Min Wae Aung Paintings & Artwork for Sale | Min Wae Aung Art Value Price Guide

Nov. 26, 2023
MIN WAE AUNG : Traveller
Est: RM70,000 - RM120,000
Min Wae Aung is a contemporary Burmese Artist whose realistic work is characterized by its strong relationship to Burmese culture and Buddhist philosophy. Almost exclusively composed of representational acrylic and watercolor paintings of multiple robed figures, his work features centrally located people in solid-color space of yellows, oranges, and reds. The outlines of the brightly colored, subtly shaded figures are clearly delineated in black, against a background often executed in a contrasting pointillist manner. Born in 1960 in Danubyu in present-day Myanmar, Wae Aung studied at the State School of Fine Arts Yangon before working as a commercial graphic artist and ultimately developing his signature aesthetic after a visit to the United States in 1993. His work has been exhibited globally at galleries and spaces such as Kings Road Gallery in London and Karin Weber Gallery in Hong Kong.
KLAS Art Auction
Jul. 26, 2023
Min Wae Aung, Monks
Est: $600 - $800
Min Wae Aung Monks 2003 watercolor 15 h x 20.5 w in (38 x 52 cm) Signed and dated to lower right 'Min Wae Aung 7/03'. This work will ship from Lambertville, New Jersey.
Toomey & Co. Auctioneers
Sep. 06, 2022
MIN WAE AUNG (Burma 1960-), untitled (Monks Strolling), watercolour, signed and dated '98 lower left, 53 x 62cm, framed 78 x 85 cm.
Est: $2,000 - $3,000
MIN WAE AUNG (Burma 1960-), untitled (Monks Strolling), watercolour, signed and dated '98 lower left, 53 x 62cm, framed 78 x 85 cm.
Raffan Kelaher & Thomas
May. 28, 2022
Min Wae Aung (b. 1960) Monks
Est: $30,000 - $50,000
Min Wae Aung (b. 1960) Monks 1996 signed acrylic on canvas 97 by 136 cm. 38 1/8 by 53 1/2 in. For further information on this lot please visit the Bonhams website
Bonhams
Dec. 05, 2021
Min Wae Aung (b. Myanmar, 1960) Novice On The Morning Round, 2017
Est: RM8,000 - RM14,000
There’s a spiritual calmness in the whole picture as some of the novices are seen carrying alms bowls or bats in the early morning to collect Alms from people. They will walk barefoot around the neighbourhood receiving food from people in the street, monks allow these people to release themselves from greed. They help them purify and give them some spiritual experiences. People feel grounded and content. With U Lun Gywe, Min Wae Aung is one of Myanmar’s most iconic artists with a strong international profile. He was featured in the Asean Masterworks in Kuala Lumpur in 1997, and Tresors in Singapore in 1994, and had his tutelage under a pedigree of Myanmar masters U Thu Kha, U Kyaw Hlaing, U Ba Sway, U Goon, U Mya Aye, UM Tin Aye, U Ba Yin Galay and U Ba Yin Gyii. His first seven solos since 1996 were in Singapore, Hong Kong and London before his first on Myanmar soil at the National Museum in Yangon in 2001. Later, he had solos also in the United States (San Francisco, Chicago, Texas and New York), Germany, Switzerland, France, China and South Korea. His experiences include art residencies in Fukuoka Art Museum and Darjeeling India, and the Asean-China 10th anniversary (2013) show. Educated at the State School of Fine Arts in Yangon, graduating in 1982, Min Wae Aung also heads Myanmar’s leading gallery, New Treasure in Yangon. His works are in the collections of the Fukuoka Art Museum, Singapore Art Museum, School of Oriental and African Studies London, National Museum in Yangon, National Art Gallery Malaysia and former Mongolian president Tsakhiagiin Elbegdorj. Min Wae Aung also heads the Myanmar chapter of the International Watercolour Society.
Henry Butcher Art Auctioneers
Mar. 21, 2021
Min Wae Aung (b. Myanmar, 1960) Untitled, 2002
Est: RM8,000 - RM14,000
Humans and animals are on the same plane, both regarded as sentient beings in Buddhist. The two novices are squatting waiting for the dawn of light, to commence the ritual of seeking alms from well-wishers in Myanmar, a predominantly Theravada Buddhist country. One, in drab burgundy robe, steals a look back, while the other, in pink garb, a nun novice, has her back to viewer, so that you’ll never guess. They are shaved bald, anyway. The mongrels mill around the novices, to keep them company and like protectors. Doubtless, they will share whatever food donated to them with their best canine friends. There’s a spiritual calmness in the whole picture, with the dogs’ upraised ears acting somewhat like antennae. This is from Min Wae Aung’s Waiting For Sunshine series, of which one painting is in the collection of the University of London’s SOAS (School of Oriental and African Studies) collection. With U Lun Gywe, Min Wae Aung is one of Myanmar’s most iconic artists with a strong international profile. He was featured in the Asean Masterworks in Kuala Lumpur in 1997, and Tresors in Singapore in 1994, and had his tutelage under a pedigree of Myanmar masters U Thu Kha, U Kyaw Hlaing, U Ba Sway, U Goon, U Mya Aye, UM Tin Aye, U Ba Yin Galay and U Ba Yin Gyii. His first seven solos since 1996 were in Singapore, Hong Kong and London before his first on Myanmar soil at the National Museum in Yangon in 2001. Later, he had solos also in the United States (San Francisco, Chicago, Texas and New York), Germany, Switzerland, France, China and South Korea. His experiences include art residencies in Fukuoka Art Museum and Darjeeling India, and the Asean-China 10th anniversary (2013) show. Educated at the State School of Fine Arts in Yangon, graduating in 1982, Min Wae Aung also heads Myanmar’s leading gallery, New Treasure in Yangon. His works are in the collections of the Fukuoka Art Museum, Singapore Art Museum, School of Oriental and African Studies London, National Museum in Yangon, National Art Gallery Malaysia and former Mongolian president Tsakhiagiin Elbegdorj. Min Wae Aung also heads the Myanmar chapter of the International Watercolour Society.
Henry Butcher Art Auctioneers
Dec. 21, 2020
MIN WAE AUNG | Collecting Water
Est: S$8,000 - S$12,000
120 x 90 cm ; 137 x 107 ( with frame ) oil on canvas, framed signed and dated 97 lower right This work is located in Singapore
33 Auction
Jul. 12, 2020
MIN WAE AUNG : Composition in relief, 1989
Est: RM10,000 - RM18,000
This stunning work that departs from Min’s signature of Burmese monks clad in yellow or red robes in motion towards their destination. Still encapsulating the tranquillity that becomes the artist’s works, here, a striking ombre of electric blue sweeps across the canvas, with an intriguing relief symbol or object at the heart of the artwork. While the significance behind the painting is unbeknown, one might assume that it is associated to the Burmese culture or the Buddhist philosophy (Min Wae Aung’s belief).
KLAS Art Auction
Sep. 29, 2019
MIN WAE AUNG : Monks on Morning Round IV, 2005
Est: RM10,000 - RM15,000
"BURMESE ART Burmese art has been influenced primarily by Theravada Buddhism and the culture of the Mon people, with additional influences from India, Thailand, and China. Themes are commonly drawn from Buddhist and Hindu cosmology and myths. Burma, now Myanmar is particularly renowned for its richness of Buddhist architecture, and is justifiably called _The Land of Pagodasî, as Buddhist monasteries and gilded pagodas dot the landscape. The history of Myanmar art can be traced back to pre-historic times where stone age paintings were discovered in Pyadah-Lin Caves in the Taunggyi district of Shan State. Nine wall paintings and brown-coloured sketches were found there at a height of about 10 to 11 feet. Other wall paintings can be found in the _Lawka Hmankinî Cave at Saging hill in central Myanmar. This cave was dug into during the Inwa period of the Nyaung Yan Dynasty, between the 13th and 16th centuries. The paintings on the cave walls illustrate the life of Lord Buddha and the Jatakas-tales. Eleventh century Pagan mural paintings depict a strong Indian influence and floral patterns as the main subject of the paintings. The Pagan period saw artists excel in line drawing, and popular techniques included fresco, oil painting and tempera painting. Most of the paintings depict the 550 Jatakas (stories on Buddha). The Konbaung era (17th century), on the other hand, marked the transition from the Burmese traditional flat painting to embodying western styles, perspectives and tones. Hues of blue were used in abundance and the paintings created in that era illustrate the lifestyle, entertainment and scene of that period. During the colonial era, western styles and modern techniques were introduced and" "became highly popular. Contemporary art flourished in the 20th century, and Myanmars contemporary art now is predominantly impressionistic. MODERN PERIOD OF IMPRESSIONIST- STYLE MYANMAR ART Myanmars modern period of Impressionist-style saw the emergence of several artist sincluding U Lun Gywe, Burmas leading and most respected impressionist. His teacher was U Than Han who studied under U Ba Nyan, the artist who introduced realism and impressionism to Myanmar in the 1930s. U Lun Gywe is considered the master of drawing in both for realism and contemporary art. From the younger generation comes Min Wae Aung, one of the most successful and internationally- recognised artists. His traditionalised contemporary artworks are often exhibited in London, Singapore, Malaysia and other neighbouring countries. Another modern impressionist is U Myo Khin from Mandalay. His strokes are bold and strong, yet expressing delicate feelings in meaningful paintings. He is the owner of the Mandalay Htan Yeik Nyo gallery where top artists meet and share their love of arts. This gallery holds monthly exhibitions every year and many visitors can explore Myanmar fine art. Myanmar artists are now attempting to work in many diverse forms and techniques. Some use various media such as bottle art, decorated straw art and candle art without violating realism or Myanmar traditional techniques MIN WAE AUNG Min Wae Aung is a contemporary artist whose works are characterised by their strong association with Burmese culture and Buddhist philosophy. Born in 1960 in Danubyu in present-day Myanmar, Wae Aung studied at the State School of Fine Arts, Yangon before working as a" "commercial graphic artist and ultimately developing his signature aesthetics after a visit to the United States in 1993. The artist captures the very essence of Myanmar, its spiritual and magical dimension, creating iconic characters, which perpetuate age-old traditions. Monks and nuns in burnt orange and maroon robes against striking a gold background, with dramatic effects of light and shade, are the hallmark of his works. Almost exclusively composed of representational acrylic and watercolour paintings of multiple robed figures, his works feature centrally-located people, primarily of monks in solid-colour space of yellow, orange, and red. It can be discerned that outlines of the brightly coloured, subtly shaded figures are clearly delineated in black, against a background often executed in a contrasting pointillist manner. It is also evident that an intentional shimmering background seems to create an aura around the figures, which are thrown into greater focus, giving them an intense and luminous quality. They seem larger than life. His subjects faces are rarely shown, as Min desires to emphasise the monks movement. In his eyes, their anonymity helps convey how they are leaving humanity behind and going to a peaceful place, such as Nirvana. Min Wae Aungs paintings can be found in private and corporate collections across the globe, and he has held more than 50 international exhibitions to date. His works are held by the Singapore Art Museum, Standard Chartered Bank in Hong Kong, Nation Museum in Myanmar and Fukuoka Art Museum in Japan. His works are also collected by galleries and institutes in Singapore, Malaysia, the Netherlands, USA and UK, and are regularly showcased at art fairs."
KLAS Art Auction
May. 21, 2019
MIN WAE AUNG, (MYANMAR b.1960-), acrylic on canvas, "Monks on Morning Round IV", 93cm x 62.5cm, wood frame
Est: £600 - £800
MIN WAE AUNG, (MYANMAR b.1960-), acrylic on canvas, "Monks on Morning Round IV", 93cm x 62.5cm, wood frame
Roseberys
Apr. 01, 2019
MIN WAE AUNG | Figures and Ox Carts
Est: $15,000 - $25,000
Watercolor on paper
Sotheby's
Apr. 01, 2019
MIN WAE AUNG | Women and Children
Est: $60,000 - $90,000
Acrylic on canvas
Sotheby's
Mar. 29, 2019
Min Wae Aung (Burmese, b. 1960) Nuns, 1998
Est: HKD35,000 - HKD50,000
Min Wae Aung (Burmese, b. 1960) Nuns, 1998 signed and dated "min wae aung 98', lower right; affixed with gallery label, on the reverse.oil on canvas120 x 91.5 cm. (47 1/4 x 36 in.) 明維昂女修道士油彩畫布一九九八年作Provenance:Art-2 Gallery, SingaporeAcquired from the above by the present owner
Bonhams
May. 27, 2018
MIN WAE AUNG (BURMA, B. 1960) - Dusty Journey
Est: $65,000 - $100,000
MIN WAE AUNG (BURMA, B. 1960) Dusty Journey oil on canvas 62 x 88 cm. (24 3/8 x 34 5/8 in.)
Christie's
May. 20, 2018
MIN WAE AUNG | Happy Novice
Est: S$6,000 - S$8,000
115 x 90 cm acrylic on canvas signed and dated 2/2000 lower right Min Wae Aung《高興的和尚》2000 年作亞克力畫布款識：MIN WAE AUNG 2/2000（右下）
33 Auction
May. 20, 2018
MIN WAE AUNG | Travelers 2
Est: S$6,000 - S$8,000
120 x 90 cm acrylic on canvas signed and dated 10/03 lower left Min Wae Aung《旅遊者 2》2003 年作亞克力畫布款識：MIN WAE AUNG 10/03（左下）
33 Auction
Mar. 29, 2018
Min Wae Aung (Burmese, b.1960) Under Sunshine II
Est: HKD30,000 - HKD40,000
Min Wae Aung (Burmese, b.1960) Under Sunshine II
Bonhams
Dec. 17, 2017
MIN WAE AUNG | Nuns
Est: S$8,000 - S$12,000
121.5 x 91 cm acrylic on canvas signed and dated 98 lower right Min Wae Aung《和尚》1998 油彩畫布款識：TIN TUN HLAING 2000（左下）
33 Auction
Oct. 15, 2017
MIN WAE AUNG | Nuns
Est: S$8,000 - S$12,000
121.5 x 91 cm acrylic on canvas, framed signed and dated 98 lower right Min Wae Aung《和尚》1998 亞克力畫布款識：ＭＩＮ　ＷＡＥ　ＡＵＮＧ　９８（右下）
33 Auction
May. 15, 2014
Min Wae Aung, acrylic on canvas, 'Towards Nuns
Est: £1,500 - £2,500
Min Wae Aung, acrylic on canvas, 'Towards Nuns Rest House II', signed and dated 07, 50½" x 60"
Crow's Auction Gallery Ltd
Apr. 24, 2014
Min Wae Aung, acrylic on canvas, 'Nuns on the Morning Road', signed and dated 06, 36½'' x 50''
Est: £2,000 - £3,000
Min Wae Aung, acrylic on canvas, 'Nuns on the Morning Road', signed and dated 06, 36½'' x 50''
Crow's Auction Gallery Ltd
Apr. 24, 2014
Min Wae Aung, acrylic on canvas, 'Towards Nuns Rest House II', signed and dated 07, 50½'' x 60''
Est: £2,000 - £3,000
Min Wae Aung, acrylic on canvas, 'Towards Nuns Rest House II', signed and dated 07, 50½'' x 60''
Crow's Auction Gallery Ltd
Apr. 24, 2014
Min Wae Aung, acrylic on canvas, 'Towards Nuns Rest House III' number 8, signed and dated 06, 50½'' x 60''
Est: £2,000 - £3,000
Min Wae Aung, acrylic on canvas, 'Towards Nuns Rest House III' number 8, signed and dated 06, 50½'' x 60''
Crow's Auction Gallery Ltd
Mar. 25, 2012
Min Wae Aung (Burmese, born 1960) Buddhist Monks 2000 acrylic on canvas
Est: $4,000 - $6,000
Min Wae Aung (Burmese, born 1960) Buddhist Monks 2000 acrylic on canvas signed and dated 'MIN WAE AUNG / 3 2000' lower right Provenance: Min Wae Aung: Golden Visions, Art2 Gallery, Singapore, 4-27 August 2000 Note: Min Wae Aung is one of Burma's leading contemporary artists, whose work is inspired to a great degree by his travels into the interior of that country. His Monks series evokes the timelessness of monastic practices and the cyclical nature of Buddhist conceptions of death and rebirth, while juxtaposing striking composition with subtle renderings of light and shadow. 121 x 90.5cm
Bay East Auctions
Nov. 27, 2011
MIN WAE AUNG
Est: $140,000 - $200,000
MIN WAE AUNG (Burmese, B. 1960) Golden Ratio 2 signed and dated 'Min Wae Aung 2008' (lower right) acrylic on canvas 150 x 180 cm. (59 1/8 x 70 7/8 in.) Painted in 2008
Christie's
Sep. 25, 2011
Min Wae Aung (Burmese, born 1960) Buddhist Monks 2000 acrylic on canvas
Est: $8,000 - $12,000
Min Wae Aung (Burmese, born 1960) Buddhist Monks 2000 acrylic on canvas signed and dated 'MIN WAE AUNG / 3 2000' lower right Provenance: Min Wae Aung: Golden Visions, Art2 Gallery, Singapore, 4-27 August 2000 Note: Min Wae Aung is one of Burma's leading contemporary artists, whose work is inspired to a great degree by his travels into the interior of that country. His Monks series evokes the timelessness of monastic practices and the cyclical nature of Buddhist conceptions of death and rebirth, while juxtaposing striking composition with subtle renderings of light and shadow. 121 x 90.5cm
Bay East Auctions