Alice Aycock Sold at Auction Prices

Alice Aycock (b. 1946)

PARK AVENUE PAPER CHASE Digital inkjet print, 2011, signed, dated and numbered 56/100 in ink, framed. Image 20 x 29 7/8 inches; 508 x 759 mm. Frame 29 1/4 x 39 1/4 inches; 743 x 997 mm.

Alice Aycock, Blue Print Lithograph

Alice Aycock, Blue Print Lithograph, Pa artist b1946, pencil signed, 1982, 7/60, scale model study for time / creation machine; mounted in wood frame, 30 3/4" x 41". CONDITION: Very good. Not examined out of frame. Can see some browning around bottom edge and right corner.

Alice Aycock (American b.1946), "The Great Red Chinese Dragon Carpet", Pencil on mylar , Signed and dated lower right Alice Aycock '81, 55 1/2" x 43 1/2", Condition: taped to back, some pencil marks, good overall...

Alice Aycock (American b.1946) "The Great Red Chinese Dragon Carpet" Pencil on mylar Signed and dated lower right Alice Aycock '81 55 1/2" x 43 1/2" Condition: taped to back, some pencil marks, good overall condition

ALICE AYCOCK (EUA,1946). "Starry night". 2002. Serigrafía, ejemplar 1/75. Firmada, numerada y titulada a mano. Medidas: 137 x 122 cm.

ALICE AYCOCK (USA,1946). "Starry night." 2002. Silkscreen, copy 1/75. Signed, numbered and titled by hand. Measurements: 137 x 122 cm. Aycock studied at Douglass College in New Brunswick, New Jersey, where he earned a bachelor's degree in art in 1968. He later moved to New York and earned a master's degree in 1971 at Hunter College. There he received classes from the sculptor and conceptual artist Robert Morris. In the early 1980s, Aycock married artist Dennis Oppenheim. Aycock's recent work takes the form of large-scale sculptures based on natural forms, cybernetics, physics and other postmodern issues, increasingly using high-tech materials to create complex sculptures in public space. Aycock's works are in the collections of MoMA, the Brooklyn Museum; Whitney Museum of American Art; Los Angeles County Museum of Art, the National Gallery, the Louis Vuitton Foundation and in Italy at Fattoria di Celle-Collezione Gori. Aycock has also exhibited at the Venice Biennale, Documenta 6 and 8 in Kassel, Germany and the Whitney Biennial.

Black & White Photograph of Alice Aycock Sculpture

Framed black and white photographic print of steel sculpture "Swirls After Leonardo" by Alice Aycock (American, born 1946), 15 1/2" x 19 1/4" sight, 17 1/4" x 21 1/4" framed.

Alice Aycock, American (b.1946), Project for Three Concrete Chambers Entered Through an Underground Tunnel, 1975, graphite on vellum, 20"H x 37"W (sight), 24 1/2"H x 41 1/2"W (frame)

Alice Aycock American, (b.1946) Project for Three Concrete Chambers Entered Through an Underground Tunnel, 1975 graphite on vellum signed lower right. Biography from the Archives of AskArt: Alice Aycock, known for her large-scale installation sculptures, many of them outdoor pieces, refers to her work as "psycho-architecture" because they invite the viewer into mysterious interiors and often arouse feelings of claustrophobia or vertigo. Many of her pieces result from her observations of the affects of industrialization on human beings. Aycock was born in Harrisburg, Pennsylvania. After completing her undergraduate work at Douglass, she earned a masters degree from Hunter College. Currently (2007) she is Director of Sculpture at Yale University. Ms. Haycock had a solo exhibition at the Museum of Modern Art in New York in 1977, has had two retrospective exhibitions since then at MOMA, and for that the museum built a permanent structure in the Project Room. She has had exhibitions in the Americas, Europe, and Japan with permanently sited outdoor works including the following: The Solar Wind in Salem, Virginia; The House of Stoics in Lake Biwa, Japan; the Tower of Babel in Bushnami Sculpture Garden near Houston, Texas; and Fantasy Sculpture II in Champagne-Urbana, Illinois. In New York City, The East River Park Pavilion, leading North American venue for the exhibition of large-scale sculptures, celebrated its 30th anniversary in 1990 with a show of Aycock's drawings and sculptures. Working with Nicholas Quennell of the landscape firm of Quennell Rothschild Associates and HOK/TCA, Associated Architects for New York Hospital, she designed a sculptural roof installation that was completed in the fall of 1995. Closely collaborating with the new San Francisco Public Library's principal architect, James Ingo Freed of Pei, Cobb, Freed and Partners, she inaugurated a new work-functional and fantasy spiral stairs and a suspended Cyclone Fragment in April of 1996.Source: Charlotte Streiffer Rubinstein, American Women Sculptors, pp. 483-486

Alice Aycock, American (b.1946), The Paradise Romance, 1983, steel, gypsum cement, copper, brass, and plastic, 12 5/8"H x 18"W x 10"D

Alice Aycock American, (b.1946) The Paradise Romance, 1983 steel, gypsum cement, copper, brass, and plastic Biography from the Archives of AskArt: Alice Aycock, known for her large-scale installation sculptures, many of them outdoor pieces, refers to her work as "psycho-architecture" because they invite the viewer into mysterious interiors and often arouse feelings of claustrophobia or vertigo. Many of her pieces result from her observations of the affects of industrialization on human beings. Aycock was born in Harrisburg, Pennsylvania. After completing her undergraduate work at Douglass, she earned a masters degree from Hunter College. Currently (2007) she is Director of Sculpture at Yale University. Ms. Haycock had a solo exhibition at the Museum of Modern Art in New York in 1977, has had two retrospective exhibitions since then at MOMA, and for that the museum built a permanent structure in the Project Room. She has had exhibitions in the Americas, Europe, and Japan with permanently sited outdoor works including the following: The Solar Wind in Salem, Virginia; The House of Stoics in Lake Biwa, Japan; the Tower of Babel in Bushnami Sculpture Garden near Houston, Texas; and Fantasy Sculpture II in Champagne-Urbana, Illinois. In New York City, The East River Park Pavilion, leading North American venue for the exhibition of large-scale sculptures, celebrated its 30th anniversary in 1990 with a show of Aycock's drawings and sculptures. Working with Nicholas Quennell of the landscape firm of Quennell Rothschild Associates and HOK/TCA, Associated Architects for New York Hospital, she designed a sculptural roof installation that was completed in the fall of 1995. Closely collaborating with the new San Francisco Public Library's principal architect, James Ingo Freed of Pei, Cobb, Freed and Partners, she inaugurated a new work-functional and fantasy spiral stairs and a suspended Cyclone Fragment in April of 1996.Source: Charlotte Streiffer Rubinstein, American Women Sculptors, pp. 483-486

Alice Aycock (b. 1946): Park Avenue Paper Chase

Digital inkjet print in colors, 2014, signed, dated and numbered 90/250 in blue ink, with label from Galerie Thomas Schulte, Berlin. 6 x 8 in. (sheet), 10 x 12 in. (frame). A Contemporary Vision: Works from the Melva Bucksbaum Collection Sold to Benefit Art for Access at Bennington College

Alice Aycock (American, Born 1946)

"The Theory of Twilight" 1983. Screen-print. Signed, titled and numbered in pencil. Edition 35. 24 x 18 inches. Framed.

RARE ALICE AYCOCK MODERN SERIGRAPH MIAMI PROPOSAL

Alice Aycock (NY B. 1946). Fine original serigraph on heavy black paper with annotations. The work is from a series of proposals for public installation artwork in Miami. Notes state: "Miami Proposal III (Steel, Concrete, Water). Above: The cyclone tunnel. Below: The island of the four cardinal points." It is signed and numbered, in roman numerals, from an extremely limited edition of 10 (X). The work is framed, under glass.

ALICE AYCOCK ORIGINAL SERIGRAPH MIAMI PROPOSAL III

Alice Aycock (NY b. 1946). Fine original serigraph / silkscreen on black paper with annotations. The work is from series of proposals for public installations in Miami. Notes state: "Miami Proposal III (Steel, Concrete, Water). Above: The cyclone tunnel. Below: The island of the four cardinal points." The work is signed and numbered, in roman numerals, from an extremely limited edition of 10 (X). The work is nicely framed under glass. Measures: Sheet: 29 x 21 3/4", Frame: 32 3/4" x 25 1/2" Condition: Work is in excellent condition. Frame has very minor imperfections. Not examined out of frame.

ALICE AYCOCK | Armageddon Allegra Trio Light

watercolor on inkjet print

Alice Aycock (American, b 1946), mechanical fantasy drawing, "Preliminary Study for a Theory of Universal Causality" (Time/Creation ...

Alice Aycock (American, b 1946), mechanical fantasy drawing, "Preliminary Study for a Theory of Universal Causality" (Time/Creation Machines 1982), mixed media on paper, pencil signed lower right, 28-3/4" x 38-3/4" sheet, frame size 30-1/4" x 40-1/4", very good condition

Alice Aycock, (American, b. 1946), The Theory of Twilight, 1983, color screenprint, 19.5" x 9"

Alice Aycock (American, b. 1946) The Theory of Twilight, 1983 color screenprint signed, titled and dated in pencil edition B.A.T. 19.5" x 9"

Alice Aycock, (American, b. 1946), The Glance of Eternity, 1983, color screenprint, 19.25" x 13.5"

Alice Aycock (American, b. 1946) The Glance of Eternity, 1983 color screenprint signed, titled and dated in pencil edition B.A.T. 19.25" x 13.5"

Alice Aycock, Print

Alice Aycock (American, b. 1946), "Miami Proposal (Steel, Concete, Water)," 1990, silkscreen on paper, signed and dated lower right, edition 3/10, John Weber Gallery (New York, New York) label affixed verso, overall (with frame): 34.5"h x 27.5"w

Eva Hesse Catalogue Raisonne (Vols. 1 &2). ed. Penate Petzinger, Barry Rosen and Annette Spohn. New Haven and London: Yale University Press, 2006.

Eva Hesse Catalogue Raisonne (Vols. 1 &2). ed. Penate Petzinger, Barry Rosen and Annette Spohn. New Haven and London: Yale University Press, 2006. In association with Museum Wiesbaden. 4to, silver cloth bound in box set. Together with Alice Aycock (b. 1946) 'After Years of Ruminating on the Events that Led Up to His Misfortune...Alice Aycock Projects and Proposals 1971-1978'. From The Collection of Bill Radawec (1952-2011).

Alice Aycock, (American, b. 1946), Two works: Second Proposal for Gronigen, 1979

Alice Aycock (American, b. 1946) Two works: Second Proposal for Gronigen, 1979 pencil on vellum signed Alice Aycock and dated (lower right) 24 x 29 1/2 inches

Alice Aycock, (American, b. 1946), The Paradise Romance

Alice Aycock (American, b. 1946) The Paradise Romance mixed media, metal, ceramic, wire and wood Height 12 3/4 x width 18 x depth 10 inches

ALICE AYCOCK (b. 1946): "PROJECT FOR THE

ALICE AYCOCK (b. 1946): "PROJECT FOR THE CONTEMPORARY ARTS CENTER, CINCINNATI, OHIO, MAY 1979"

ALICE AYCOCK (AMERICAN B. 1946) 'PROJECT

ALICE AYCOCK (american b. 1946) "PROJECT FOR THREE CONCRETE CHAMBERS 1975 (ISOMETRIC)" Signed, inscribed with title and dated "75" bottom right, pencil on vellum 20 7/8 x 37 3/4 in. provenance: John Weber Gallery, New York, New York. Private Collection.

Alice Aycock (American, b. 1946) "Untitled", pencil on paper, 13-1/4" x 16-1/2", signed and dated lower right: "Alice Aycock ‘79". Matted and framed. Exhibited: Mobile Museum of Art.