem J.C. Dahl dort studiert hatte. Von 1836 an war er ein Schüler Dahls in Dresden und schloss sich dort dem Romantikerkreis um Friedrich und Dahl an. Der Naturalismus Dahls war Ausgangspunkt für Baades eigenes Werk. Auf lange Sicht war es jedoch die Malerei Friedrichs, die die Stimmung in Baades Werken prägen sollte. Stimmungsvoll atmosphärische Küstenlandschaften mit effektvollem Mondschein, inspiriert von der Küsten- und Fjordlandschaften Norwegens, wurden Baades Hauptmotiv. 1845 ging er schließlich nach München. Seine anfängliche Anziehungskraft auf die Romantik wurde dort durch die süddeutsche Spätromantik weiter beeinflusst und er erlangte bald einen Ruf und wurde berühmt, insbesondere als Mondlichtmaler. Baade war einer der großen Romantiker der norwegischen Kunstgeschichte. Er selbst schrieb „Kurzum, ich glaube, wenn eines meiner Werke im Laufe der Zeit im Kampf ums Dasein bestehen bleiben wird, so ist es vor allem das geheimnisvolle und poetische Element, das sie erhalten wird“. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

        Bassenge Auctions
      • Knud Baade, Robåt i kystlandskap
        Dec. 14, 2022

        Knud Baade, Robåt i kystlandskap

        Est: kr30,000 - kr40,000

        Signert og datert nede t.h.: K Baade 1844

        Grev Wedels Plass Auksjoner
      • Knud Baade, Winter 1834
        Nov. 29, 2022

        Knud Baade, Winter 1834

        Est: kr100,000 - kr150,000

        Signed and dated lower left: KBaade. 1834.

        Grev Wedels Plass Auksjoner
      • Knud Andreassen Baade - Cows in front of the stable in mountain landscape
        Dec. 03, 2020

        Knud Andreassen Baade - Cows in front of the stable in mountain landscape

        Est: €1,500 - €2,000

        Signed and dated 1848 lower right. Oil on canvas. 35 x 49.5 cm. Relined. Restored. Minor damage to frame.

        Neumeister
      • Knud Andreassen Baade (1808 Skjold - 1879 Munich) - Sailboat on stormy seas at full moon
        Sep. 24, 2020

        Knud Andreassen Baade (1808 Skjold - 1879 Munich) - Sailboat on stormy seas at full moon

        Est: €4,000 - €6,000

        Signed lower right. Oil on canvas. 83 x 119 cm. Restored. Minor damage. Framed. Provenance: in the middle of the 19th century received as a gift from the artist - since then in family ownership, South Germany.

        Neumeister
      • Knud Andreassen Baade (1808 Skjold - 1879 Munich) - Farmhouse on the bank
        Sep. 24, 2020

        Knud Andreassen Baade (1808 Skjold - 1879 Munich) - Farmhouse on the bank

        Est: €500 - €700

        Signed and dated 1849 lower right. Charcoal drawing on paper. 29.9 x 45.7 cm. Restored. Damaged. Framed. Provenance: in the middle of the 19th century received as a gift from the artist - since then in family ownership, South Germany.

        Neumeister
      • Knud Andreassen Baade, Moonlight over the Coast, Oil, 1869
        Nov. 28, 2016

        Knud Andreassen Baade, Moonlight over the Coast, Oil, 1869

        Est: €6,400 - €8,000

        Oil on canvas, relined Knud Andreassen Baade (1808-1879) – Norwegian painter of landscapes Signed and dated ‘Baade 1869’ lower right Remains of an old label on the stretcher with handwritten notes on the artist Dimensions: 94 x 129.8 cm Gilt Rococo style frame: 120.5 x 155 cm Provenance: Private collection, Southern Germany After 1850 atmospheric or dramatic nocturnal shore landscapes are the preferred theme by the artist Condition: The painting is in good condition, consistent with age. It is relined and shows overall craquelure. Inspection under UV light reveals several minor retouching in the sky and scattered retouching at the rocks and in the sea. There is some light rubbing to the edges of the canvas due to framing.  Knud Andreassen Baade (1808-1879) After hist first artistic training in Bergen, in 1825 Baade attended the Copenhagen Academy to study with Christoffer Wilhelm Eckersberg. Then he studied for many years in Dresden with Johan Chistian Dahl, interrupted by traveling through Norway, Bavaria, Tirol and Switzerland. Since 1845 he lived in Munich where he exhibited in 1849 a depiction of a nightly Norwegian coast with outstanding success. The well known painter Wilhelm von Kaulbach und Carl Rottmann praised the composition and prince Luitpold wanted to have a replica of it. Until his dead the depiction of coastal sceneries by night remained Baades preferred theme. (rac) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

        Auctionata Paddle8 AG
      • Romantic Landscape in Moonlight
        Apr. 23, 2016

        Romantic Landscape in Moonlight

        Est: €9,000 - €10,800

        Knud Andreassen Baade Skiold 1808 - München 1879 Romantic Landscape in Moonlight, Oil/canvas, 46 x 63,5 cm, min. rest. relined., Norwegian history a. landscape painter. B. began studying in the studio of C. Lehmann in Bergen, 1825-29 he studied at the Copenhagen academy under C. W. Eckersberg. 1836-39 a. 1843-45 he was able to continue his studies under J. C. Dahl in Dresden with a scholarship. After travelling extensively in Norway, South Germany, Tyrolia a. Switzerland he settled Munich in 1845 a. started concentrating on the painting of moonlit landscapes. In 1872 he became member of the Stockholm academy.

        Auktionshaus Stahl
      • KNUD ANDREASSEN BAADE (Norwegian, 1801-1879) EVENING GLOW.
        Aug. 26, 2009

        KNUD ANDREASSEN BAADE (Norwegian, 1801-1879) EVENING GLOW.

        Est: $4,000 - $5,000

        Large oil on canvas evening scene shows a mother and child walking towards home which has a light in the window and smoke rising from the chimney. Two men have arrived in a rowboat and a dog greets them. A sand and rock beach area is in the foreground and a full moon casts light on the scene. Signed lower left "BAADE, 1872". Housed in what appears to be its original fancy, gesso-decorated gilt frame. SIZE: 32" h 33-1/2"w. CONDITION: Very good. 9-96362

        James D. Julia
      • Knud Andreassen Baade (Norwegian, 1808-1879)
        Jun. 20, 2002

        Knud Andreassen Baade (Norwegian, 1808-1879)

        Est: $22,500 - $30,000

        A Norwegian fjord by moonlight signed and dated 'K Baade 1855' (lower left) oil on canvas 623/4 x 52 in. (159.5 x 132 cm.) Painted in 1855 NOTES Knud Andreassen Baade met Johan Christian Dahl in Sogn in 1839, a meeting which was to have a profound effect on the younger painter's career. Having dedicated himself to figure painting under Christoffer Wilhelm Eckersberg at the Copenhagen Academy and then to portraiture at Christiania, Baade followed Dahl to Dresden and became one of several young Norwegian artists to benefit from Dahl's informal teachings. It was at this period that he turned his attention to landscape painting, and he later settled in Munich where he further developed his style under the influence of Southern German Romanticism.

        Christie's
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