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  • ANDREA DE LIONE 1610-1685 Cristo e l'adultera - Christ and the adulteress
    Nov. 23, 2023

    ANDREA DE LIONE 1610-1685 Cristo e l'adultera - Christ and the adulteress

    Est: €6,000 - €7,000

    ANDREA DE LIONE 1610-1685 Cristo e l'adultera Oilo su tela, firmato e datato al recto, su due cartigli. 51,00 x 78,50 cm - ANDREA DE LIONE 1610-1685 Christ and the adulteress Oil on canvas, signed and dated on the recto, on two cartouches. 20.08 x 30.91 in.

    Aste Bolaffi
  • CIRCLE OF ANDREA DI LIONE (Naples, 1610 - 1685). "Shepherd scene". Oil on canvas. Relined. Vintage frame.
    Oct. 18, 2023

    CIRCLE OF ANDREA DI LIONE (Naples, 1610 - 1685). "Shepherd scene". Oil on canvas. Relined. Vintage frame.

    Est: €3,000 - €4,000

    Circle of ANDREA DI LIONE (Naples, 1610 - 1685). "Pastoral scene". Oil on canvas. Relined. Vintage frame. Measurements: 62 x 73 cm; 78 x 89 cm (frame). There are few dated works by this artist, so it is only through the different modern attributions that it has been possible to establish his personality. He trained with the late Mannerist painter Belisario Corenzio, although he soon joined the workshop of Aniello Falcone, an artist known for his famous recreations of battles. It was in this genre that Lione achieved the greatest similarity to his master. However, he was also able to enrich his painting with Poussinian classicism and the Neo-Venetianism that prevailed at the time, to the extent that he developed a personality of his own, reflected in his great pictorial freedom. In this way he created a series of landscapes with a refined classicist sense. The Museo del Prado is one of the institutions where the best examples of his art can be found. There are up to four works by Lione in the Madrid art gallery. Some are part of the series of commissions from Neapolitan painters for the decoration of the Buen Retiro palace, although it is also known that at least one of his canvases was in the Alcázar in Madrid before the fire of 1734.

    Setdart Auction House
  • ANDREA DE LIONE
    May. 18, 2023

    ANDREA DE LIONE

    Est: €4,000 - €7,000

    (Napoli, 1596 ; 1675) Predica di San Giovanni Battista Olio su rame, diam. cm 58 Provenienza: Vienna, Dorotheum, 30 aprile 2019, lotto 574 (come Andrea De Lione) Allievo di Belisario Corenzio e poi di Aniello Falcone insieme a Salvator Rosa e Micco Spadaro, l'artista si pone tra le principali figure del barocco partenopeo. Altrettanto fondamentale per la sua evoluzione stilistica fu la contiguità con il genovese Giovanni Benedetto Castiglione detto il Grechetto, documentato a Napoli nel 1635, con il quale l'artista instaurerà un proficuo sodalizio e, in certi casi, una vera e propria simbiosi pittorica. Di particolare importanza sarà il viaggio a Roma, dove assimilerà le suggestioni del classicismo guardando le opere di Nicolas Poussin, Pietro Testa e Jean Lemaire, partecipando a pieno titolo al gusto antiquario e neo veneto in auge nella Città Eterna. Sono infatti note le affinità tra questi autori, non solo dal punto di vista espressivo ma altresì tematico, secondo un interesse filosofico e anticonformista già sottolineato da Sandrat (Di Penta 2014, p. 61). Il rame in esame ben esprime la qualità pittorica dell'autore e, come detto, riflette in modo particolare nel paesaggio l'influenza della cultura capitolina, così anche le figure si distinguono dal segno grafico di Aniello Falcone e Micco Spadaro, suggerendo una datazione matura e di sintesi barocca. Bibliografia di riferimento: G. Sestieri, I pittori di battaglie. Maestri italiani e stranieri del XVII e XVIII secolo, Roma 1999, pp. 82-86, 308-323 Andrea De Lione. La pittura come racconto, catalogo della mostra a cura di U. Giacometti, I. Porcini, G. Porzio, Napoli 2008, ad vocem M. Di Penta, Due inediti di Andrea de Leone. Nuove riflessioni sul Poussin-Castiglione-De Lione, in Storia dell'Arte 125-126, 2010, pp. 94-109 M. Di Penta, Novità sul soggiorno di Andrea De Lione a Roma (1630). Riflessioni sul rapporto con Nicolas Poussin, Pietro Testa, Andrea sacchi e l'ambiente di Casa dal Pozzo, in I Pittori del dissenso, a cura di S. Albl, A. V. Sganzerla e G. M. Weston, Roma 2014, pp. 59-79 M. Di Penta, Andrea De Leone (Napoli 1610 ; 1685) Dipinti-Disegni, Roma 2016, ad vocem

    Wannenes Art Auctions
  • CIRCLE OF ANDREA DI LIONE (Naples, 1610 - 1685). "Shepherd scene". Oil on canvas. Reengineered. Vintage frame.
    Jan. 26, 2022

    CIRCLE OF ANDREA DI LIONE (Naples, 1610 - 1685). "Shepherd scene". Oil on canvas. Reengineered. Vintage frame.

    Est: €3,000 - €3,500

    Circle of ANDREA DI LIONE (Naples, 1610 - 1685). "Pastoral scene". Oil on canvas. Re-coloured. Period frame. Measurements: 62 x 73 cm; 78 x 89 cm (frame). There are few dated works by this artist, so it is only through the different modern attributions that it has been possible to establish his personality. He trained with the late Mannerist painter Belisario Corenzio, although he soon joined the workshop of Aniello Falcone, an artist known for his famous recreations of battles. It was in this genre that Lione achieved the greatest similarity to his master. However, he was also able to enrich his painting with Poussinian classicism and the Neo-Venetianism that prevailed at the time, to the extent that he developed a personality of his own, reflected in his great pictorial freedom. In this way he created a series of landscapes with a refined classicist sense. The Museo del Prado is one of the institutions where the best examples of his art can be found. There are up to four works by Lione in the Madrid art gallery. Some are part of the series of commissions from Neapolitan painters for the decoration of the Buen Retiro palace, although it is also known that at least one of his canvases was in the Alcázar in Madrid before the fire of 1734.

    Setdart Auction House
  • Circle of ANDREA DI LIONE (Naples, 1610 - 1685). "Pastoral scene". Oil on canvas. Re-embossed. Period frame.
    Jun. 01, 2021

    Circle of ANDREA DI LIONE (Naples, 1610 - 1685). "Pastoral scene". Oil on canvas. Re-embossed. Period frame.

    Est: €5,000 - €6,000

    Circle of ANDREA DI LIONE (Naples, 1610 - 1685). "Pastoral scene". Oil on canvas. Re-embossed. Period frame. Size: 62 x 73 cm; 78 x 89 cm (frame). The dated works of this artist are scarce, so only through the different modern attributions it has been possible to configure his personality. He trained with the late Mannerist painter Belisario Corenzio, although he soon joined the workshop of Aniello Falcone, an artist known for his famous recreations of battles. It was in this genre that Lione achieved a greater similarity with his master. But, in addition, he was able to enrich his painting with Poussinian classicism and the neo-Venetianism then prevailing, until he developed his own personality, reflected in a great pictorial freedom. In this way he would create a series of landscapes of a refined classicist sense. The Prado Museum is one of the institutions where the best examples of his art can be found. There are up to four works by Lione in the Madrid art gallery. Some of them are part of the series of commissions to Neapolitan painters for the decoration of the Buen Retiro Palace, although it is also known that at least one of his canvases was in the Alcázar of Madrid before the fire of 1734.

    Setdart Auction House
  • De Lione, Andrea: Noli me tangere
    Nov. 19, 2020

    De Lione, Andrea: Noli me tangere

    Est: €4,000 - €6,000

    De Lione, Andrea Naples 1610 - 1685 - Circle Oil on copper. Diameter: 26cm. Framed. Provenance: Private ownership, Switzerland. We are grateful to Riccardo Lattuada, Naples, for his help in cataloguing the present painting. Explanations to the Catalogue Andrea De Lione Baroque 17th C. Old Masters Religious Art Painting Life of Christ Estimated Shippingcost for this lot: Germany: 31,93 Euro plus 6,07 Euro VAT EU: 58,82 Euro plus 11,18 Euro VAT Worldwide: 84,03 Euro plus 15,97 Euro VAT additional shipping insurance For this lot we will charge an extra allocation for import VAT, as the item has been imported from outside the EU (Conditions of Sale §V5.2).

    Van Ham Kunstauktionen
  • Andrea de Lione (Napoli 1610–1685) SCENA DI BATTAGLIA olio s
    Oct. 02, 2019

    Andrea de Lione (Napoli 1610–1685) SCENA DI BATTAGLIA olio s

    Est: €2,800 - €4,000

    Andrea de Lione (Napoli 1610–1685) SCENA DI BATTAGLIA olio su tavola ovale, cm 34x53,5   BATTLE SCENE oil on oval panel, cm 34x53,5

    Pandolfini Casa d'Aste
  • Lione Andrea De (Napoli 1610 - 1685), attribuito a, Assalto alle mura
    Jun. 12, 2019

    Lione Andrea De (Napoli 1610 - 1685), attribuito a, Assalto alle mura

    Est: €5,000 - €6,000

    olio su tela, cm 57x62

    Cambi Casa d'Aste
  • De Lione Andrea (Napoli 1610 - 1685), Battaglia con flotta
    Nov. 14, 2018

    De Lione Andrea (Napoli 1610 - 1685), Battaglia con flotta

    Est: €5,000 - €8,000

    olio su rame, diametro cm 25 entro cornice antica, Tracce di firma sul fianco posteriore del cavallo bianco in primo piano. Il Prof. Giancarlo Sestieri conferma verbalmente l'attribuzione.

    Cambi Casa d'Aste
  • Andrea De Lione (Napoli 1610 - 1685) Pastorale
    Oct. 29, 2013

    Andrea De Lione (Napoli 1610 - 1685) Pastorale

    Est: €10,000 - €12,000

    Andrea De Lione (Napoli 1610 - 1685) Pastorale cm 95x128, in cornice "Bibliografia: Achille Della Ragione ""Andrea de Lione. Insigne battagliata e maestro di scene bucoliche"", p. 27, tav.55 "

    Cambi Casa d'Aste
  • Attribuito a Andrea de Lione (Napoli 1610-1685)
    May. 30, 2012

    Attribuito a Andrea de Lione (Napoli 1610-1685)

    Est: €3,000 - €5,000

    Attribuito a Andrea de Lione (Napoli 1610-1685) Struzzo e puttini olio su tela 42x23 cm

    Christie's
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