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Emma Amos Sold at Auction Prices

Painter, b. 1937 - d. 2020

Emma Amos (16 March 1937 – 20 May 2020) was a postmodernist African-American painter and printmaker.

Amos was born in Atlanta, Georgia in 1937[1] to India DeLaine Amos and Miles Green Amos.[2] Amos took an interest in art at an early age, creating "masses of paper dolls" and learning figure drawing from issues of Esquire and the art of Alberto Vargas, was painting the figure by the age of nine. Her mother had aspirations of Amos studying with Hale Woodruff, but he did not accept many private students and left the area before she had the opportunity to study with him.[3]

At eleven, Amos took a course at Morris Brown College, where she worked on her draftsmanship and took note of the work that African American college students were producing at the time. [4] By high school, Amos was submitting her work to Atlanta University art shows. She graduated from Booker T. Washington High School in Atlanta at the age of 16, and applied to Antioch College, because of their progressive policies.[3]

Her father exposed her to black intelligentsia; Zora Neale Hurston frequently visited and W.E.B. Du Bois once called on the family.[4]

Education:
Amos studied at Antioch College in Yellow Springs, Ohio, at the Central School of Art and Design in London and at New York University.[4][5] While at Antioch, Amos worked for half of the year, and studied for the remainder. She worked in Chicago, New York, and in Washington, D.C., which enabled her to visit galleries and museums, which had been less accessible in Atlanta. Her fourth year at Antioch, she went to England and studied at the London Central School of Art, where she learned to print and etch under Anthony Harrison, and began to paint with oils, which she had not done before.[6] Amos received her BFA degree from Antioch in 1958,[7] then went back to London for her degree in etching, which she received in 1959 after two years of study.[7][6] The following year Amos moved to New York City to start working with two printmaking studios.[8] Later on she received her MA at New York University (NYU).[7]

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    • EMMA AMOS (1938 - 2020) Untitled.
      Oct. 03, 2024

      EMMA AMOS (1938 - 2020) Untitled.

      Est: $20,000 - $30,000

      EMMA AMOS (1938 - 2020) Untitled. Oil on linen canvas, 1958. 30x24 inches; 762x600 mm. Signed in oil, lower right recto. Signed and dated in pencil on the stretcher bars, verso. Provenance: private collection, Mexico. This striking abstraction is one of the earliest Emma Amos paintings we have seen. Amos likely painted this work in the spring of 1958 when she was a senior studying fine art at Antioch College in Ohio. Amos spent her fourth year abroad at the London Central School of Art, studying printmaking, painting, and weaving. After receiving a BA from Antioch, she returned to the Central School to earn a diploma in etching in 1959, and continued to pursue abstraction. She explored the boundaries of color and space and was influenced by Abstract Expressionism and Color Field painting. She subsequently moved to New York where she joined the artist collective Spiral, founded by Romare Bearden, Hale Woodruff, Norman Lewis and Charles Alston, as the sole female member. Another abstract oil painting from this London period, Shepherd's Path, 1958, was included in her retrospective Emma Amos: Color Odyssey, organized by Shawyna Harris in 2021 at the Georgia Museum of Art.

      Swann Auction Galleries
    • EMMA AMOS (1938 - 2020) On Top of the World
      Oct. 03, 2024

      EMMA AMOS (1938 - 2020) On Top of the World

      Est: $2,000 - $3,000

      EMMA AMOS (1938 - 2020) On Top of the World Silk aquatint with textile chine-collé on Arches paper, 1996. 755x565 mm; 29¾x22⅓ inches (sheet). Signed, titled, dated and numbered 29/60 in pencil, lower margin. Printed by the artist and Kathy Caraccio at the K. Caraccio Studio, New York. Emma Amos was commissioned by the Atlanta Committee for the Olympic Games in 1996 to create an original painting from which an official Olympic poster and this limited edition print were created.

      Swann Auction Galleries
    • Emma Amos, 1938-2020, On Top of the World
      Sep. 14, 2024

      Emma Amos, 1938-2020, On Top of the World

      Est: $2,000 - $3,000

      Emma Amos 1938-2020 On Top of the World 1996 hand-printed silk aquatint with fabric collage borders on Arches paper 33-1/4 x 27-1/4 inches signed, titled, dated; numbered, 36/60

      Black Art Auction
    • EMMA AMOS Three color prints.
      Jun. 06, 2024

      EMMA AMOS Three color prints.

      Est: $2,000 - $3,000

      EMMA AMOS Three color prints. Harvest, color aquatint and embossing on cream wove paper, 1959. Artist's proof. Signed, titled, dated and inscribed "artist's proof" in pencil, lower margin * Harvest II, color etching, aquatint and drypoint on heavy cream wove paper, 1959. Artist's proof. Signed, titled, dated and inscribed "Proof" in pencil, lower margin * Pompeii, color aquatint on heavy cream wove paper, 1959. Artist's proof. Signed, titled, dated and inscribed "Proof" in pencil, lower margin. Very good impressions with strong colors. Amos (1937-2020) was a Postwar Abstract African-American painter and printmaker. She was born and raised in Atlanta, and took an interest in art at an early age. Amos made these early prints after she returned to London's Central School of Art and Design to continue to study printmaking. During her fourth year at Antioch College in Ohio, from which she received her B.F.A. degree in 1958, she first went to England and studied etching at the Central School. According to Amos, "I really think I found and stopped worrying about myself as an artist my second year in England--etching and the whole idea of printmaking and having a handsome, a well-thought-out and finished work that satisfies you." In 1960, Amos moved to New York to work with two printmaking studios, joining the printmaking studios of Letterio Calapai (a part of Stanley William Hayter's Atelier 17, Paris and New York) and Robert Blackburn's Printmaking Workshop. Despite her difficulties as an African American woman in the New York art scene at the time, Amos persevered and received her M.A. from New York University in 1966. While at NYU, she became reacquainted with Hale Woodruff, with whom she had tried to study with in Atlanta, who was a professor there at the time. Woodruff helped Amos with her printmaking and introduced her to Spiral, a collective of approximately fifteen prominent African American artists, with whom she exhibited in 1965 at their first and only exhibit, in a rented gallery space at 147 Christopher Street. During the 1970s, Amos went on to teach textile design at the Newark School of Fine and Industrial Arts, New Jersey, and gained prominence weaving on her own looms at Threadbare, a yarn and weaving shop on Bleecker Street, New York. She later became a Professor at the Mason Gross School of the Arts at Rutgers University, New Jersey.

      Swann Auction Galleries
    • Emma Amos (1937-2020): Untitled
      Jun. 06, 2024

      Emma Amos (1937-2020): Untitled

      Est: $1,500 - $2,500

      Fabric collage, 1991, signed 'Amos' and dated along the side, signed and dated on the reverse. 11 x 11 in., unframed. Note: The photographic image in the background of this fabric collage is described by the artist on the reverse as "Off to college at 18 years old, India's friends--Atlanta 1926". Emma Amos was born in Atlanta and her childhood in the South as the granddaughter of two grandfathers who were both born as slaves figures heavily in her work. Trying to connect her experiences with her work, Amos said "I hope that the subjects of my paintings dislodge, question, and tweak prejudices, rules, and notions relating to art and who makes it, poses for it, shows it, and buys it. The work reflects my investigations into the otherness often seen by white male artists, along with the notion of desire, the dark body versus the white body, racism, and my wish to provoke more thoughtful ways of thinking and seeing."

      STAIR
    • Emma Amos, 1937-2020, Paper Mask
      May. 18, 2024

      Emma Amos, 1937-2020, Paper Mask

      Est: $1,500 - $2,500

      Emma Amos 1937-2020 Paper Mask n.d. mixed media collage/lithograph 21 x 14 inches signed, titled, and numbered 2/17

      Black Art Auction
    • EMMA AMOS (1937 - 2020) Cheetah.
      Apr. 04, 2024

      EMMA AMOS (1937 - 2020) Cheetah.

      Est: $8,000 - $12,000

      EMMA AMOS (1937 - 2020) Cheetah. Acrylic, ink and monotype on shaped, mounted paper, 1985. 610x813 mm; 24x32 inches. Signed and titled in pencil, lower edge. With the artist's original hand-written label on the frame back. Provenance: private corporate collection, New York.

      Swann Auction Galleries
    • EMMA AMOS (1937 - 2020) Jaguar (Cat).
      Apr. 04, 2024

      EMMA AMOS (1937 - 2020) Jaguar (Cat).

      Est: $8,000 - $12,000

      EMMA AMOS (1937 - 2020) Jaguar (Cat). Acrylic, ink and monotype with collage on shaped, mounted paper, 1985. 610x813 mm; 24x32 inches. Signed, titled "Cat" and dated in pencil, lower edge. With the artist's original hand-written label on the frame back. Provenance: private corporate collection, New York.

      Swann Auction Galleries
    • EMMA AMOS (1937 - 2020) The Gorilla (Mountain Gorilla).
      Apr. 04, 2024

      EMMA AMOS (1937 - 2020) The Gorilla (Mountain Gorilla).

      Est: $8,000 - $12,000

      EMMA AMOS (1937 - 2020) The Gorilla (Mountain Gorilla). Acrylic, ink and monotype with fabric collage on shaped, mounted paper, 1985. 610x813 mm; 24x32 inches. Signed, titled "Mountain Gorilla" and dated in pencil, upper edge. With the artist's original hand-written label on the frame back. Provenance: private corporate collection, New York. Amos deconstructed traditional representations by embracing experimental techniques as a painter, printmaker and weaver. In a related painting, Josephine and the Mountain Gorillas, 1985, Amos imagined Josephine Baker walking through an abstract expressionist color field painting followed by two gorillas.

      Swann Auction Galleries
    • EMMA AMOS (1937 - 2020) Untitled (Topsy or Curly).
      Apr. 04, 2024

      EMMA AMOS (1937 - 2020) Untitled (Topsy or Curly).

      Est: $8,000 - $12,000

      EMMA AMOS (1937 - 2020) Untitled (Topsy or Curly). Screenprint on velvet with fabric border, 2001. 431x457 mm; 17x18 inches. Edition of 6. Provenance: acquired directly from the artist; private collection, New York (2013). This print serveed as a maquette for Curly Topsy and Topsy Curly, 2001, a diptych of wall hangings that Amos produced. They were later exhibited at Flomenhaft Gallery in New York in 2010. Untitled (Topsy or Curly) was likely inspired by the folk tradition of Topsy-Turvy dolls that originated in the antebellum South and remained popular through the mid-20th century. These two-in-one dolls always hid one figure while the other was visible and frequently paired white girls in pigtails with Black "mammies" wearing headscarves. The fraught history of the Topsy-Turvy doll may have informed Amos's diptych, where acrobatic power dynamics are mapped onto racial differences.

      Swann Auction Galleries
    • Emma Amos, 1937-2020, Art Heaven
      Dec. 02, 2023

      Emma Amos, 1937-2020, Art Heaven

      Est: $3,000 - $5,000

      Emma Amos 1937-2020 Art Heaven 2006 digital Inkjet print with fabric appliqué 26 x 20 inches signed, titled, dated, and numbered 50/100

      Black Art Auction
    • EMMA AMOS (1937 - 2020) Giza, Emma, and Larry.
      Oct. 19, 2023

      EMMA AMOS (1937 - 2020) Giza, Emma, and Larry.

      Est: $2,000 - $3,000

      EMMA AMOS (1937 - 2020) Giza, Emma, and Larry. Color lithograph with fabric appliqué on wove paper, 1992. 559x762 mm; 22x30 inches. Signed, titled, dated and numbered 17/50 in red and white pencil, lower edge. Published and printed by the Brodsky Center for Innovative Editions, Rutgers University, New Brunswick, NJ.

      Swann Auction Galleries
    • Emma Amos, b. 1934, Top of the World
      May. 20, 2023

      Emma Amos, b. 1934, Top of the World

      Est: $2,000 - $3,000

      Emma Amos b. 1934 Top of the World 1996 hand-printed silk aquatint with fabric collage borders on Arches paper 33-1/4 x 27-1/4 inches signed, titled, dated; numbered, 43/60

      Black Art Auction
    • Emma Amos Ok - Thank You
      Apr. 22, 2023

      Emma Amos Ok - Thank You

      Est: $40,000 - $60,000

      Emma Amos (American, 1937-2020) Ok - Thank You Acrylic on canvas with photo transfer and African fabric borders Signed and dated Emma Amos 1995, lower right

      Larsen Art Auction
    • EMMA AMOS (1937 - 2020) Paper Sack Brown.
      Apr. 06, 2023

      EMMA AMOS (1937 - 2020) Paper Sack Brown.

      Est: $30,000 - $40,000

      EMMA AMOS (1937 - 2020) Paper Sack Brown. Pastel and acrylic over monotype on buff wove paper, circa 1982. 1041x762 mm; 41x30 inches. Signed in pastel, lower right. Titled in acrylic, lower edge. Provenance: private collection (1983). Paper Sack Brown is a significant Emma Amos work on paper that eloquently explores issues of color and representation in art. The title refers to "the brown paper bag test", the colorist discriminatory practice of comparing skin tone to the color of a brown paper bag. As an African American woman and a woman of mixed race, Amos was deeply aware of the complex meanings of color in American society. The model's pose echoes classical figure studies - but only up to a point. Amos didn't paint nudes - she found the depiction of the female nude sexist and unequal. In a 1995 Art Papers interview with Mildred Thompson, Amos explained: "I had rejected black female nudes in particular. Their unclothed figures reminded me too painfully of the slave market, of black people as objects, of women as the powerless other. I like the concept of dressing the figure, of clothes as culture." By redefining the muse as a woman of color in Paper Sack Brown, Amos demonstrates how ideas of beauty and color have become interwoven in visual culture. Paper Sack Brown is closely related in subject, composition and media to another work on paper, Dixie Peach, 1982, which was included in the artist's recent retrospective Emma Amos: Color Odyssey.

      Swann Auction Galleries
    • Emma Amos, 1937-2020, On Top of the World
      Nov. 19, 2022

      Emma Amos, 1937-2020, On Top of the World

      Est: $3,000 - $5,000

      Emma Amos 1937-2020 On Top of the World 1996 colored etching with collage on paper 29-5/8 x 22 inches (sheet) signed, titled, dated and numbered, 27/60

      Black Art Auction
    • EMMA AMOS (1938 - 2020) On Top of the World.
      Oct. 06, 2022

      EMMA AMOS (1938 - 2020) On Top of the World.

      Est: $3,000 - $5,000

      EMMA AMOS (1938 - 2020) On Top of the World. Silk aquatint with textile chine-collé on Arches paper, 1996. 762x568 mm; 30x22 3/8 inches, full margins. Signed, titled, dated and numbered 48/60 in pencil, lower margin. Printed by the artist and Kathy Caraccio at the K. Caraccio Studio, New York. Emma Amos was commissioned by the Atlanta Committee for the Olympic Games in 1996 to create an original painting from which an official Olympic poster and a limited edition print were created.

      Swann Auction Galleries
    • EMMA AMOS (1937 - 2020) Woman With Hat.
      Oct. 06, 2022

      EMMA AMOS (1937 - 2020) Woman With Hat.

      Est: $6,000 - $9,000

      EMMA AMOS (1937 - 2020) Woman With Hat. Color softground etching on wove paper, 1979. 762x565 mm; 30x22 1/4 inches, full margins. Signed, titled and numbered 19/35 in pencil, lower margin. Printed by the artist and Kathy Caraccio at K. Caraccio Studio, New York.

      Swann Auction Galleries
    • EMMA AMOS (1937 - 2020) Howardena.
      Oct. 06, 2022

      EMMA AMOS (1937 - 2020) Howardena.

      Est: $3,000 - $5,000

      EMMA AMOS (1937 - 2020) Howardena. Silk aquatint printed in brown on cream wove paper, 1991. 342x254 mm; 13 1/2x10 inches, full margins. Artist's proof, possibly unique, with no recorded edition in the artist's archives. Signed, titled, dated and inscribed "Artist's Proof" in pencil, lower margin. This image is incorporated into Emma Amos's print Howardena's Frame, etching, aquatint, monotype, chine-collé‚ and African fabric collage, 1991, from her Falling Figures series. Emma Amos made a number of works that include portraits of artists and friends whom she admired, including Faith Ringgold, May Stevens, Kay Walkingstick, and Pindell. A different portrait of Pindell is also included in the assemblage Women and Children First: Howardena's Portrait 1990.

      Swann Auction Galleries
    • Emma Amos, Giza, Emma and Larry
      Sep. 08, 2022

      Emma Amos, Giza, Emma and Larry

      Est: $1,500 - $2,500

      Emma Amos Giza, Emma and Larry 1992 lithograph in colors with fabric applique 22 h × 30 w in (56 × 76 cm) Signed, titled, dated and numbered to lower edge '14/50 Giza, Emma and Larry Amos © 1992' with blindstamp. This work is number 14 from the edition of 50 printed and published by Brodsky Center for Innovative Editions, New Brunswick, NJ. This work will ship from LAMA in Los Angeles, California.

      Los Angeles Modern Auctions
    • EMMA AMOS (1938 - 2020) Dream Girl.
      Mar. 31, 2022

      EMMA AMOS (1938 - 2020) Dream Girl.

      Est: $5,000 - $7,000

      EMMA AMOS (1938 - 2020) Dream Girl. Color etching and aquatint on cream Rives, 1975. 381x445 mm; 15x17 1/2 inches, full margins. Artist's proof, one of five aside from the edition of 26. Signed, titled, dated and inscribed "ED. 26 A.P. 1/5 A.K." in pencil, lower margin. Printed by Anthony Kirk at Bob Blackburn's Printmaking Workshop, New York. A superb, richly inked impression of this scarce print - other impressions are in the collections of the Metropolitan Museum of Art, New York, and the Museum of Fine Arts, Houston.

      Swann Auction Galleries
    • EMMA AMOS (1937 - 2020) Highstep.
      Mar. 31, 2022

      EMMA AMOS (1937 - 2020) Highstep.

      Est: $30,000 - $40,000

      EMMA AMOS (1937 - 2020) Highstep. Mixed media, including watercolor, pastel, ink, and collage with stencil on wove paper, circa 1983. 1244x952 mm; 49x37 1/2 inches. Signed in watercolor, lower left. Provenance: acquired from G. R. N'Namdi Gallery, Detroit; private collection, Michigan. Beginning in 1983, Emma Amos diverted from traditional stretched canvas and started using mixed media and collage on both handwoven and printed fabric and paper. Her 1980s works explore African American figures in motion, from her 1983 depictions of dancers to athletes to her 1986 Falling Series, which define the Black experience in America. Highstep shares its use of silhouette in depicting moving figures with Amos's works on canvas Out in Front, 1982, and Streaks, 1983, both included in the artist's recent retrospective Emma Amos: Color Odyseey. Harris pp. 113 and 116.

      Swann Auction Galleries
    • EMMA AMOS (1937 - 2020) Gold Face Type.
      Mar. 31, 2022

      EMMA AMOS (1937 - 2020) Gold Face Type.

      Est: $4,000 - $6,000

      EMMA AMOS (1937 - 2020) Gold Face Type. Color screenprint on cream wove paper, 1966. 469x331 mm; 18 1/2x13 3/8 inches, full margins. Signed, titled and numbered 3/22 in pencil, lower margin. A very good impression of this rare, early screenprint, with vibrant colors. Another impression is in the permanent collection of the National Gallery of Art, Washington, DC. In 1960, Amos moved to New York and made prints in Robert Blackburn's Printmaking Workshop. In 1964, she became the sole female member of the Spiral Group collective. By 1966, the group disbanded and Amos completed her MA in art education from New York University. The same year Amos was painting dynamic, colorful portraits that defied conventions like Baby,1966, collection of the Whitney Museum of American Art and the Studio Museum in Harlem, and Flower Sniffer, collection of the Brooklyn Museum. In Gold Face Type, Amos created an inventive self-portrait - one in which she is both reflectively looking over her shoulder and directly confronting the viewer.

      Swann Auction Galleries
    • EMMA AMOS (1938 - 2020) Miss Otis.
      Mar. 31, 2022

      EMMA AMOS (1938 - 2020) Miss Otis.

      Est: $3,000 - $5,000

      EMMA AMOS (1938 - 2020) Miss Otis. Silk aquatint with textile chine-collé on Arches paper, 2002. 622x528 mm; 24 1/2x20 7/8 inches, full margins. Printer's proof, aside from an edition of 25. Signed and inscribed "Printer's Proof" in pencil, lower margin. Printed at the Brandywine Workshop, Philadelphia. Provenance: Anne and Allan Edmunds Collection. Illustrated: Allan L. Edmunds, ed. and Halima Taha. Three Decades of American Printmaking: The Brandywine Workshop Collection, pl. 153, p. 119. Additional impressions are in the permanent collections of the Philadelphia Museum of Art, Pennsylvania Academy of the Fine Arts and Rhode Island School of Design Museum of Art. The subject of Amos's print refers to the 1934 Cole Porter song Miss Otis Regrets which recounts the story of a young woman who, after being seduced and then spurned, tracks down and shoots her former lover in a rage. Following her arrest, she is taken from jail by a mob and lynched. The narrator conveys the final, polite apology of the once proper Miss Otis to her friends: "Miss Otis regrets she's unable to lunch today." Consigned to support the Brandywine Workshop in Philadelphia and its legacy endowment campaign.

      Swann Auction Galleries
    • Emma Amos, 1938-2020, The Beach
      Dec. 04, 2021

      Emma Amos, 1938-2020, The Beach

      Est: $30,000 - $40,000

      Emma Amos 1938-2020 The Beach 1987 pastel and watercolor on paper 29 x 28 inches signed, titled, and dated Provenance: private collection, Maryland.

      Black Art Auction
    • Emma Amos Time Will Tell
      Oct. 23, 2021

      Emma Amos Time Will Tell

      Est: $80,000 - $120,000

      Emma Amos (American, 1937-2020) Time Will Tell, 1998 Acrylic and fabric collage on canvas Signed and dated E. Amos © 1998, lower right

      Larsen Art Auction
    • EMMA AMOS (1938 - 2020) Polka Dots.
      Oct. 07, 2021

      EMMA AMOS (1938 - 2020) Polka Dots.

      Est: $8,000 - $12,000

      EMMA AMOS (1938 - 2020) Polka Dots. Color monotype, color pastels and stencil on thick cream wove paper, circa 1990. 597x394 mm; 23 1/2x15 1/2 inches. Unique artist's proof, aside from an unknown edition. Signed, titled and inscribed "AP" lower edge in pencil. Provenance: Ellen Sragow Gallery, New York; private collection, New York (1991).

      Swann Auction Galleries
    • EMMA AMOS (1938 - 2020) On Top of the World.
      Oct. 07, 2021

      EMMA AMOS (1938 - 2020) On Top of the World.

      Est: $3,000 - $5,000

      EMMA AMOS (1938 - 2020) On Top of the World. Silk aquatint with textile chine-colléon Arches paper, 1996. 762x568 mm; 30x22 3/8 inches, full margins. Signed, titled, dated and numbered 8/60 in pencil, lower margin. Printed by the artist and Kathy Caraccio at the K. Caraccio Studio, New York. Emma Amos was commissioned by the Atlanta Committee for the Olympic Games in 1996 to create an original painting from which an official Olympic poster and a limited edition print were created.

      Swann Auction Galleries
    • EMMA AMOS (1938 - 2020) How Time Flies.
      Oct. 07, 2021

      EMMA AMOS (1938 - 2020) How Time Flies.

      Est: $3,000 - $5,000

      EMMA AMOS (1938 - 2020) How Time Flies. Color silk aquatint and screenprint with collage on two joined sheets of Rives BFK paper, 2004. 762x1016 mm; 30x40 inches. Signed, titled, dated and numbered 23/50 in pencil, lower edge. Printed by Quentin Mosley and published at the Experimental Printmaking Studio (EPI), Lafayette College, PA. Provenance: collection of Anne & Allan Edmunds. Another impression is in the collection of the National Gallery of Art, Washington, DC. Consigned to support the Brandywine Workshop in Philadelphia and its legacy endowment campaign.

      Swann Auction Galleries
    • EMMA AMOS (1938 - 2020) Toy Boy.
      Oct. 07, 2021

      EMMA AMOS (1938 - 2020) Toy Boy.

      Est: $4,000 - $6,000

      EMMA AMOS (1938 - 2020) Toy Boy. Mixed media collage and watercolor on cream wove paper, 2007. 254x177 mm; 10x7 inches. Signed, titled and dated in pencil, lower edge. Provenance: acquired directly from the artist; private collection, New York (2007).

      Swann Auction Galleries
    • Emma Amos (American, 1937-2020), Giza, Emma, and Larry
      Jun. 12, 2021

      Emma Amos (American, 1937-2020), Giza, Emma, and Larry

      Est: $1,000 - $3,000

      Emma Amos (American, 1937-2020), Giza, Emma, and Larry mixed-media multiple with collage on paper, 1992, signed, titled, dated, and numbered 30/50 lower margin, matted and framed. Sight size 22 x 29 1/2 in.; Frame dimensions 29 5/8 x 37 1/8 in. The Anthony and Davida Artis Collection of African-American Fine Art Additional high-resolution photos are available at www.lelandlittle.com

      Leland Little Auctions
    • EMMA AMOS (1938 - 2020) Woman with Hat.
      Apr. 22, 2021

      EMMA AMOS (1938 - 2020) Woman with Hat.

      Est: $3,000 - $5,000

      EMMA AMOS (1938 - 2020) Woman with Hat. Color etching on wove paper, 1979. 762x565 mm; 30x22 1/4 inches, wide margins. Signed, titled and numbered 33/35 in pencil, lower margin.

      Swann Auction Galleries
    • Emma Amos, 1938-2020, Twined Flowers
      Feb. 06, 2021

      Emma Amos, 1938-2020, Twined Flowers

      Est: $2,000 - $4,000

      Emma Amos 1938-2020 Twined Flowers 2009 aquatint, pochoir and chine collé with hand coloring on heavy wove paper 15-3/4 x 13-3/4 inches signed, titled, dated, and numbered 11/50

      Black Art Auction
    • Emma Amos, b. 1934, On Top of the World
      Feb. 06, 2021

      Emma Amos, b. 1934, On Top of the World

      Est: $2,000 - $3,000

      Emma Amos b. 1934 On Top of the World On Top of the World 1996 hand-printed silk aquatint with fabric collage borders on Arches paper 33-1/4 x 27-1/4 x inches signed, titled, dated, and numbered 32/60

      Black Art Auction
    • EMMA AMOS (1938 - 2020) Beauty.
      Dec. 10, 2020

      EMMA AMOS (1938 - 2020) Beauty.

      Est: $20,000 - $30,000

      EMMA AMOS (1938 - 2020) Beauty. Monotype in ink on velvet with a hand-painted African fabric border, 2001. 1626x641 mm; 64x25 1/4 inches. Printed by Kathy Caraccio, New York. Provenance: acquired directly from the artist; private collection, New York. Illustrated: Sharon Patton, "Emma Amos: Art Matters" Nka: Journal of Contemporary African Art, Number 16/17, Fall/Winter 2002, p. 41. Beauty is part of Emma Amos' series of images of strong female figures in silhouette and on a non-Western support of hanging fabric. Emma Amos has sought to deconstruct traditional representations of beauty with her depictions of women. She also embraced experimental techniques as a painter, master printmaker and weaver - here with an unusual use of acrylic in monotype. In her article on the artist, Sharon Patton describes the process as a stencil hand-cut by Amos that was inked and printed with master-printer Kathy Carracio. Amos' idea for this hybrid technique came from the sculptor Terry Adkins, who had described to her the painting of acrylic mediums on silk as a block-out for screenprinting. Patton p. 41.

      Swann Auction Galleries
    • EMMA AMOS (1938 - 2020) Water Baby.
      Dec. 10, 2020

      EMMA AMOS (1938 - 2020) Water Baby.

      Est: $35,000 - $50,000

      EMMA AMOS (1938 - 2020) Water Baby. Acrylic and fabric collage on linen canvas, with Kente cloth border, 1987. 711x560 mm; 28x22 inches, Signed and dated in acrylic, lower right recto. Signed, titled and dated in ink on the canvas overflap verso. Provenance: acquired from the estate of Mary Myers Cole, the wife of art dealer Sylvan Cole; private collection, Connecticut (2009). This bold 1980s canvas by Emma Amos displays her technique of incorporating fabric within painting, and is part of her visual representation of feminism in paint and fabric. Water Baby is part of a significant body of 1980s work by Emma Amos depicting African American women in bathing suits or swimming. While attending New York University in the 1960s, Amos was the first female artist invited to join Spiral, the collective of African-American artists founded by Romare Bearden, Norman Lewis, and Charles Alston. In the 1980s, Emma Amos made a series of images of African-American women swimming. She has long sought to deconstruct traditional representations of beauty, and has embraced experimental techniques as a painter, master printmaker and weaver. Her paintings have recently been acquired by the Cleveland Museum of Art and Brooklyn Museum, and were included in the traveling museum exhibitions We Wanted a Revolution: Black Radical Women 1965-1985 and Soul of a Nation: Art in the Age of Black Power.

      Swann Auction Galleries
    • Emma Amos, 1937-2020, How Time Flies, serigraph/sugar lift collograph on fabric with digital photos, 22-1/2 x 30 inches
      Nov. 14, 2020

      Emma Amos, 1937-2020, How Time Flies, serigraph/sugar lift collograph on fabric with digital photos, 22-1/2 x 30 inches

      Est: $2,000 - $3,000

      Emma Amos 1937-2020 How Time Flies serigraph/sugar lift collograph on fabric with digital photos 2004 Signed, dated, titled, and numbered 11/50. Amos studied at Antioch College (Ohio), London Central School of Art, and New York University. While still a graduate student, Amos became affiliated with Spiral. Amos worked in painting, printmaking and weaving. This image, which is in the collection of the National Gallery of Art, was executed at the Experimental Printmaking Institute at Lafayette College (EPI), a unique artist laboratory created by master printmaker, Curlee Raven Holton. 22-1/2 x 30 inches

      Black Art Auction
    • EMMA AMOS, MIXED MEDIA PRINT, FRAMED
      Oct. 24, 2020

      EMMA AMOS, MIXED MEDIA PRINT, FRAMED

      Est: $500 - $1,000

      Emma Amos (American/Georgia, 1938-2020). "Miss Otis" - 2002, lithograph with fabric collage. Pencil signed, dated, and numbered AP 9/12. Framed.Approx. 30.5" x 25" (framed), 26" x 20.5" (sheet)

      Ahlers & Ogletree Inc.
    • Emma Amos, 1938-2020, First Try at Elizabeth''s, watercolor on paper, 12 x 12 inches
      Jul. 11, 2020

      Emma Amos, 1938-2020, First Try at Elizabeth''s, watercolor on paper, 12 x 12 inches

      Est: $4,000 - $6,000

      Emma Amos 1938-2020 First Try at Elizabeth's watercolor on paper 2006 signed, titled, and dated First Try at Elizabeth's is a (highly developed) study for a hand painted stencil work, Emma Amos at Elizabeth Catlett's, 2006 (collection of Yale University Art Gallery). Both images relate to a series Amos created between 1990-1994; a series of forty-eight watercolor portraits of women in the art world. The image reveals two concerns that played a role in the artist's life: relationships with people close to her and skin color: We're always talking about color, but colors are also skin colors, and the term colored itself�it all means something else to me. You have to choose, as a black artist, what to make your figures�I find that I almost never paint white people. Butterscotch, brown, or really black�but rarely white. White artists never have to choose� (REF: Gumbo Ya Ya, An Anthology of Contemporary African-American Women Artists, intro by King-Hammond, 1995) 12 x 12 inches

      Black Art Auction
    • EMMA AMOS (1938 - ) Black Out.
      Jun. 04, 2020

      EMMA AMOS (1938 - ) Black Out.

      Est: $3,000 - $5,000

      EMMA AMOS (1938 - ) Black Out. Photo-transfer on black wove paper, 1994. 559x254 mm; 22x10 inches, wide margins. Artist's proof, aside from an edition of an unkown size. Signed, titled, dated, and inscribed "A/P" in white crayon, lower margin. Published by the artist.

      Swann Auction Galleries
    • EMMA AMOS (1938 - 2020) A Well Balanced Meal.
      Jun. 04, 2020

      EMMA AMOS (1938 - 2020) A Well Balanced Meal.

      Est: $30,000 - $40,000

      EMMA AMOS (1938 - 2020) A Well Balanced Meal. Acrylic and fabric collage on linen canvas, with Kente cloth border, 1990. 864x991 mm; 34x39 inches. Signed and dated in acrylic, lower right. Provenance: donated by the artist, Aljira, A Center for Contemporary Art, Newark, NJ; private collection, New Jersey.

      Swann Auction Galleries
    • EMMA AMOS, American (b. 1938), Running Silhouettes, lithograph on paper, signed "Amos" lower right, numbered "1/17" lower left, date...
      Jan. 23, 2020

      EMMA AMOS, American (b. 1938), Running Silhouettes, lithograph on paper, signed "Amos" lower right, numbered "1/17" lower left, date...

      Est: $500 - $700

      EMMA AMOS American (b. 1938) Running Silhouettes lithograph on paper, signed "Amos" lower right, numbered "1/17" lower left, dated "1985" lower left Framed dimensions: 20 x 16 x 1 inch 17 3/4 x 13 1/2 inches (sight) Provenance: The artist; Private Collection, Missouri. Other Notes: Tags: African American Art, Fine Prints, listed artist

      Shannon's
    • EMMA AMOS, American (b. 1938), "My Mothers, My Sisters", lithograph, handmade paper collage, African fabric border, signed and dated...
      Jan. 23, 2020

      EMMA AMOS, American (b. 1938), "My Mothers, My Sisters", lithograph, handmade paper collage, African fabric border, signed and dated...

      Est: $700 - $1,000

      EMMA AMOS American (b. 1938) "My Mothers, My Sisters" lithograph, handmade paper collage, African fabric border, signed and dated in pencil "Amos 1992" lower right, numbered in pencil "15/30" lower left, titled in pencil lower center Framed dimensions: 48 x 36 x 1 1/2 inches 44 x 30 inches (sight) Provenance: The artist; Private Collection, Missouri. Other Notes: Tags: African American Art, Fine Prints, listed artist, mixed media

      Shannon's
    • EMMA AMOS, American (b. 1938), "On Top of the World", hand-printed silk aquatint with fabric collage borders on Arches paper, signed...
      Jan. 23, 2020

      EMMA AMOS, American (b. 1938), "On Top of the World", hand-printed silk aquatint with fabric collage borders on Arches paper, signed...

      Est: $1,000 - $1,500

      EMMA AMOS American (b. 1938) "On Top of the World" hand-printed silk aquatint with fabric collage borders on Arches paper, signed and dated in pencil "Emma Amos, 1996" lower right, numbered in pencil "15/60" lower right and titled lower right 30 x 22 inches Provenance: The artist; Private Collection, Missouri. Other Notes: Tags: African American Art, Fine Prints, listed artist, Olympics

      Shannon's
    • Emma Amos Giza, Emma, and Larry
      Nov. 24, 2019

      Emma Amos Giza, Emma, and Larry

      Est: $1,500 - $2,500

      Emma Amos (b. 1938) Giza, Emma, & Larry, 1992 lithograph with fabric appliqué signed and numbered 30/50 29-3/4 x 22 inches framed

      Treadway Gallery
    • EMMA AMOS (1938 - ) Twined Flowers.
      Oct. 08, 2019

      EMMA AMOS (1938 - ) Twined Flowers.

      Est: $1,500 - $2,500

      EMMA AMOS (1938 - ) Twined Flowers. Color etching and chine collé on heavy wove paper, 2009. 394x356 mm; 15 1/2x14 inches, full margins. Signed, dated, titled and numbered 5/50 in pencil, lower margin.

      Swann Auction Galleries
    • EMMA AMOS (1938 - ) Josephine and the Ostrich.
      Oct. 08, 2019

      EMMA AMOS (1938 - ) Josephine and the Ostrich.

      Est: $20,000 - $30,000

      EMMA AMOS (1938 - ) Josephine and the Ostrich. Diptych of color monotype, stencil and color pastels with collage and metallic ink on thick buff wove paper, 1984. Rives BFK watermark. 762x591xmm; 30x23 1/4 inches (sheet), left panel; 762x33 mm; 30x21 inches (sheet), right panel. Signed in green pastel, lower right, right panel, and dated and titled in white pastel, lower edge, left panel. Provenance: acquired directly from the artist; private collection, New York. This striking mixed media diptych by Emma Amos celebrates Harlem Renaissance icon Josephine Baker and her ostrich. In 1926, Baker famously rode through Berlin in an ostrich-pulled cart - an image which was captured in a photograph taken in front of the Hotel Adlon. Emma Amos used representations of the iconic Josephine Baker in her 1980s to break further boundaries in the representation of beauty and African-American women. In a related painting Josephine and the Mountain Gorillas, 1985, Amos imagined Josephine Baker literally walking through an Abstract-Expressionist color field painting followed by two gorillas. Amos sought to further deconstruct traditional representations by embracing experimental techniques as a painter, printmaker and weaver. Her paintings have recently been acquired by the Cleveland Museum of Art and the Brooklyn Museum, and were included in the traveling museum exhibitions We Wanted a Revolution: Black Radical Women 1965-1985 and Soul of a Nation: Art in the Age of Black Power.

      Swann Auction Galleries
    • EMMA AMOS (1938 - ) Slow Time.
      Oct. 08, 2019

      EMMA AMOS (1938 - ) Slow Time.

      Est: $8,000 - $12,000

      EMMA AMOS (1938 - ) Slow Time. Color monotype, color pastels and stencil with paper and fabric collage on thick cream wove paper, 1983. 711x940 mm; 28x37 inches. Signed and dated in pink pastel, lower right and titled in pencil, lower right edge. Provenance: Art Atlanta, Hammond House Museum annual auction; private collection, Georgia. Slow Time is part of a significant body of 1980s work by Emma Amos depicting African-American women in bathing suits or swimming. Printed at the studio of Kathy Caraccio, Amos's monotypes use similar collage elements and mixed media as found in her paintings on fabric. Other works in this series of swimmers include the etchings Sand Tan, 1980 and To Sit, 1981 and the painting Arched Swimmer, 1987.

      Swann Auction Galleries
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