Anthonius (1563) Sold at Auction Prices

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    • KHUNRATH, Heinrich (1560-1605). Ampitheatrum sapientiae aeternae solius verae, Christiano-kabalisticum, divino-magicum, nec non physico-chymicum, tertriunum, Catholicon. [Colophon:] Hanover: "Excudebat Guilielmus Antonius," 1609 [but some plates
      Mar. 29, 2018

      KHUNRATH, Heinrich (1560-1605). Ampitheatrum sapientiae aeternae solius verae, Christiano-kabalisticum, divino-magicum, nec non physico-chymicum, tertriunum, Catholicon. [Colophon:] Hanover: "Excudebat Guilielmus Antonius," 1609 [but some plates

      Est: £500 - £800

      KHUNRATH, Heinrich (1560-1605). Ampitheatrum sapientiae aeternae solius verae, Christiano-kabalisticum, divino-magicum, nec non physico-chymicum, tertriunum, Catholicon. [Colophon:] Hanover: "Excudebat Guilielmus Antonius," 1609 [but some plates dated 1602]. Folio (293 x 185mm). Engraved portrait of the author by Johan Diricks van Campe, engraved title, 9 double-page engraved plates, including 4 circular and 5 rectangular, the rectangular plates and "Epilogus" dated 1602 (lacking the 'owl' plate, as often), 2 double-page letterpress tables, headpieces, initials and ornaments (crude repairs to lower margins of portrait and title, one plate cropped at upper edge, another plate shaved at upper edge, the plates re-hinged, repair to colophon leaf, the plates quite heavily browned, text more lightly browned but improving towards the end, some mainly marginal staining). Contemporary vellum, spine gilt. Provenance: "P.H." (modern label). Brunet II, 768: "ouvrage singulier" (and recording another edition, in addition to the first, of 1602); Caillet 5747; Duveen 319: "... one of the most important books in the whole literature of theosophical alchemy and the occult sciences"; Ferguson I, 463; Wellcome I, 3560. This notorious theosophical work was first published, with just four plates, in Hamburg in 1595: only four copies of this first edition are known to exist. Of the present edition, various versions exist, with varying plate counts. Our copy is therefore sold not subject to return.

      Chiswick Auctions
    • Jan Mandyn, um 1500 - um 1560, zug.
      Dec. 10, 2015

      Jan Mandyn, um 1500 - um 1560, zug.

      Est: €25,000 - €30,000

      VERSUCHUNG DES HEILIGEN ANTONIUS Öl auf Holz. 25 x 33,8 cm. Ohne Rahmen. Der Maler, nach 1530 in Antwerpen nachgewiesen, studierte in Haarlem und war später Lehrer von Jean van Elburcht, Gillis Mostaert sowie dem bedeutenden Bartholomeus Spranger. Lediglich ein Werk seiner Hand, die „Versuchung des Heiligen Antonius“ im Franz Hals Museum in Haarlem, trägt seine Signatur. Sein Malstil steht den Werken von Hieronymus Bosch nahe, weswegen er auch als ein Nachfolger Boschs gesehen wird. Auch der frühe Biograf Karel van Mander nennt ihn bereits als einen Maler in der skurrilen Thematik, wie sie für Hieronymus Bosch bekannt ist. Ein weiteres bekanntes Werk seiner Hand, die „Versuchung des Heiligen Christopherus“, findet sich in der Gemäldegalerie Berlin. Ganz in der Art des Hieronymus Bosch ist auch im vorliegenden Gemälde das religiöse Thema in eine weite, hügelige Landschaft versetzt. Der Heilige im Ordenskleid am Fuße eines Baumes mit Gebetsbuch kniend, umgeben von zahlreichen erschreckenden bzw. visionär verführenden Gestalten mit furchterregenden Gesten. Darunter nackte Gestalten beim Baden, fliegende Ungeheuer, daneben links im oberen Hintergrund eine Kapelle mit herumziehendem Flusslauf, gleichsam als Insel und Symbol der religiösen Unanfechtbarkeit. (1021713) (11) Jan Mandyn, ca. 1500 - ca. 1560, attributed THE TEMPTATION OF SAINT ANTHONY Oil on panel. 25 x 33.8 cm. Without frame. The painter is recorded in Antwerp after 1530, studied in Haarlem, and was later a teacher of Jean van Elburcht, Gillis Mostaert and the famous Bartholomeus Spranger. Only one of his paintings, the “Temptation of Saint Anthony“ held at the Franz Hals Museum in Haarlem bears his signature. His painting style is similar to works by Hieronymus Bosch, hence the assumption that Mandyn was a follower of Bosch. The present painting also is entirely in the style of Hieronymus Bosch with the religious subject set in a wide, hilly landscape.

      Hampel Fine Art Auctions
    • Antonio & Girolamo Amati (Cremona, b c1540; d c1610 & b 1562; d 1630) A violin Cremona, 1618
      Mar. 11, 2008

      Antonio & Girolamo Amati (Cremona, b c1540; d c1610 & b 1562; d 1630) A violin Cremona, 1618

      Est: £35,000 - £50,000

      the head by Andrea Guarneri labelled Antonius, & Hieronymus Fr. Amati Cremonen. Andreae fil. f. 1618

      Sotheby's
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