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Umetaro Azechi Sold at Auction Prices

Wood cutter, b. 1902 - d. 1999

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  • Mountaineer and Bird/ Mountaineer/ Volcano
    Mar. 06, 2025

    Mountaineer and Bird/ Mountaineer/ Volcano

    Est: ¥100,000 - ¥150,000

    a set of three woodcuts in colours, each signed and dated in pencil, two titled, numbered 8/20, 1/4 and 2/10 respectively, on Japon, each framed

    Mallet Auction
  • LITHOGRAPH BY RAFAEL ALBERTI, 1970
    Mar. 05, 2025

    LITHOGRAPH BY RAFAEL ALBERTI, 1970

    Est: -

    RAFAEL ALBERTI (Puerto de Santa Maria 1902 - 1999) Toreri e corrida, 1970 Litografia a colori, ex. 15/99 Misura del foglio, cm. 70 x 50 Firma e data in basso a destra In cornice

    Casa d'Aste Babuino
  • RAFAEL ALBERTI Puerto de Santa Marí (1902 / 1999) "Picasso's eyes (I)", 1966
    Feb. 26, 2025

    RAFAEL ALBERTI Puerto de Santa Marí (1902 / 1999) "Picasso's eyes (I)", 1966

    Est: €300 - €400

    Etching and aquatint on paper. Signed, dated, titled and justified III/X artist's proof in pencil at the bottom. Provenance: - Galería Theo, Madrid - Private collection, Madrid Dimensions: Print: 46.5 x 35 cm; paper: 64 x 49.5 cm

    Ansorena
  • RAFAEL ALBERTI Puerto de Santa Marí (1902 / 1999) "Untitled", 1975
    Feb. 26, 2025

    RAFAEL ALBERTI Puerto de Santa Marí (1902 / 1999) "Untitled", 1975

    Est: €270 - €360

    Silkscreen on paper. Justified XXIII/XXX, signed and dated in pencil at the bottom. Provenance: - Theo Gallery, Madrid. - Private collection, Madrid. Dimensions: 49.5 x 70 cm

    Ansorena
  • RAFAEL ALBERTI Puerto de Santa Marí (1902 / 1999) "Untitled", 1975
    Feb. 26, 2025

    RAFAEL ALBERTI Puerto de Santa Marí (1902 / 1999) "Untitled", 1975

    Est: €270 - €360

    Silkscreen on paper. Justified XXIII/XXX, signed and dated in pencil at the bottom. Provenance: - Theo Gallery, Madrid. - Private collection, Madrid. Dimensions: 49.5 x 69.5 cm

    Ansorena
  • Laura Andreson, California (1902 - 1999), American studio pottery small neck vase, porcelain with neutral spatter or speckled matte drip glaze, 9 1/4"H x 5 1/4"Diam.
    Feb. 22, 2025

    Laura Andreson, California (1902 - 1999), American studio pottery small neck vase, porcelain with neutral spatter or speckled matte drip glaze, 9 1/4"H x 5 1/4"Diam.

    Est: $700 - $900

    Laura Andreson California, (1902 - 1999) American studio pottery small neck vase porcelain with neutral spatter or speckled matte drip glaze signed under base. Biography from the Archives of askART: These Notes represent the beginning of a possible future biography for this artist. Please click here if you wish to help in its development. Laura F. Anderson was born in California on October 7, 1902. Andreson studied at Columbia University and UCLA. She taught at UCLA from 1933 to 1970. She died in Los Angeles, CA on August 16, 1999. Works held: Museum of Modern Art. Edan Hughes, author of the book "Artists in California, 1786-1940" BIOGRAPHY from The Marks Project: Laura Andreson is known for making and refining simple vessel forms. Initially Andreson worked in low-fired earthenware with brightly pigmented glazes of yellows, reds and turquoise-greens with an undercoating of oxide stains. According to Andreson, early work was handbuilt until 1940, then wheel thrown. In 1948 she began using stoneware for which she developed a range of stoneware bodies and glazes. In 1957 Andreson began work in porcelain. Laura Andreson established one of the first academic ceramics programs in America at the University of California, Los Angeles (UCLA) and is credited with reviving the art of pottery making in America. Her work reflected her interest in the forms of Scandinavian design, techniques of Persian reduction firing and Japanese ceramic colors. Her creative process radically differed from that used by most potters. She typically started with a glaze and then decided what kind of vessel to create for it. After retiring she continued her pioneering research developing new firing techniques, clay bodies and glazes, providing future generations of clay artists with valuable technical information. Andreson's papers are in The Smithsonian Institution's National Archives of American Art.

    Ripley Auctions
  • Laura Andreson, California (1902 - 1999), American studio pottery bulbous vase, 1971, porcelain with matte orange layered glazes, 6"H x 5 1/2"Diam.
    Feb. 22, 2025

    Laura Andreson, California (1902 - 1999), American studio pottery bulbous vase, 1971, porcelain with matte orange layered glazes, 6"H x 5 1/2"Diam.

    Est: $500 - $700

    Laura Andreson California, (1902 - 1999) American studio pottery bulbous vase, 1971 porcelain with matte orange layered glazes signed and dated under base. Biography from the Archives of askART: These Notes represent the beginning of a possible future biography for this artist. Please click here if you wish to help in its development. Laura F. Anderson was born in California on October 7, 1902. Andreson studied at Columbia University and UCLA. She taught at UCLA from 1933 to 1970. She died in Los Angeles, CA on August 16, 1999. Works held: Museum of Modern Art. Edan Hughes, author of the book "Artists in California, 1786-1940" BIOGRAPHY from The Marks Project: Laura Andreson is known for making and refining simple vessel forms. Initially Andreson worked in low-fired earthenware with brightly pigmented glazes of yellows, reds and turquoise-greens with an undercoating of oxide stains. According to Andreson, early work was handbuilt until 1940, then wheel thrown. In 1948 she began using stoneware for which she developed a range of stoneware bodies and glazes. In 1957 Andreson began work in porcelain. Laura Andreson established one of the first academic ceramics programs in America at the University of California, Los Angeles (UCLA) and is credited with reviving the art of pottery making in America. Her work reflected her interest in the forms of Scandinavian design, techniques of Persian reduction firing and Japanese ceramic colors. Her creative process radically differed from that used by most potters. She typically started with a glaze and then decided what kind of vessel to create for it. After retiring she continued her pioneering research developing new firing techniques, clay bodies and glazes, providing future generations of clay artists with valuable technical information. Andreson's papers are in The Smithsonian Institution's National Archives of American Art.

    Ripley Auctions
  • Laura Andreson, California (1902 - 1999), American studio pottery bowl, porcelain haresfur / flambe black / brown glaze, 2 3/4"H x 9 3/4"Diam.
    Feb. 22, 2025

    Laura Andreson, California (1902 - 1999), American studio pottery bowl, porcelain haresfur / flambe black / brown glaze, 2 3/4"H x 9 3/4"Diam.

    Est: $400 - $600

    Laura Andreson California, (1902 - 1999) American studio pottery bowl porcelain haresfur / flambe black / brown glaze signed and dated under base. Biography from the Archives of askART: These Notes represent the beginning of a possible future biography for this artist. Please click here if you wish to help in its development. Laura F. Anderson was born in California on October 7, 1902. Andreson studied at Columbia University and UCLA. She taught at UCLA from 1933 to 1970. She died in Los Angeles, CA on August 16, 1999. Works held: Museum of Modern Art. Edan Hughes, author of the book "Artists in California, 1786-1940" BIOGRAPHY from The Marks Project: Laura Andreson is known for making and refining simple vessel forms. Initially Andreson worked in low-fired earthenware with brightly pigmented glazes of yellows, reds and turquoise-greens with an undercoating of oxide stains. According to Andreson, early work was handbuilt until 1940, then wheel thrown. In 1948 she began using stoneware for which she developed a range of stoneware bodies and glazes. In 1957 Andreson began work in porcelain. Laura Andreson established one of the first academic ceramics programs in America at the University of California, Los Angeles (UCLA) and is credited with reviving the art of pottery making in America. Her work reflected her interest in the forms of Scandinavian design, techniques of Persian reduction firing and Japanese ceramic colors. Her creative process radically differed from that used by most potters. She typically started with a glaze and then decided what kind of vessel to create for it. After retiring she continued her pioneering research developing new firing techniques, clay bodies and glazes, providing future generations of clay artists with valuable technical information. Andreson's papers are in The Smithsonian Institution's National Archives of American Art.

    Ripley Auctions
  • Laura Andreson, California (1902 - 1999), American studio pottery vase, 1983, porcelain lobed construction, matte blended earthtones glaze, 8 1/4"H x 7 1/2"Diam.
    Feb. 22, 2025

    Laura Andreson, California (1902 - 1999), American studio pottery vase, 1983, porcelain lobed construction, matte blended earthtones glaze, 8 1/4"H x 7 1/2"Diam.

    Est: $700 - $900

    Laura Andreson California, (1902 - 1999) American studio pottery vase, 1983 porcelain lobed construction, matte blended earthtones glaze signed and dated under base. Biography from the Archives of askART: These Notes represent the beginning of a possible future biography for this artist. Please click here if you wish to help in its development. Laura F. Anderson was born in California on October 7, 1902. Andreson studied at Columbia University and UCLA. She taught at UCLA from 1933 to 1970. She died in Los Angeles, CA on August 16, 1999. Works held: Museum of Modern Art. Edan Hughes, author of the book "Artists in California, 1786-1940" BIOGRAPHY from The Marks Project: Laura Andreson is known for making and refining simple vessel forms. Initially Andreson worked in low-fired earthenware with brightly pigmented glazes of yellows, reds and turquoise-greens with an undercoating of oxide stains. According to Andreson, early work was handbuilt until 1940, then wheel thrown. In 1948 she began using stoneware for which she developed a range of stoneware bodies and glazes. In 1957 Andreson began work in porcelain. Laura Andreson established one of the first academic ceramics programs in America at the University of California, Los Angeles (UCLA) and is credited with reviving the art of pottery making in America. Her work reflected her interest in the forms of Scandinavian design, techniques of Persian reduction firing and Japanese ceramic colors. Her creative process radically differed from that used by most potters. She typically started with a glaze and then decided what kind of vessel to create for it. After retiring she continued her pioneering research developing new firing techniques, clay bodies and glazes, providing future generations of clay artists with valuable technical information. Andreson's papers are in The Smithsonian Institution's National Archives of American Art.

    Ripley Auctions
  • Laura Andreson, California (1902 - 1999), American studio pottery straight sided vessel, ribbed design with red gloss drip glaze, 3"H x 3 1/2"Diam.
    Feb. 22, 2025

    Laura Andreson, California (1902 - 1999), American studio pottery straight sided vessel, ribbed design with red gloss drip glaze, 3"H x 3 1/2"Diam.

    Est: $300 - $500

    Laura Andreson California, (1902 - 1999) American studio pottery straight sided vessel ribbed design with red gloss drip glaze signed under base. Biography from the Archives of askART: These Notes represent the beginning of a possible future biography for this artist. Please click here if you wish to help in its development. Laura F. Anderson was born in California on October 7, 1902. Andreson studied at Columbia University and UCLA. She taught at UCLA from 1933 to 1970. She died in Los Angeles, CA on August 16, 1999. Works held: Museum of Modern Art. Edan Hughes, author of the book "Artists in California, 1786-1940" BIOGRAPHY from The Marks Project: Laura Andreson is known for making and refining simple vessel forms. Initially Andreson worked in low-fired earthenware with brightly pigmented glazes of yellows, reds and turquoise-greens with an undercoating of oxide stains. According to Andreson, early work was handbuilt until 1940, then wheel thrown. In 1948 she began using stoneware for which she developed a range of stoneware bodies and glazes. In 1957 Andreson began work in porcelain. Laura Andreson established one of the first academic ceramics programs in America at the University of California, Los Angeles (UCLA) and is credited with reviving the art of pottery making in America. Her work reflected her interest in the forms of Scandinavian design, techniques of Persian reduction firing and Japanese ceramic colors. Her creative process radically differed from that used by most potters. She typically started with a glaze and then decided what kind of vessel to create for it. After retiring she continued her pioneering research developing new firing techniques, clay bodies and glazes, providing future generations of clay artists with valuable technical information. Andreson's papers are in The Smithsonian Institution's National Archives of American Art.

    Ripley Auctions
  • Rafael Alberti El Puerto de Santa Maria 1902-Cadiz 1999 Untitled
    Feb. 19, 2025

    Rafael Alberti El Puerto de Santa Maria 1902-Cadiz 1999 Untitled

    Est: €60 - €120

    Rafael Alberti El Puerto de Santa Maria 1902-Cadiz 1999 Untitled 1970 Lithograph 65x50 cm - with frame 68x53 cm Signature, date and numbering "R. Alberti '70 P.A." Embossed stamp lower left.

    Casa d'aste ARCADIA
  • MIRON SIMA, ISRAELI/UKRAINIAN 1902-1999, LANDSCAPE WITH OLIVE TREES, Oil on canvas, Sight: 15 1/2 x 19 in. (39.4 x 48.3 cm.), Frame: 20 5/8 x 24 1/2 in. (52.4 x 62.2 cm.)
    Feb. 14, 2025

    MIRON SIMA, ISRAELI/UKRAINIAN 1902-1999, LANDSCAPE WITH OLIVE TREES, Oil on canvas, Sight: 15 1/2 x 19 in. (39.4 x 48.3 cm.), Frame: 20 5/8 x 24 1/2 in. (52.4 x 62.2 cm.)

    Est: $200 - $300

    MIRON SIMA ISRAELI/UKRAINIAN, 1902-1999 LANDSCAPE WITH OLIVE TREES Oil on canvas Lower right signed: M. Sima

    Potomack Company
  • SARAZEN GENE: (1902-1999)
    Jan. 30, 2025

    SARAZEN GENE: (1902-1999)

    Est: €100 - €120

    SARAZEN GENE: (1902-1999) American golfer, one of only five players to complete a Career Grand Slam by winning each of the four majors at least once. Signed 10 x 8 photograph of Sarazen in a full-length pose on a golf course, swinging his club. Signed in black ink with his name alone to the base of the image. VG

    International Autograph Auctions Europe, S.L.
  • RAFAEL ALBERTI (El Puerto de Santa María, Cádiz, 1902 - 1999). Untitled, 1960. Pens on canvas. Signed and dated in the lower right area.
    Jan. 29, 2025

    RAFAEL ALBERTI (El Puerto de Santa María, Cádiz, 1902 - 1999). Untitled, 1960. Pens on canvas. Signed and dated in the lower right area.

    Est: €900 - €1,000

    RAFAEL ALBERTI (El Puerto de Santa María, Cádiz, 1902 - 1999). Untitled, 1960. Pens on canvas. Signed and dated in the lower right area. Measurements: 25 x 43 cm; 38 x 56 cm (frame). Rafael Alberti was a writer and poet belonging to the Generation of 27, considered one of the greatest writers of the so-called Silver Age of Spanish literature. He received numerous awards and recognitions, among them the National Poetry Prize (1925), the Lenin de la Paz (1965), the National Theater Prize (1980), the Cervantes Prize (1983) and the Rome Prize for Literature (1991). He renounced the other great award of Spanish literature, the Prince of Asturias, due to his strong republican convictions. Rafael Alberti's first vocation was painting, but his real discovery of this art took place in 1917, when he moved to Madrid with his family and visited the Prado Museum for the first time. He then made his plastic work known for the first time in 1920, at the Salón de Otoño in Madrid, and two years later he exhibited at the Athenaeum in the same city. His painting was characterized by the fact that it was not his definitive path, since after the death of his father, he began to write his first verses. As a writer, Alberti enjoyed great success from the beginning of his career, however, at first, his success was linked to artistic prestige, since he was still economically dependent on his family. The new literary magazines accepted and wanted to publish his works. He was also beginning to make friends within the circle that today is known as the Generation of '27. He began to write in a style that was not only more demanding formally, but also allowed him to be more satirical and dramatic. Since then, his life will be opening to what will be the center of his inspiration, poetry, without completely abandoning his pictorial vocation. Among his last works is A la pintura ('On Painting') (1945). They reflect his intellectual activity during his exile, since Alberti returned to painting and began a series of poems to gather his thoughts on painting. A subject to which he continued to devote himself for many years. Among these poems dedicated to painting he wrote a series of sonnets about the retina, the hand, the canvas, the brush, etc.; a series of short poems in free verse about colors; and finally a series of poems in homage to various painters such as Titian, or El Greco among others.

    Setdart Auction House
  • RAFAEL ALBERTI, CUORI
    Jan. 23, 2025

    RAFAEL ALBERTI, CUORI

    Est: €30 - €60

    RAFAEL ALBERTI (1902 - 1999) Cuori 1976 Lithograph with catalogue, ed. 1836/5000 28 x 21 cm Signed and dated lower left Numbered on the reverse

    Art-Rite
  • Umetaro Azechi (Japanese, 1902-1999) Woodblock Print
    Jan. 19, 2025

    Umetaro Azechi (Japanese, 1902-1999) Woodblock Print

    Est: $300 - $400

    Umetaro Azechi (Japanese, 1902-1999) Woodblock Print  'Mountaineer No. 4', pencil signed, dated for 1956 and numbered 7/50.  Dimensions: sight is 22 1/2in x 14 3/4in, the frame 29in x 21in.  Provenance: Property from a Philadelphia Main Line Collection.

    Locati LLC
  • Rafael Alberti (1902-1999) 2 abstracte composities…
    Dec. 10, 2024

    Rafael Alberti (1902-1999) 2 abstracte composities…

    Est: €200 - €300

    Rafael Alberti (1902-1999) 2 abstracte composities, beide gesigneerd r.o. grafische werken, bladmaat 70 x 50 en 80 x 60 cm -oplages 37/300 en 88/125

    Veilinghuis Van Spengen
  • Miron Sima (German - Israeli, 1902-1999)
    Nov. 02, 2024

    Miron Sima (German - Israeli, 1902-1999)

    Est: -

    View in Jaffa, 1951, Oil on canvas, 80 x 60 cm, Signed and dated

    Yair Art Gallery
  • Miron Sima (German - Israeli, 1902-1999)
    Nov. 02, 2024

    Miron Sima (German - Israeli, 1902-1999)

    Est: -

    Figure in urban landscape, 1957, Oil on canvas, 65 x 54 cm, Signed and dated

    Yair Art Gallery
  • John Langley Howard 1902-1999)
    Oct. 20, 2024

    John Langley Howard 1902-1999)

    Est: $200 - $300

    John Langley Howard 1902-1999) Water color on paper 'Old Twig' Signed l/r 18in. x 11in (46cm. x 28cm) Framed: 28in. x 21in (71cm. x 53cm) From the collection of a Marin County resident John Langley "Lang" Howard was an American artist, known as a Social Realist muralist, printmaker and illustrator. Some of his Scientific American covers (he did two or three a year) were astounding in the veracity of their detail and a strange feeling of mystery.

    Fine Estate Inc.
  • John Langley Howard (American 1902-1999)
    Oct. 20, 2024

    John Langley Howard (American 1902-1999)

    Est: $200 - $300

    John Langley Howard (American 1902-1999) "Visitors' 'Watercolor on paper Signed /r 21in x 16in (53cm. x 41cm) Framed: 30in. x 26in (76cm. x 66cm) From the collection of a Marin County resident John Langley "Lang" Howard was an American artist, known as a Social Realist muralist, printmaker and illustrator. Some of his Scientific American covers (he did two or three a year) were astounding in the veracity of their detail and a strange feeling of mystery. John Langley "Lang" Howard was an American artist, known as a Social Realist muralist, printmaker and illustrator. Some of his Scientific American covers (he did two or three a year) were astounding in the veracity of their detail and a strange feeling of mystery.

    Fine Estate Inc.
  • Umetaro Azechi: "Mountain Man and Bird".
    Sep. 28, 2024

    Umetaro Azechi: "Mountain Man and Bird".

    Est: $70 - $90

    Umetaro Azechi (Japanese, 1902-1999): "Mountain Man and Bird". Woodblock print (color woodcut) printed on wove Japan paper. Sheet size: 6 1/4 x 4 1/4 inches.

    Armstrong Fine Art
  • RAFAEL ALBERTI Puerto de Santa Mari (1902 / 1999) "The White Roe"
    Sep. 25, 2024

    RAFAEL ALBERTI Puerto de Santa Mari (1902 / 1999) "The White Roe"

    Est: €150 - €200

    Lithograph Signed and justified in pencil at the bottom 3/100 Measurements: Frame: 50 x 34 cm

    Ansorena
  • Frederik "Fred" Sieger (van Zevenaar) (1902 - 1999) "Ærøskøbing"
    Sep. 23, 2024

    Frederik "Fred" Sieger (van Zevenaar) (1902 - 1999) "Ærøskøbing"

    Est: €50 - €80

    Aquarel, r.o. gesigneerd en gedateerd '69. A- 34.5 x 46.5 cm / 59 x 70 cm

    Veilinghuis Onder de Boompjes
  • Tokuriki Tomikichiro Woodblock Print Hozu River
    Sep. 20, 2024

    Tokuriki Tomikichiro Woodblock Print Hozu River

    Est: $100 - $200

    Tokuriki Tomikichiro (JP 1902-1999) woodblock print titled "Going Down the Hozu River" signed and titled UR with publisher chop mark. Visible art measures approx. 9.5" W x 11" H in frame measuring approx. 14" x 16" H OD.

    Keystone Auctions LLC
  • Umetaro Azechi Signed & Numbered Woodblock
    Sep. 18, 2024

    Umetaro Azechi Signed & Numbered Woodblock

    Est: $300 - $500

    Umetaro Azechi (1902-1999) Stand on the Snow Gorge, 1956. Woodcut in colors on paper. Edition: 132/200. Signed and dated in English and Japanese, and numbered, all in pencil, in the lower margin: U. Azechi; International Graphic Arts Society, pub. Measures Image: 21.25" H x 13.75" W; Sheet 23.25" H x 16" W. Unframed, loose and not glued or mounted. Toning from exposure to light over 99& of sheet. Provenance: Estate collection of William Greenbaum, Gloucester, Massachusetts, Proprietor of William Greenbaum Fine Prints. If lot is absent of a condition report one may be requested via email. Condition report is provided as an opinion only and is no guarantee as condition can be subjective. Buyer must view photographs or scans to assist in determining condition and ask further questions if so desired. Our in-house shipping department will gladly pack and ship any item that fits into a 14x14x14 inch or 30x5x24 inch or equivalent or smaller box/folio if it is not fragile or over 25lbs. We will charge for labor to pack and process based on actual time it takes, actual cost of materials used to pack and actual shipper charges that will include insurance and signature required. We generally use USPS and Fed Ex and compare the pricing between the two. Books maximum box size will be 14x14x14 inch or equivalent and will be shipped USPS Media Mail unless otherwise requested. We gladly will give shipping estimates prior to auction. Please make this request at least 24 hours prior to auction for our shipping department to respond. If your invoice is for multiple items, we will use our discretion on requiring the use of an outside shipper. We reserve the right to require an outside shipper on any item(s) in the auction even if not stated.

    Grant Zahajko Auctions, LLC
  • AZECHI UMETARO - MOUNTAIN MAN WITH AXE
    Sep. 18, 2024

    AZECHI UMETARO - MOUNTAIN MAN WITH AXE

    Est: $300 - $500

    Lot 18 Azechi Umetaro Japenese (1902-1999) Mountain Man with Axe woodblock signed lower center, editioned 253/510 image: 14 1/2 x 9 3/4 inches frame dimensions: 21 1/4 x 16 1/4 x 2 inches, wood frame with glazing

    Capsule Gallery Auction
  • Umetaro Azechi (Japanese, 1902-1999) Woodblock Print
    Sep. 05, 2024

    Umetaro Azechi (Japanese, 1902-1999) Woodblock Print

    Est: $100 - $1,000

    DESCRIPTION: Limited edition woodblock print by Umetaro Azechi (Japanese, 1902-1999) depicting a figure. Pencil signed and dated at lower left. Pencil numbered "44/50" at lower right. CIRCA: 1955 ORIGIN: Japanese DIMENSIONS: (Sight) H: 15.75" W: 11" (Frame) H: 25" W: 17.75" CONDITION: Discoloration to paper at bottom. Unless otherwise stated, all information provided is the opinion of our specialists. Should you have any specific questions regarding the condition of this lot, please use the ask question button or send us an email.

    Akiba Galleries
  • Umetaro Azechi - Japanese Print - Mountaineer
    Aug. 02, 2024

    Umetaro Azechi - Japanese Print - Mountaineer

    Est: $100 - $150

    Artist: Azechi, Umetaro, 1902-1999 Title: Mountaineer Edition: 4/100 Date: 1955

    Floating World Auctions
  • Umetaro Azechi - Japanese Print - Mountaineer with Bird
    Aug. 02, 2024

    Umetaro Azechi - Japanese Print - Mountaineer with Bird

    Est: $100 - $150

    Artist: Azechi, Umetaro, 1902-1999 Title: Mountaineer with Bird Edition: 6/100 Date: 1955

    Floating World Auctions
  • Umetaro Azechi (Japanese, 1902-1999), Bird and Blossom, Color Woodcut, Frame: 12 1/4 x 10 1/4 in. (31.1 x 26 cm.)
    Jun. 25, 2024

    Umetaro Azechi (Japanese, 1902-1999), Bird and Blossom, Color Woodcut, Frame: 12 1/4 x 10 1/4 in. (31.1 x 26 cm.)

    Est: $50 - $100

    Umetaro Azechi (Japanese, 1902-1999), Bird and Blossom, Color Woodcut,

    Weschler's
  • Umetaro Azechi 1920-1999 Woodblock Print SIGNED
    May. 29, 2024

    Umetaro Azechi 1920-1999 Woodblock Print SIGNED

    Est: $100 - $1,000

    Umetaro Azechi (Japanese, 1902-1999). An AP (artist's proof) edition color woodblock print on paper. Titled "Family in the Mountain," produced circa 1975. Depicting a group of six whimsical figures in a mountain landscape with bird above them. Hand-signed in Japanese character marks and edition at lower corners. Presented under glass in a decorative wood frame. Work Size: 15.25 x 11 in. Dimensions: 24.5 X 18.5 X 1 in. Condition: Good overall condition having mild age related surface wear, toning, and areas with foxing at borders. Frame has mild to moderate wear to edges and corners. Estate fresh to the market. Shipping: Hill Auction Gallery does not offer in-house shipping for this item. Gallery will refer third party shippers for all domestic and international buyers. Purchaser pick up available upon request. Local Delivery: Florida door-to-door hand delivery service available for this lot; contact Toti@Zemaqua.com for an estimate.

    Hill Auction Gallery
  • Umetaro Azechi
    May. 25, 2024

    Umetaro Azechi

    Est: $250 - $450

    (Japan, 1902 - 1999) Woodcut signed lower left. Numbered 32/50. Dated 1967. Very good condition throughout, framed nicely as well. H20" W15" (without frame and mat) Sold from the collection of a Columbia, South Carolina family.

    Wooten & Wooten Auctioneers
  • Umetaro Azechi
    May. 25, 2024

    Umetaro Azechi

    Est: $250 - $400

    (Japan, 1902-1999) Watercolor woodcut on paper mixed media work signed lower right and dated 1968. Very nice colors throughout. Numbered at center 15/85. H20" W14 1/2" (without mat and frame) Sold from the collection of a Columbia, South Carolina family.

    Wooten & Wooten Auctioneers
  • Umetaro Azechi "Smoking Mountaineer" Woodblock
    Apr. 07, 2024

    Umetaro Azechi "Smoking Mountaineer" Woodblock

    Est: $400 - $600

    Umetaro Azechi (Japanese, 1902-1999), "Smoking Mountaineer", Woodblock Print in Colors, 1972, pencil signed lower right, edition 27/85 and dated lower left. Image: 16" H x 11.5" W; mat: 24" H x 19.25" W. Keywords: Prints, Multiples, Figure, Post-War & Contemporary Art

    Auctions at Showplace
  • Umetaro Azechi "Man and Bird" Woodblock Print
    Apr. 07, 2024

    Umetaro Azechi "Man and Bird" Woodblock Print

    Est: $400 - $600

    Umetaro Azechi (Japanese, 1902 - 1999), "Man and Bird", Woodblock Print in Colors, 1975, edition 3/100, signed lower right in pencil, silvered wood frame. Image: 18" H x 13" W; frame: 26.25" H x 21.25" W. Keywords: Prints, Multiples, Mountainous landscape, Post-War & Contemporary Art

    Auctions at Showplace
  • Umetaro Azechi "Mountains" Woodblock Print
    Apr. 07, 2024

    Umetaro Azechi "Mountains" Woodblock Print

    Est: $600 - $800

    Umetaro Azechi (Japanese, 1902-1999), "Mountains," Woodblock Print in Colors, signed in pencil lower left, unframed. Image: 17.5" H x 11.5" W; sheet: 13" H x 19" W. Keywords: Prints, Multiples, Mountainous landscape, Post-War & Contemporary Art

    Auctions at Showplace
  • UMETARO AZECHI WOOD CUT
    Feb. 09, 2024

    UMETARO AZECHI WOOD CUT

    Est: $300 - $400

    Umetaro Azechi (1902-1999, Japan) unframed woodcut in colors on paper, titled "Joy on the Mountain" pencil signed and dated "57", limited edition 8/50. 24.75" x 17.5" ss / 31" x 23.5" oa

    Wiederseim Associates, Inc.
  • Umetaro Azechi (Japanese, 1902 - 1999) Woodblock
    Jan. 21, 2024

    Umetaro Azechi (Japanese, 1902 - 1999) Woodblock

    Est: $300 - $400

    "Mountain Road", 144/185 dated for 1969 and signed at the lower right.  Dimensions: sight is 13 3/4" x 9", the frame 19 1/2" x 13 3/4" Provenance: From a local collection. 

    Locati LLC
  • Umetaro Azechi (Japanese, 1902-1999) Woodblock Print Assortment
    Jan. 21, 2024

    Umetaro Azechi (Japanese, 1902-1999) Woodblock Print Assortment

    Est: $400 - $600

    Umetaro Azechi (Japanese, 1902-1999) Woodblock Print Assortment (5) items including (3) undated Umetaro woodblocks, signed and numbered lower left, depicting figures; together with a Leonard Tsuguhuru Foujita (Japanese, 1886-1968) woodblock 'Girl' and an unknown artist woodblock, dated 1956 and illegibly signed lower center, all unframed Property from: a Private Collector, Illinois Category: Asian Arts > Asian Arts Estimated Sale Time: 1:56 pm CST Shipping Status: Leonard Auction, Inc. will provide direct shipping for this lot. Please visit our website for a shipping estimate. Last modified: January 20, 2024, 2:32 pm

    Leonard Auction
  • AZECHI UMETARO: CRY ON THE MOUNTAIN
    Jan. 17, 2024

    AZECHI UMETARO: CRY ON THE MOUNTAIN

    Est: €200 - €400

    AZECHI UMETARO: CRY ON THE MOUNTAIN By Azechi Umetaro (1902-1999), signed U. Azechi with seal U Japan, dated 1956 Color woodblock print on paper. Signed U. Azechi in pencil, with a red seal U. Titled Yama ni Sakebu (Cry on the Mountain). A semi-abstract expression of a mountain man calling out. He has an ice pick dangling from his arm and ropes on his shoulder. A deer looks around behind him. Inscriptions: To the bottom, inscribed in pencil, 'Yama ni Sakebu -56 AP.' SIZE of the sheet 61 x 38.8 cm Condition: Excellent condition with very minor wear. Mounted to a paper frame. Provenance: Estate of Wolfgang Zacke (1942-2022), co-founder of Galerie Zacke, thence by descent. Museum comparison: A closely related print is in the collection of the Fine Arts Museums of San Francisco, accession number 1964.142.60. Azechi Umetaro (1902-1999) was born to poor farmers in Uwajima in the far-flung Ehime prefecture of Shikoku. Securing a job at a government printing company in Tokyo, he soon developed a deep curiosity in the art of printmaking. Pursuing his newfound curiosity and passion, Azechi introduced himself to Unichi Hiratsuka, an established artist of the time, and became a member of the Sozaku-hanga print movement. Overtime he gained access to exhibitions, met other artists, and honed his own skills, eventually participating in major print biennales in Sao Paulo, Tokyo, and Lugano. An avid mountaineer, Azechi is most famous for his mountain scenes, which can now be found in the Achenbach Foundation in San Francisco, the Art Institute of Chicago, the Boston Museum of Fine Arts and The British Museum in London.

    Galerie Zacke
  • Umetaro Azechi (Japanese, 1902-1999) Woodcut
    Dec. 17, 2023

    Umetaro Azechi (Japanese, 1902-1999) Woodcut

    Est: $500 - $800

    "Carrying a Bird", dated for 1971, a pencil signed artist proof.    Dimensions: sight is 17" x 12 3/4", the frame 23 1/2" x 19".    Provenance: From a local collection.

    Locati LLC
  • Umetaro Azechi (1902-1999), "Stand on the Snow Gorge," 1956, Woodcut in colors on paper, Image: 21.25" H x 13.75" W; Sight: 22.875" H x 15.625" W
    Dec. 06, 2023

    Umetaro Azechi (1902-1999), "Stand on the Snow Gorge," 1956, Woodcut in colors on paper, Image: 21.25" H x 13.75" W; Sight: 22.875" H x 15.625" W

    Est: $300 - $500

    Umetaro Azechi (1902-1999) "Stand on the Snow Gorge," 1956 Woodcut in colors on paper Edition: 146/200 Signed and dated in English and Japanese, and numbered, all in pencil, in the lower margin: U. Azechi; International Graphic Arts Society, pub.

    John Moran Auctioneers
  • AZECHI, UMETARO
    Nov. 07, 2023

    AZECHI, UMETARO

    Est: €300 - €500

    Rescued Bird. Coloured woodcut. Japan 1902. Signed bottom right. Signed verso: Davis Collection. Approximate Time: 11:29 Lot No: 123

    Sheppards
  • Umetaro Azechi
    Oct. 19, 2023

    Umetaro Azechi

    Est: $500 - $700

    (Japanese, 1902-1999) Two woodblock prints: Joy of the Mountain, 30/50; Rescued Bird, 27/50; signed "U. Azechi" and dated "57" lower margin, 25-3/4 x 18-1/8 in.; framed, 26-1/2 x 19 in. Provenance: Private Chicago Estate

    Brunk Auctions
  • Umetaro Azechi
    Oct. 19, 2023

    Umetaro Azechi

    Est: $500 - $700

    (Japanese, 1902-1999) Two woodblock prints: Cry on the Mountain, 41/50; Hunter and Rifle, 16/50; signed "U. Azechi" and dated "55" and "59" lower margin, 18-3/8 x 12-3/4 in. and 19 x 14 in.; framed, in. Provenance: Private Chicago Estate

    Brunk Auctions
  • Umetaro Azechi ''Yakedake'' 1965 Woodblock Print
    Sep. 28, 2023

    Umetaro Azechi ''Yakedake'' 1965 Woodblock Print

    Est: $500 - $1,000

    Umetaro Azechi (1902-1999 Japanese) ''Yakedake'' 1965 Woodblock Print 16''x11.5'' Image. Pencil signed and numbered 57 of 150 edition lower margin. Framed 21''x16''. Excellent condition with strong colors. Not examined outside of framing.

    MBA Seattle Auction LLC
  • Umetaro Azechi "-55" Woodblock Print
    Sep. 17, 2023

    Umetaro Azechi "-55" Woodblock Print

    Est: $300 - $500

    Umetaro Azechi (Japanese, 1902 - 1999) "-55" woodblock print, signed in pencil lower left and right. Image: 7.25" H x 7" W; frame: 14" H x 13.25" W.

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