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Jane Atché Sold at Auction Prices

Painter, Lithographer

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      • Rêverie / Méditation. 1897.
        Mar. 26, 2023

        Rêverie / Méditation. 1897.

        Est: $2,500 - $3,000

        ARTIST: JANE ATCHÉ (1872-1937) SIZE: Each: 14 3/4 in./37.3 cm DESCRIPTION: Created the same year as Mucha's more famous Têtes Byzantines, Atché's similar diptych Rêverie & Méditation may actually be superior to the Czech master's work. These two feminine profiles appear to be designed with the Pre-Raphaelite aesthetic in mind, rather than the Byzantine; Atché employs a greater sense of the English medieval, and a greater concentration on foliage as organic form rather than aesthetic embellishment. Their presence is absolutely radiant. (2) (Art Nouveau)

        Poster Auctions International Inc
      • RARE Original 1890s JOB Cigarette Poster JANE ATCHE Art
        Oct. 15, 2016

        RARE Original 1890s JOB Cigarette Poster JANE ATCHE Art

        Est: $1,500 - $2,500

        Artist: Atché, Jane 1880 -. Job. Technique: Lithograph 1896. Size: 52.3 x 38.1 in. (133 x 97 cm). Printer: Cassan Fils, Paris (trimmed).

        PosterConnection Inc.
      • Jane ATCHE (1872-1937)
        Dec. 20, 2014

        Jane ATCHE (1872-1937)

        Est: €1,000 - €1,500

        Jane ATCHE (1872-1937) Portrait d'élégante - 1904 Pastel sur toile Signé et daté en bas à droite. 144 x 87 cm Note : La carrière artistique de Jane Atché est brève, de 1895 à 1912, mais fulgurante. Toulousaine d'origine, elle apparaît d'emblée comme une femme artiste exceptionnelle, indépendante, libre et moderne, pleinement de son temps. En novembre 1896, elle a 24 ans, elle expose au Cirque de Reims son affiche pour le papier à cigarette JOB qui va la rendre célèbre. A cette "Exposition d'Affiches Artistiques Françaises et Étrangères" participent aussi Mucha, Toulouse-Lautrec et Firmin Bouisset. Jane se rapproche de Mucha et adopte un style résolument Art nouveau.

        Carvajal SVV
      • Job. 1896
        Sep. 21, 2014

        Job. 1896

        Est: $5,000 - $6,000

        Artist: JANE ATCHÉ (1872-1937) Size: 39 5/8 x 54 1/4 in./100.8 x 137.8 cm Imp. Cassan Fils, Toulouse Of Atché's half dozen known posters, this one for the cigarette paper firm is her most spectacular. We get the lyricism of Art Nouveau in the handling of the green dress and the smoke, combined with a compelling Lautrec-esque management of the solid black cape as it slashes through the design. This is the larger format version of the poster.

        Poster Auctions International Inc
      • Jane Atché (French, 1872-1937) Papier à Cigarettes Job, 1889, printed by Cassan Fils, Toulouse and Paris. Signed and identified within
        Feb. 07, 2014

        Jane Atché (French, 1872-1937) Papier à Cigarettes Job, 1889, printed by Cassan Fils, Toulouse and Paris. Signed and identified within

        Est: $5,000 - $7,000

        Jane Atché (French, 1872-1937) Papier à Cigarettes Job, 1889, printed by Cassan Fils, Toulouse and Paris. Signed and identified within the matrix. Color lithographic poster, 53 1/4 x 38 3/8 in. (135.0 x 97.2 cm), framed. Condition: Folds and creases, subtle toning, rippling, not examined out of frame.

        Skinner
      • Jane Atche (French, born 1880)
        Apr. 09, 2013

        Jane Atche (French, born 1880)

        Est: £500 - £700

        'Femme au Livre' and 'Femme a la Marguerite', a pair with printed signature colour lithographs, circular 35 cm diam.

        Bonhams
      • After Jane Atché, French 1872-1937, "Femme
        Mar. 13, 2012

        After Jane Atché, French 1872-1937, "Femme

        Est: £400 - £600

        After Jane Atché, French 1872-1937, "Femme Fleures"; chromolithographs, a pair, tondo, both signed within the plate, in matching early 20th century machine carved wooden frames, one bearing framer's labels for The Norfolk Gallery, H F Mathews 70 Streatham High Road SW, ea. dia. 35cm (2)

        Roseberys
      • Chocolat Vincent.
        May. 03, 2009

        Chocolat Vincent.

        Est: $2,000 - $2,500

        The charm of this Atché poster for Chocolat Vincent is abundant. We catch a young couple in the midst of a romantic interlude, perhaps even mid-proposal, with the rather serious, somewhat feminine, young suitor offering an exquisite bar of chocolate to his glowing intended. With the bees swarming around their hutches in the background, can there be any doubt that the key to winning the heart of any lady fair is with a romance as sweet as the Provencal honey used to create an award-winning bonbon. "We know just enough about Jane Atché to be intrigued. She was born in Toulouse, worked in lithographic prints-at first in black and white only, later in color-and earned an honorable mention at the Salon of the Société des Artistes Français in 1902. Her scarce posters all disclose that Mucha was obviously [a strong influence]" (Wine Spectator, 101). Abdy, in fact, considers Atché one of Mucha's two best followers in France (p. 100

        Poster Auctions International Inc
      • Poster: JANE ATCHÉ (1872-1937) JOB. 1889. 57 x 42 inches. Cas
        Dec. 19, 2007

        Poster: JANE ATCHÉ (1872-1937) JOB. 1889. 57 x 42 inches. Cas

        Est: $7,000 - $10,000

        JANE ATCHÉ (1872-1937) JOB. 1889. 57 x 42 inches. Cassan Fils, Paris. Condition B+: repaired tears, creases, overpainting and restoration in image. Atché was born in Toulouse. While most artists of the day eventually moved to Paris in an attempt to achieve national, or even international recognition, she chose to remain in this Southern French city. She might have languished in obscurity if she hadn't been discovered by Joseph Bardouin, the owner of Job rolling paper. He was a tireless scout for new talents to help promote his brand (employing Cheret, Pal and Mucha), and might well have met her at the Cassan Fils printing plant in Toulouse. For this image, Atché designs a supremely elegant and stylistic vision of a sophisticated woman languidly enjoying a cigarette. The image is bereft of exaggerated Art Nouveau details, with the exception of the smoke. (In a smaller version, that exists without text, the smoke appears as a halo around the woman's head, or perhaps a noose . . . ). Atché's posters all reflect this same devotion to Mucha's style and despite some research which suggests they were also personally acquainted, her work carries its own signature look. In addition to its artistic qualities, this image also has social significance, in that it was one of the few images produced at the turn-of-the-century that depicted a positive image of women smoking, representing an important advancement in modern women's rights. DFP II 24, Reims 208, Abdy p. 149, Wine Spectator 101, Maitres 1900 p. 26 (var).

        Swann Auction Galleries
      • Poster: JANE ATCHÉ (1872-1937) [HOLLY AND MISTELTOE.] Two pan
        Dec. 19, 2007

        Poster: JANE ATCHÉ (1872-1937) [HOLLY AND MISTELTOE.] Two pan

        Est: $4,000 - $6,000

        JANE ATCHÉ (1872-1937) [HOLLY AND MISTELTOE.] Two panels. 1899. Each approximately 29x18 1/2 inches. Condition varies, generally B+: each with expertly restored margins. Framed. Although these two decorative panels are previously undocumented, it is not a surprise to learn of their existence. Based on the run-away commercial success that Mucha had with his decorative panels, many of his followers, and other artists, chose to try their hand at the medium. Atché herself is known to have designed at least one other pair, Rêverie et Meditation. That these two images have never surfaced before is an indication that they were a commercial failure, which is difficult to understand, as they are so artistically compelling. While the influence of Mucha is clear in the designs to a point, Atché has her own personality that comes through in the designs. The two women are treated with far less exuberance than Mucha would have afforded them, the Holly and the Mistletoe are not overwhelmingly exaggerated and, perhaps most interestingly, Atché does not employ strict vertical symmetry. The image of Holly has a wide-open space at the top, with a distant view of the Pyrennees, and Mistletoe is set against a backdrop of trees. They are both highly inventive and decorative works in a pure Art Nouveau style.

        Swann Auction Galleries
      • JANE ATCHE, 1880- ? - LE HOUX ET LE GUI
        Dec. 13, 2007

        JANE ATCHE, 1880- ? - LE HOUX ET LE GUI

        Est: €1,200 - €1,500

        JANE ATCHE, 1880- ? - LE HOUX ET LE GUI

        Piasa
      • Femme tenant un encensoir avec un paon à ses pieds devant un escalier
        Nov. 21, 2007

        Femme tenant un encensoir avec un paon à ses pieds devant un escalier

        Est: €3,000 - €5,000

        JANE ATCHE LEROUX (TOULOUSE 1880-) Femme tenant un encensoir avec un paon à ses pieds devant un escalier signé 'JaneAtché-Leroux' mine de plomb, aquarelle, rehaussé de blanc et d'or 423 x 221 mm.

        Christie's
      • RÊVERIE/MÉDITATION, DECORATIVE PANELS
        Sep. 13, 2007

        RÊVERIE/MÉDITATION, DECORATIVE PANELS

        Est: £1,500 - £2,000

        ATCHÉ, Jane (B.1880) RÊVERIE/MÉDITATION, DECORATIVE PANELS lithographs in colours, condition A; framed 14in. (36cm.) diam. each (2)

        Christie's
      • Jane Atche (b. 1880) color lithograph, "Femme a la Marguerite," framed. Signed Atche in the plate. 14" x 14".
        Sep. 30, 2005

        Jane Atche (b. 1880) color lithograph, "Femme a la Marguerite," framed. Signed Atche in the plate. 14" x 14".

        Est: $1,000 - $1,500

        Jane Atche (b. 1880) color lithograph, "Femme a la Marguerite," framed. Signed Atche in the plate. 14" x 14".

        Rago Arts and Auction Center
      • Jane Atche
        Feb. 25, 2004

        Jane Atche

        Est: $1,000 - $1,500

        FEMME A LA MARGUERITE and FEMME AU LIVRE Two color lithographs, trimmed slightly into the image. Sheet of each 13 7/8 x 13 7/8 inches

        Doyle New York
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