Mathias Joseph Alten Paintings & Artwork for Sale | Mathias Joseph Alten Art Value Price Guide

Nov. 23, 2024
MATHIAS J. ALTEN (GERMAN-AMERICAN, 1871-1938) STILL-LIFE OF NASTURTIUMS
Est: $500 - $800
MATHIAS J. ALTEN (GERMAN-AMERICAN, 1871-1938) STILL-LIFE OF NASTURTIUMS, watercolor and pencil on paper, depicting a group of orange and yellow nasturtium flowers with leaves in a glass vase on a shaded grey ground, signed and dated in the lower right "M. ALTEN . 1904." Housed under glass in a modern frame. Dated 1904. 18 3/4" x 13 3/4" sight, 28 1/8" x 23 1/8" OA. Catalogue Note: Born in Gusenburg, German, Mathias Joseph Alten immigrated to the United States in 1889 at age 17 with his family, setting in Grand Rapids, Michigan. Most well-known for his landscapes and seascapes, he was also an accomplished painter of portraits, floral still-lifes, and animal subjects. His style is described as "second-generation Impressionist" by art-historian William H. Gerdts, and he is often referred to as the "dean of Michigan painters". Starting his artistic journey in Germany, Alten began his formal education at the Academie Julian in Paris in 1899 and, then, later enrolling at the Academie Colarossi. Alten traveled extensively to Europe and in the States to pursue professional training and exhibit his artworks, though Grand Rapids remained his homebase throughout his life. During his almost 50-year career, Alten produced more than 3,000 works of art, exhibiting at major institutions including the National Academy in New York, the Art Institute of Chicago, and the Corcoran Gallery in Washington, DC.
Jeffrey S. Evans & Associates
Nov. 19, 2024
Mathias Joseph Alten (1871-1938) Gulls at Leland 16 x 20 in. (40.6 x 50.8 cm.) (Painted in 1936.)
Est: $4,000 - $6,000
Mathias Joseph Alten (1871-1938) Gulls at Leland signed 'M. ALTEN' (lower left) oil on canvasboard 16 x 20 in. (40.6 x 50.8 cm.) Painted in 1936.
Bonhams
Nov. 19, 2024
Mathias Joseph Alten (1871-1938) Hillside with Flowering Trees 21 x 26 1/8 in. (53.3 x 66.4 cm.) (Painted circa 1919.)
Est: $5,000 - $7,000
Mathias Joseph Alten (1871-1938) Hillside with Flowering Trees signed 'M. ALTEN' (lower right) oil on canvas 21 x 26 1/8 in. (53.3 x 66.4 cm.) Painted circa 1919.
Bonhams
Oct. 10, 2024
Mathias Alten (American, 1871-1938) Oil on Canvas Board, "Coreopsis And Forget Me Nots", H 19" W 15"
Est: $2,000 - $4,000
Oil on canvas board. Signed lower right. Wood and gesso frame 23" x 19". Provenance: By descent from Jim and Louise Thompson of East Grand Rapids (a gift from Isabel McLeod).
DuMouchelles
Apr. 27, 2024
MATHIAS JOSEPH ALTEN AMERICAN 1871-1938
Est: $3,000 - $4,000
Still Life with Floral Arrangements, oil on canvas, 23 x 31 in (58.4 x 78.7), framed 31 3/4 x 39 1/2 in (80.6 x 100.3 cm), signed lower left
Trinity International Auctions & Appraisals, LLC
Apr. 19, 2024
Mathias Joseph Alten (German/Michigan, 1871-1938)
Est: $2,000 - $3,000
Mathias Joseph Alten (German/Michigan, 1871-1938), "Sunset over the Water", oil on canvas laid on board, signed lower right, 13 5/8 in. x 16 1/8 in., framed, overall 17 7/8 in. x 22 1/2 in. x 1 in.
Neal Auction Company
Mar. 15, 2024
Mathias Joseph Alten (German/American, 1871-1938) Oil on Canvas Ca. 1922, "Summer Landscape", H 10.25" W 13.25"
Est: $1,500 - $3,000
Single tree in the foreground of a rolling landscape with a city on the horizon. Signed lower right M. Alten. Professionally framed and corner mounted on board. We would like to thank Joel Zwart, Curator of Exhibitions and Collections at Grand Valley State University, for confirming the authenticity of this work. The present lot will be recorded in the online catalogue raisonné of Mathis J. Alten's work by James A. Straub. The online catalogue raisonné is available at www.mathiasalten.com. Provenance: Property from the collection of Dr. Leonard Aldrich, Houghton, MI. By descent to his daughter.
DuMouchelles
Mar. 15, 2024
Mathias Joseph Alten (German/American, 1871-1938) Oil on Canvas Ca. 1911, "St. Andreas Church, Katwijk, Holland", H 10.75" W 15.25"
Est: $1,500 - $3,000
Signed lower right M Alten and Katwijk. Depicting Andreaskerk at Katwijk as viewed from the beach. This work was most likely painted in 1911 when he and his family lived in Scheveningen. We would like to thank Joel Zwart, Curator of Exhibitions and Collections at Grand Valley State University, for confirming the authenticity of this work. The present lot will be recorded in the online catalogue raisonné of Mathis J. Alten's work by James A. Straub. The online catalogue raisonné is available at www.mathiasalten.com. Provenance: Property from the collection of Dr. Leonard Aldrich, Houghton, MI. By descent to his daughter.
DuMouchelles
Jan. 19, 2024
Mathias Alten (American, 1871-1938) Oil on Wood Panel "Portrait of a Lady", H 13.25" W 9"
Est: $1,500 - $2,500
Signed upper right. Elaborate Art Nouveau giltwood frame Measuring H 20", W 16". Alten is celebrated for his ability to capture an individual’s essence—an evident quality within "Portrait of a Lady," where not only her exterior beauty but also her reflective demeanor are rendered with nuance. Provenance: Private Collection, Harbor Springs, Michigan; DuMouchelles, Detroit, Michigan, September 14, 2008, Lot 2001; Acquired from above by a Private Collector, South Lyon, Michigan.
DuMouchelles
Nov. 08, 2023
Mathias Joseph Alten (1871-1938) Sailing Boats Off Shore 12 x 16 in. framed 15 1/2 x 19 1/2 in.
Est: $3,000 - $5,000
Mathias Joseph Alten (1871-1938) Sailing Boats Off Shore signed 'M. Alten' (lower right) oil on canvas laid to panel 12 x 16 in. framed 15 1/2 x 19 1/2 in.
Bonhams
Nov. 08, 2023
Mathias Joseph Alten (1871-1938) The Courtyard at Mission San Juan Capistrano 16 x 20 in. framed 19 1/2 x 23 1/2 in.
Est: $4,000 - $6,000
Mathias Joseph Alten (1871-1938) The Courtyard at Mission San Juan Capistrano signed 'M. Alten' (lower left) oil on canvas laid to Masonite 16 x 20 in. framed 19 1/2 x 23 1/2 in.
Bonhams
Nov. 08, 2023
Mathias Joseph Alten (1871-1938) Cabañal Fisherman (Valencia, Spain) 28 x 36 in. framed 32 1/2 x 40 1/2 in.
Est: $10,000 - $15,000
Mathias Joseph Alten (1871-1938) Cabañal Fisherman (Valencia, Spain) signed and inscribed 'M. Alten / Cabañal' (lower right) and titled (on the stretcher bar) oil on canvas 28 x 36 in. framed 32 1/2 x 40 1/2 in.
Bonhams
Nov. 07, 2023
Mathias Joseph Alten (1871-1938) Sweeping the Porch 24 x 30 in. framed 29 3/4 x 35 3/4 in.
Est: $10,000 - $15,000
Mathias Joseph Alten (1871-1938) Sweeping the Porch signed and inscribed 'M. Alten / Taos' (lower right) oil on canvas 24 x 30 in. framed 29 3/4 x 35 3/4 in.
Bonhams
Oct. 14, 2023
MATHIAS JOSEPH ALTEN (GERMAN-AMERICAN, 1871-1938)
Est: $3,000 - $6,000
Mathias Joseph Alten German-American, 1871-1938 Valencia, 1912 Oil on board, signed, dated, and titled lower right Oxen and drivers with a boat in the Mediterranean surf, framed. Proclaimed a "Second Generation-Impressionist" by William H. Gerdts, preeminent authority on American regional painting, Alten's range and prolificity - having produced over 3,000 works in a wealth of subject and style - spoke of the nomadic German's drive for traditional success in an artistic world on the brink of evolution. Alten's education in the craft began at the acclaimed Académie Julian and at the Académie Colarossi - his first accolade a gold medal awarded by the school for the best figure drawing. As early as 1905, Alten was fielding invitations from museum exhibits, among these, the National Academy in New York, the Art Institute of Chicago, the Corcoran Gallery in Washington, D.C., the Pennsylvania Academy of the Fine Arts, and the Detroit Institute of Art. According to Gerdts, "By 1898 Alten appears to have felt the need for greater professional training and exposure…to more cosmopolitan experience in artistic craftsmanship and association." Alten spent the first years of the century conquering Europe by ship, train, carriage, and sometimes mule: Paris in 1899, then the Hague School of Dutch artists, then the Netherlandic realms of the Maris brothers, Jozef Israëls, Willem Roelofs, van Gogh, and Piet Mondriaan, before touring Spain in the pursuit of the influence of Joaquín Sorolla. An exhibit of Alten's sun-drenched canvasses from the 1920s was held at the Holt Galleries in New York City. The Literary Digest for October 12th, 1929, featured the showing with an article and a reproduction of one of Alten's Spanish marine scenes on its front cover. The esteem of his national recognition in tow, Alten never ceased to frequent noted art colonies such as Étaples, France; Old Lyme, Connecticut; Taos, New Mexico; Laguna Beach, California; and Tarpon Springs, Florida, though never settling in colony nor school or style. Fastidiously retained was a freedom of subject and influence, from still lifes to animals, portrait commission to southwestern scenes such as Valencia. Alten never succumbed to the encroaching Modernist fervor of his peers, and this conviction paid him handsomely, earning him gallery space alongside the likes of Childe Hassam, Edward Henry Potthast, Charles Russell, H.O. Tanner, Frederic Remington, Oscar E. Berninghaus, George Bellows, J.S. Sargent, E.L. Blumenschein, Thomas Eakins, William Merritt Chase, and William Wendt.
Selkirk Auctioneers & Appraisers
Jul. 28, 2023
Mathias Alten (American, 1871-1938) Oil On Canvas Portrait Of A Woman, H 35" W 27"
Est: $2,000 - $4,000
Seated portrait of a woman. Signed upper right and framed 40.5" x 30.25".
DuMouchelles
Mar. 03, 2023
Mathias Joseph Alten (American, 1871-1938) Taos, New Mexico Oil on canvas laid o
Est: $3,000 - $5,000
Mathias Joseph Alten (American, 1871-1938) Taos, New Mexico Oil on canvas laid on board 14-3/4 x 18-7/8 inches (37.5 x 47.9 cm) Signed and titled lower right: M Alten / Taos HID01801242017
Heritage Auctions
Nov. 21, 2022
Mathias Joseph Alten (1871-1938) Bathers, Laguna Beach 32 x 40 in. framed 43 x 51 in.
Est: $20,000 - $30,000
Mathias Joseph Alten (1871-1938) Bathers, Laguna Beach signed 'M. Alten' (lower right) and titled (on the stretcher bar) oil on canvas 32 x 40 in. framed 43 x 51 in.
Bonhams
Nov. 04, 2022
Mathias Joseph Alten (American, 1871-1938) Dappled Creek in Mid-Summer Oil on ca
Est: $8,000 - $12,000
Mathias Joseph Alten (American, 1871-1938) Dappled Creek in Mid-Summer Oil on canvas 24 x 30 inches (61.0 x 76.2 cm) Signed lower right: M. Alten PROVENANCE: Private collection, Porter Ranch, California. HID01801242017
Heritage Auctions
Oct. 02, 2022
Mathias Joseph Alten (MI, CA, 1871 - 1938)
Est: $8,000 - $12,000
Mathias Joseph Alten (Michigan, California, 1871 - 1938) Still life of mixed fruit. Oil on Canvas. Signed lower right. Sight Size: 16 x 20 in. Overall Framed Size: 25.5 x 29.5 in.
Helmuth Stone
Mar. 25, 2022
MATHIAS JOSEPH ALTEN (AMERICAN, 1871-1938) OIL ON CANVAS ON BOARD, 1912, H 8" W 9.75" SHEEP IN LANDSCAPE (HOLLAND)
Est: $1,500 - $3,000
Signed M Alten in the lower right. Pencil notations verso: painted by M J Alten; Ryswyk, Holland (written twice); February 23 1912 (written twice). We would like to thank Joel Zwart, Curator of Exhibitions and Collections at Grand Valley State University, for confirming the authenticity of this work. The present lot will be recorded in the online catalogue raisonné of Mathis J. Alten's work by James A. Straub. The online catalogue raisonné is available at www.mathiasalten.com. Provenance: Private Collection, Traverse City, MI Frame Measurements H 11.25" W13.25"
DuMouchelles
Feb. 21, 2022
MATHIAS JOSEPH ALTEN OIL ON CANVAS
Est: $400 - $600
MATHIAS JOSEPH ALTEN (Michigan/California, 1871-1938) oil on canvas, portrait of Godfry Von Platen, 1922. Signed lower right and dated 1922. Written on verso, "#4 Godfry Von Platen/Painted from Life by M. Alten/Grand Rapids, Mich./Feb. 1922." Image measures 30" x 24". In a gilt wood and gesso frame; 37" x 31" overall. Mr. Von Platen (1867-1924) was a successful lumberman in Boyne City, MI and in the State of Washington.
O'Gallerie
Feb. 06, 2022
Mathias Joseph Alten (MI,CA,1871-1938) oil painting antique
Est: $3,900 - $5,000
ARTIST: Mathias Joseph Alten (California, Michigan, German, 1871 - 1938) NAME: Seascape - Rocks at Laguna YEAR: circa 1929 MEDIUM: oil on canvas. Canvas applied to board CONDITION: Excellent. No visible inpaint under UV light. SIGHT SIZE: 13 x 15 inches / 33 x 38 cm FRAME SIZE: 19 x 21 inches / 48 x 53 cm SIGNATURE: Lower left NOTE: Catalogued on alten.gvsuartgallery.org #CASS1289 (http://alten.gvsuartgallery.org/catalogue-raisonne/rocks-laguna-0) PROVENANCE: Bergsma Gallery, Grand Rapids, MI (has label on verso); Hefner's Art Shop, Grand Rapids, MI (has label on verso) SIMILAR ARTISTS: William Merritt Chase, Aaron Draper Shattuck, Edouard Leon Cortes, Carducius Ream, Marcel Dyf, James Gale Tyler, Gustave Adolph Wiegand, Joseph Henry Sharp, William Trost Richards, Albert Bierstadt, William Keith, Charles Green Shaw, Reginald Marsh, Jane Peterson, William Horton, Eric Sloane. CATEGORY: antique vintage painting SKU#: 116411 US Shipping $60 + insurance. AD: ART CONSIGNMENTS WANTED. CONTACT US Mathias Joseph Alten (California, Michigan, German, 1871вЂ“1938) Mathias Alten (1871вЂ“1938) was a German - American impressionist painter active in Grand Rapids, Michigan. Mathias Alten worked as an artist between 1890 and 1938. Although best known for his land- and seascapes he was also an accomplished portrait, floral, and animal painter. William H. Gerdts, a pre-eminent authority on American regional painting, describes Alten's style as that of a "second-generation Impressionist." Alten studied at the acclaimed AcadГ©mie Julian and at the AcadГ©mie Colarossi where he won a gold medal for the best figure drawing. As early in his career as 1905, Alten was being invited to show his paintings in museum exhibits. During his lifetime, his work was exhibited at the National Academy in New York, The Chicago Institute of Art, the Corcoran Gallery in Washington, D.C., the Pennsylvania Academy of the Fine Arts, the Detroit Institute of Art and other smaller venues. As catalogs from those aforementioned exhibits show, Alten's paintings hung among the works of acclaimed artists such as Childe Hassam, Edward Henry Potthast, Charles Russell, H.O. Tanner, Frederic Remington, O.E. Berninghaus, George Bellows, J.S. Sargent, E.L. Blumenschein, Thomas Eakins, William Merritt Chase and William Wendt вЂ“ as well as those of his similarly distinguished friends - H.R. Poore of Old Lyme, Connecticut, and E.I. Couse of Taos, New Mexico. According to Gerdts, "By 1898 Alten appears to have felt the need for greater professional training and exposure вЂ¦ to more cosmopolitan experience in artistic craftsmanship and association." He made a number of voyages to Europe; first to study his craft in Paris (with the help of wealthy patrons) in 1899. Then, attracted to the Hague School of Dutch artists, he spent 1910-11 working in the Netherlands amidst the settings favored by the Maris brothers, Jozef IsraГ«ls, Willem Roelofs, and even Vincent van Gogh and Piet Mondriaan's (Eng. "Mondrian") early work. Later, Alten fell under the influence of the work of Spanish painter JoaquГn Sorolla. Several working trips to Spain followed. An exhibit of Alten's sun-drenched canvasses from the 1920s was held at the Holt Galleries in New York City. The Literary Digest for October 12, 1929, featured the showing with an article and a reproduction of one of the Spanish marine scenes on its front cover. This was perhaps the high point of Alten's national recognition. Alten's career entailed an astounding amount of travel; especially given the conditions at the time вЂ“ sea voyages, less than luxurious trains, horse-drawn carriages вЂ¦ even donkeys. He frequently visited noted art colonies such as Г‰taples in France; Old Lyme, Connecticut; Taos, New Mexico; Laguna Beach, California and Tarpon Springs, Florida. But, although Alten painted alongside fellow artists, he never became a resident member of any artists' colony. Nor did he formally, by designation or choice, become a follower of specific "schools" such as the Fauves in France or the Ashcan School of the Depression era. Alten continued his working trips within the US well into the 1930s, traveling to both coasts, Florida, Taos and always within his beloved West Michigan. His subject matter was notably diverse; landscapes, still lifes, seascapes, animals and portraits - often of judges throughout Michigan, as well as other notables as far afield as California and Oregon. His style evolved in accordance with both the tastes of the times and his own preferences. He never felt pressure to veer into the overtly "modernist" style which artists of the generation after his frequently embraced. Over the years, various local (West Michigan) arts-affiliated organizations named Alten as an honorary member. Regional and national organizations sought his membership as well. By 1904, he had joined the pioneering Society of Western Artists, one of the era's most influential art organizations. And, in 1916, he was invited to become a member of the National Arts Club in New York. In addition, Alten was a longtime member of Detroit's prestigious Scarab Club by which he was awarded a Gold Medal for his art in 1920. According to James A. Straub, the compiler of his Catalogue Raisonne, Alten is often referred to as the "dean of Michigan painters." Alten died, at age 67, in March 1938 at 1593 East Fulton Street in Grand Rapids, Michigan. That home is now listed on the National Register of Historic Places.
Broward Auction Gallery LLC
Feb. 06, 2022
Mathias Joseph Alten (MI,CA,1871-1938) oil painting
Est: $3,000 - $3,900
ARTIST: Mathias Joseph Alten (Michigan, California, German, 1871 - 1938) NAME: Sunset Landscape MEDIUM: oil on canvas board CONDITION: Good. Minor paint losses mostly along left edge. No visible inpaint under UV light. SIGHT SIZE: 8 x 10 inches / 20 x 25 cm FRAME SIZE: 11 x 13 inches / 27 x 33 cm SIGNATURE: lower right SIMILAR ARTISTS: William Merritt Chase, Aaron Draper Shattuck, Edouard Leon Cortes, Carducius Ream, Marcel Dyf, James Gale Tyler, Gustave Adolph Wiegand, Joseph Henry Sharp, William Trost Richards, Albert Bierstadt, William Keith, Charles Green Shaw, Reginald Marsh, Jane Peterson, William Horton, Eric Sloane. CATEGORY: antique vintage painting AD: ART CONSIGNMENTS WANTED. CONTACT US SKU#: 117773 US Shipping $42 + insurance. BIOGRAPHY: Mathias Alten (1871-1938) was a German - American impressionist painter active in Grand Rapids, Michigan. Mathias Alten worked as an artist between 1890 and 1938. Although best known for his land- and seascapes he was also an accomplished portrait, floral, and animal painter. William H. Gerdts, a pre- eminent authority on American regional painting, describes Alten's style as that of a "second-generation Impressionist." Alten studied at the acclaimed Academie Julian and at the Academie Colarossi where he won a gold medal for the best figure drawing. As early in his career as 1905, Alten was being invited to show his paintings in museum exhibits. During his lifetime, his work was exhibited at the National Academy in New York, The Chicago Institute of Art, the Corcoran Gallery in Washington, D.C., the Pennsylvania Academy of the Fine Arts, the Detroit Institute of Art and other smaller venues. As catalogs from those aforementioned exhibits show, Alten's paintings hung among the works of acclaimed artists such as Childe Hassam, Edward Henry Potthast, Charles Russell, H.O. Tanner, Frederic Remington, O.E. Berninghaus, George Bellows, J.S. Sargent, E.L. Blumenschein, Thomas Eakins, William Merritt Chase and William Wendt as well as those of his similarly distinguished friends - H.R. Poore of Old Lyme, Connecticut, and E.I. Couse of Taos, New Mexico. According to Gerdts, "By 1898 Alten appears to have felt the need for greater professional training and exposure to more cosmopolitan experience in artistic craftsmanship and association." He made a number of voyages to Europe; first to study his craft in Paris (with the help of wealthy patrons) in 1899. Then, attracted to the Hague School of Dutch artists, he spent 1910-11 working in the Netherlands amidst the settings favored by the Maris brothers, Jozef Israils, Willem Roelofs, and even Vincent van Gogh and Piet Mondriaan's (Eng. "Mondrian") early work. Later, Alten fell under the influence of the work of Spanish painter Joaquin Sorolla. Several working trips to Spain followed. An exhibit of Alten's sun-drenched canvasses from the 1920s was held at the Holt Galleries in New York City. The Literary Digest for October 12, 1929, featured the showing with an article and a reproduction of one of the Spanish marine scenes on its front cover. This was perhaps the high point of Alten's national recognition. Alten's career entailed an astounding amount of travel; especially given the conditions at the time sea voyages, less than luxurious trains, horse-drawn carriages even donkeys. He frequently visited noted art colonies such as Old Lyme, Connecticut; Taos, New Mexico; Laguna Beach, California and Tarpon Springs, Florida. But, although Alten painted alongside fellow artists, he never became a resident member of any artists' colony. Nor did he formally, by designation or choice, become a follower of specific "schools" such as the Fauves in France or the Ashcan School of the Depression era. Alten continued his working trips within the US well into the 1930s, traveling to both coasts, Florida, Taos and always within his beloved West Michigan. His subject matter was notably diverse; landscapes, still lifes, seascapes, animals and portraits - often of judges throughout Michigan, as well as other notables as far afield as California and Oregon. His style evolved in accordance with both the tastes of the times and his own preferences. He never felt pressure to veer into the overtly "modernist" style which artists of the generation after his frequently embraced. Over the years, various local (West Michigan) arts-affiliated organizations named Alten as an honorary member. Regional and national organizations sought his membership as well. By 1904, he had joined the pioneering Society of Western Artists, one of the era's most influential art organizations. And, in 1916, he was invited to become a member of the National Arts Club in New York. In addition, Alten was a longtime member of Detroit's prestigious Scarab Club by which he was awarded a Gold Medal for his art in 1920. According to James A. Straub, the compiler of his Catalogue Raisonne, Alten is often referred to as the "dean of Michigan painters." Alten died, at age 67, in March 1938 at 1593 East Fulton Street in Grand Rapids, Michigan. That home is now listed on the National Register of Historic Places.
Broward Auction Gallery LLC
Jan. 16, 2022
***Catalog should read attributed to*** Painting, Attributed to Mathias Joseph Alten
Est: $3,000 - $5,000
***Catalog should read attributed to...*** Attributed to Mathias Joseph Alten (American, 1871-1938), "The Boat Pond," oil on canvas, signed lower left, titled verso, canvas: 11"h x 15"w, overall (with frame): 17.25"h x 21.25"w
Clars Auctions
Dec. 17, 2021
MATHIAS ALTEN (AMERICAN 1871-1938) OIL ON CANVAS, H 32" W 63" RUINS IN AN IDYLLIC LANDSCAPE
Est: $8,000 - $12,000
Commissioned in 1913 by Harry F. Robinson for the Adolf Brandt Home at 639 Plymouth Road SE, East Grand Rapids, MI. The residence has been renovated. Prior to the renovation, this work was removed from the residence and framed. Unsigned. We would like to thank Joel Zwart, Curator of Exhibitions and Collections at GVUS Art Gallery, Grand Valley State University in Allendale, MI for confirming the authenticity of this work and its inclusion in the artist's catalogue raisonne by James A. Straub. Link to Mathias J. Alten : A Catalogue Raisonne. [Online] http://alten.gvsuartgallery.org/index.php/catalogue-raisonn%C3%A9 Frame Measurements H 39.5" W 70.25"
DuMouchelles
Dec. 15, 2021
GREAT AMERICAN IMPRESSIONIST PAINTING M. ALTEN
Est: $1,500 - $2,500
MATHIAS JOSEPH ALTEN (American 1871-1938) Oxen and Handler on the Beach, Cabañal - circa 1922 Oil on canvas unstretched Signed lower right M. ALTEN CABANAL 16 inches x 20 inches Provenance: Received directly through the artist’s family as a donation from the artist's grand-daughter Anita M. Gilleo to the Grand Rapids Public Museum, Grand Rapids, Michigan to benefit the Grand Rapids Public Museum Foundation.. Note: The offered lot is listed as Catalogue Raisonné #SPBE2050 SHIPPING NOTICE: Jackson's is your sole and only source for one stop packing and shipping. With over 50 years of experience, our professional, affordable and efficient in-house shipping department will be happy to provide you a fair and reasonable shipping quote on this lot. Simply email us before the auction for a quick quote: shipping@jacksonsauction.com or call 1-800-665-6743. Jackson's can expertly pack and ship to meet any of your needs. To ensure quality control Jackson's DOES NOT release to third party shippers.
Jackson's International
Nov. 14, 2021
Mathias Joseph Alten (MI,CA,1871-1938) oil painting
Est: $3,200 - $4,000
ARTIST: Mathias Joseph Alten (Michigan, California, German, 1871 - 1938) NAME: Sunset Landscape MEDIUM: oil on canvas board CONDITION: Good. Minor paint losses mostly along left edge. No visible inpaint under UV light. SIGHT SIZE: 8 x 10 inches / 20 x 25 cm FRAME SIZE: 11 x 13 inches / 27 x 33 cm SIGNATURE: lower right SIMILAR ARTISTS: William Merritt Chase, Aaron Draper Shattuck, Edouard Leon Cortes, Carducius Ream, Marcel Dyf, James Gale Tyler, Gustave Adolph Wiegand, Joseph Henry Sharp, William Trost Richards, Albert Bierstadt, William Keith, Charles Green Shaw, Reginald Marsh, Jane Peterson, William Horton, Eric Sloane. CATEGORY: antique vintage painting AD: ART CONSIGNMENTS WANTED. CONTACT US SKU#: 117773 US Shipping $42 + insurance. BIOGRAPHY: Mathias Alten (1871-1938) was a German - American impressionist painter active in Grand Rapids, Michigan. Mathias Alten worked as an artist between 1890 and 1938. Although best known for his land- and seascapes he was also an accomplished portrait, floral, and animal painter. William H. Gerdts, a pre- eminent authority on American regional painting, describes Alten's style as that of a "second-generation Impressionist." Alten studied at the acclaimed Academie Julian and at the Academie Colarossi where he won a gold medal for the best figure drawing. As early in his career as 1905, Alten was being invited to show his paintings in museum exhibits. During his lifetime, his work was exhibited at the National Academy in New York, The Chicago Institute of Art, the Corcoran Gallery in Washington, D.C., the Pennsylvania Academy of the Fine Arts, the Detroit Institute of Art and other smaller venues. As catalogs from those aforementioned exhibits show, Alten's paintings hung among the works of acclaimed artists such as Childe Hassam, Edward Henry Potthast, Charles Russell, H.O. Tanner, Frederic Remington, O.E. Berninghaus, George Bellows, J.S. Sargent, E.L. Blumenschein, Thomas Eakins, William Merritt Chase and William Wendt as well as those of his similarly distinguished friends - H.R. Poore of Old Lyme, Connecticut, and E.I. Couse of Taos, New Mexico. According to Gerdts, "By 1898 Alten appears to have felt the need for greater professional training and exposure to more cosmopolitan experience in artistic craftsmanship and association." He made a number of voyages to Europe; first to study his craft in Paris (with the help of wealthy patrons) in 1899. Then, attracted to the Hague School of Dutch artists, he spent 1910-11 working in the Netherlands amidst the settings favored by the Maris brothers, Jozef Israils, Willem Roelofs, and even Vincent van Gogh and Piet Mondriaan's (Eng. "Mondrian") early work. Later, Alten fell under the influence of the work of Spanish painter Joaquin Sorolla. Several working trips to Spain followed. An exhibit of Alten's sun-drenched canvasses from the 1920s was held at the Holt Galleries in New York City. The Literary Digest for October 12, 1929, featured the showing with an article and a reproduction of one of the Spanish marine scenes on its front cover. This was perhaps the high point of Alten's national recognition. Alten's career entailed an astounding amount of travel; especially given the conditions at the time sea voyages, less than luxurious trains, horse-drawn carriages even donkeys. He frequently visited noted art colonies such as Old Lyme, Connecticut; Taos, New Mexico; Laguna Beach, California and Tarpon Springs, Florida. But, although Alten painted alongside fellow artists, he never became a resident member of any artists' colony. Nor did he formally, by designation or choice, become a follower of specific "schools" such as the Fauves in France or the Ashcan School of the Depression era. Alten continued his working trips within the US well into the 1930s, traveling to both coasts, Florida, Taos and always within his beloved West Michigan. His subject matter was notably diverse; landscapes, still lifes, seascapes, animals and portraits - often of judges throughout Michigan, as well as other notables as far afield as California and Oregon. His style evolved in accordance with both the tastes of the times and his own preferences. He never felt pressure to veer into the overtly "modernist" style which artists of the generation after his frequently embraced. Over the years, various local (West Michigan) arts-affiliated organizations named Alten as an honorary member. Regional and national organizations sought his membership as well. By 1904, he had joined the pioneering Society of Western Artists, one of the era's most influential art organizations. And, in 1916, he was invited to become a member of the National Arts Club in New York. In addition, Alten was a longtime member of Detroit's prestigious Scarab Club by which he was awarded a Gold Medal for his art in 1920. According to James A. Straub, the compiler of his Catalogue Raisonne, Alten is often referred to as the "dean of Michigan painters." Alten died, at age 67, in March 1938 at 1593 East Fulton Street in Grand Rapids, Michigan. That home is now listed on the National Register of Historic Places.
Broward Auction Gallery LLC
Nov. 14, 2021
Mathias Joseph Alten (MI,CA,1871-1938) oil painting antique
Est: $4,250 - $5,250
ARTIST: Mathias Joseph Alten (California, Michigan, German, 1871 - 1938) NAME: Seascape - Rocks at Laguna YEAR: circa 1929 MEDIUM: oil on canvas. Canvas applied to board CONDITION: Excellent. No visible inpaint under UV light. SIGHT SIZE: 13 x 15 inches / 33 x 38 cm FRAME SIZE: 19 x 21 inches / 48 x 53 cm SIGNATURE: Lower left NOTE: Catalogued on alten.gvsuartgallery.org #CASS1289 (http://alten.gvsuartgallery.org/catalogue-raisonne/rocks-laguna-0) PROVENANCE: Bergsma Gallery, Grand Rapids, MI (has label on verso); Hefner's Art Shop, Grand Rapids, MI (has label on verso) SIMILAR ARTISTS: William Merritt Chase, Aaron Draper Shattuck, Edouard Leon Cortes, Carducius Ream, Marcel Dyf, James Gale Tyler, Gustave Adolph Wiegand, Joseph Henry Sharp, William Trost Richards, Albert Bierstadt, William Keith, Charles Green Shaw, Reginald Marsh, Jane Peterson, William Horton, Eric Sloane. CATEGORY: antique vintage painting SKU#: 116411 US Shipping $60 + insurance. AD: ART CONSIGNMENTS WANTED. CONTACT US Mathias Joseph Alten (California, Michigan, German, 1871вЂ“1938) Mathias Alten (1871вЂ“1938) was a German - American impressionist painter active in Grand Rapids, Michigan. Mathias Alten worked as an artist between 1890 and 1938. Although best known for his land- and seascapes he was also an accomplished portrait, floral, and animal painter. William H. Gerdts, a pre-eminent authority on American regional painting, describes Alten's style as that of a "second-generation Impressionist." Alten studied at the acclaimed AcadГ©mie Julian and at the AcadГ©mie Colarossi where he won a gold medal for the best figure drawing. As early in his career as 1905, Alten was being invited to show his paintings in museum exhibits. During his lifetime, his work was exhibited at the National Academy in New York, The Chicago Institute of Art, the Corcoran Gallery in Washington, D.C., the Pennsylvania Academy of the Fine Arts, the Detroit Institute of Art and other smaller venues. As catalogs from those aforementioned exhibits show, Alten's paintings hung among the works of acclaimed artists such as Childe Hassam, Edward Henry Potthast, Charles Russell, H.O. Tanner, Frederic Remington, O.E. Berninghaus, George Bellows, J.S. Sargent, E.L. Blumenschein, Thomas Eakins, William Merritt Chase and William Wendt вЂ“ as well as those of his similarly distinguished friends - H.R. Poore of Old Lyme, Connecticut, and E.I. Couse of Taos, New Mexico. According to Gerdts, "By 1898 Alten appears to have felt the need for greater professional training and exposure вЂ¦ to more cosmopolitan experience in artistic craftsmanship and association." He made a number of voyages to Europe; first to study his craft in Paris (with the help of wealthy patrons) in 1899. Then, attracted to the Hague School of Dutch artists, he spent 1910-11 working in the Netherlands amidst the settings favored by the Maris brothers, Jozef IsraГ«ls, Willem Roelofs, and even Vincent van Gogh and Piet Mondriaan's (Eng. "Mondrian") early work. Later, Alten fell under the influence of the work of Spanish painter JoaquГn Sorolla. Several working trips to Spain followed. An exhibit of Alten's sun-drenched canvasses from the 1920s was held at the Holt Galleries in New York City. The Literary Digest for October 12, 1929, featured the showing with an article and a reproduction of one of the Spanish marine scenes on its front cover. This was perhaps the high point of Alten's national recognition. Alten's career entailed an astounding amount of travel; especially given the conditions at the time вЂ“ sea voyages, less than luxurious trains, horse-drawn carriages вЂ¦ even donkeys. He frequently visited noted art colonies such as Г‰taples in France; Old Lyme, Connecticut; Taos, New Mexico; Laguna Beach, California and Tarpon Springs, Florida. But, although Alten painted alongside fellow artists, he never became a resident member of any artists' colony. Nor did he formally, by designation or choice, become a follower of specific "schools" such as the Fauves in France or the Ashcan School of the Depression era. Alten continued his working trips within the US well into the 1930s, traveling to both coasts, Florida, Taos and always within his beloved West Michigan. His subject matter was notably diverse; landscapes, still lifes, seascapes, animals and portraits - often of judges throughout Michigan, as well as other notables as far afield as California and Oregon. His style evolved in accordance with both the tastes of the times and his own preferences. He never felt pressure to veer into the overtly "modernist" style which artists of the generation after his frequently embraced. Over the years, various local (West Michigan) arts-affiliated organizations named Alten as an honorary member. Regional and national organizations sought his membership as well. By 1904, he had joined the pioneering Society of Western Artists, one of the era's most influential art organizations. And, in 1916, he was invited to become a member of the National Arts Club in New York. In addition, Alten was a longtime member of Detroit's prestigious Scarab Club by which he was awarded a Gold Medal for his art in 1920. According to James A. Straub, the compiler of his Catalogue Raisonne, Alten is often referred to as the "dean of Michigan painters." Alten died, at age 67, in March 1938 at 1593 East Fulton Street in Grand Rapids, Michigan. That home is now listed on the National Register of Historic Places.
Broward Auction Gallery LLC
Oct. 26, 2021
MATHIAS JOSEPH ALTEN OIL ON CANVAS
Est: $700 - $900
MATHIAS JOSEPH ALTEN (Michigan/California, 1871-1938) oil on canvas, portrait of Godfry Von Platen, 1922. Signed lower right and dated 1922. Written on verso, "#4 Godfry Von Platen/Painted from Life by M. Alten/Grand Rapids, Mich./Feb. 1922." Image measures 30" x 24". In a gilt wood and gesso frame; 37" x 31" overall. Mr. Von Platen (1867-1924) was a successful lumberman in Boyne City, MI and in the State of Washington. Provenance: From the Collection of Nancy Moore (Grand Rapids/San Diego). A nearly identical portrait by Altman is listed in the artist's catalog raisonne by James A. Straub and is marked "#2."
O'Gallerie
Oct. 08, 2021
MATHIAS ALTEN, AMER 1871 - 38, OIL ON ACADEMY BOARD H 10.2" W 13.5" AUTUMN
Est: $1,000 - $2,000
Signed M. Alten lower right. Wood frame 13" x 16". Purchased from the artist circa 1920. Provenance: a Brooklyn, MI private collection.
DuMouchelles
Sep. 10, 2021
MATHIAS ALTEN (AMERICAN 1871-1938) OIL ON CANVAS, H 32" W 63" RUINS IN AN IDYLLIC LANDSCAPE
Est: $12,000 - $16,000
Commissioned in 1913 by Harry F. Robinson for the Adolf Brandt Home at 639 Plymouth Road SE, East Grand Rapids, MI. The residence has been renovated. Prior to the renovation, this work was removed from the residence and framed. Unsigned. We would like to thank Joel Zwart, Curator of Exhibitions and Collections at GVUS Art Gallery, Grand Valley State University in Allendale, MI for confirming the authenticity of this work and its inclusion in the artist's catalogue raisonne by James A. Straub. Link to Mathias J. Alten : A Catalogue Raisonne. [Online] http://alten.gvsuartgallery.org/index.php/catalogue-raisonn%C3%A9 Frame Measurements H 39.5" W 70.25"
DuMouchelles
Aug. 07, 2021
Mathias Joseph Alten (MI,CA,1871-1938) oil painting antique
Est: $4,500 - $5,500
ARTIST: Mathias Joseph Alten (California, Michigan, German, 1871 - 1938) NAME: Seascape - Rocks at Laguna YEAR: circa 1929 MEDIUM: oil on canvas. Canvas applied to board CONDITION: Excellent. No visible inpaint under UV light. SIGHT SIZE: 13 x 15 inches / 33 x 38 cm FRAME SIZE: 19 x 21 inches / 48 x 53 cm SIGNATURE: Lower left NOTE: Catalogued on alten.gvsuartgallery.org #CASS1289 (http://alten.gvsuartgallery.org/catalogue-raisonne/rocks-laguna-0) PROVENANCE: Bergsma Gallery, Grand Rapids, MI (has label on verso); Hefner's Art Shop, Grand Rapids, MI (has label on verso) SIMILAR ARTISTS: William Merritt Chase, Aaron Draper Shattuck, Edouard Leon Cortes, Carducius Ream, Marcel Dyf, James Gale Tyler, Gustave Adolph Wiegand, Joseph Henry Sharp, William Trost Richards, Albert Bierstadt, William Keith, Charles Green Shaw, Reginald Marsh, Jane Peterson, William Horton, Eric Sloane. CATEGORY: antique vintage painting SKU#: 116411 US Shipping $60 + insurance. AD: ART CONSIGNMENTS WANTED. CONTACT US Mathias Joseph Alten (California, Michigan, German, 1871вЂ“1938) Mathias Alten (1871вЂ“1938) was a German - American impressionist painter active in Grand Rapids, Michigan. Mathias Alten worked as an artist between 1890 and 1938. Although best known for his land- and seascapes he was also an accomplished portrait, floral, and animal painter. William H. Gerdts, a pre-eminent authority on American regional painting, describes Alten's style as that of a "second-generation Impressionist." Alten studied at the acclaimed AcadГ©mie Julian and at the AcadГ©mie Colarossi where he won a gold medal for the best figure drawing. As early in his career as 1905, Alten was being invited to show his paintings in museum exhibits. During his lifetime, his work was exhibited at the National Academy in New York, The Chicago Institute of Art, the Corcoran Gallery in Washington, D.C., the Pennsylvania Academy of the Fine Arts, the Detroit Institute of Art and other smaller venues. As catalogs from those aforementioned exhibits show, Alten's paintings hung among the works of acclaimed artists such as Childe Hassam, Edward Henry Potthast, Charles Russell, H.O. Tanner, Frederic Remington, O.E. Berninghaus, George Bellows, J.S. Sargent, E.L. Blumenschein, Thomas Eakins, William Merritt Chase and William Wendt вЂ“ as well as those of his similarly distinguished friends - H.R. Poore of Old Lyme, Connecticut, and E.I. Couse of Taos, New Mexico. According to Gerdts, "By 1898 Alten appears to have felt the need for greater professional training and exposure вЂ¦ to more cosmopolitan experience in artistic craftsmanship and association." He made a number of voyages to Europe; first to study his craft in Paris (with the help of wealthy patrons) in 1899. Then, attracted to the Hague School of Dutch artists, he spent 1910-11 working in the Netherlands amidst the settings favored by the Maris brothers, Jozef IsraГ«ls, Willem Roelofs, and even Vincent van Gogh and Piet Mondriaan's (Eng. "Mondrian") early work. Later, Alten fell under the influence of the work of Spanish painter JoaquГn Sorolla. Several working trips to Spain followed. An exhibit of Alten's sun-drenched canvasses from the 1920s was held at the Holt Galleries in New York City. The Literary Digest for October 12, 1929, featured the showing with an article and a reproduction of one of the Spanish marine scenes on its front cover. This was perhaps the high point of Alten's national recognition. Alten's career entailed an astounding amount of travel; especially given the conditions at the time вЂ“ sea voyages, less than luxurious trains, horse-drawn carriages вЂ¦ even donkeys. He frequently visited noted art colonies such as Г‰taples in France; Old Lyme, Connecticut; Taos, New Mexico; Laguna Beach, California and Tarpon Springs, Florida. But, although Alten painted alongside fellow artists, he never became a resident member of any artists' colony. Nor did he formally, by designation or choice, become a follower of specific "schools" such as the Fauves in France or the Ashcan School of the Depression era. Alten continued his working trips within the US well into the 1930s, traveling to both coasts, Florida, Taos and always within his beloved West Michigan. His subject matter was notably diverse; landscapes, still lifes, seascapes, animals and portraits - often of judges throughout Michigan, as well as other notables as far afield as California and Oregon. His style evolved in accordance with both the tastes of the times and his own preferences. He never felt pressure to veer into the overtly "modernist" style which artists of the generation after his frequently embraced. Over the years, various local (West Michigan) arts-affiliated organizations named Alten as an honorary member. Regional and national organizations sought his membership as well. By 1904, he had joined the pioneering Society of Western Artists, one of the era's most influential art organizations. And, in 1916, he was invited to become a member of the National Arts Club in New York. In addition, Alten was a longtime member of Detroit's prestigious Scarab Club by which he was awarded a Gold Medal for his art in 1920. According to James A. Straub, the compiler of his Catalogue Raisonne, Alten is often referred to as the "dean of Michigan painters." Alten died, at age 67, in March 1938 at 1593 East Fulton Street in Grand Rapids, Michigan. That home is now listed on the National Register of Historic Places.
Broward Auction Gallery LLC
Aug. 07, 2021
Mathias Joseph Alten (MI,CA,1871-1938) oil painting
Est: $3,500 - $4,250
ARTIST: Mathias Joseph Alten (Michigan, California, German, 1871 - 1938) NAME: Sunset Landscape MEDIUM: oil on canvas board CONDITION: Good. Minor paint losses mostly along left edge. No visible inpaint under UV light. SIGHT SIZE: 8 x 10 inches / 20 x 25 cm FRAME SIZE: 11 x 13 inches / 27 x 33 cm SIGNATURE: lower right SIMILAR ARTISTS: William Merritt Chase, Aaron Draper Shattuck, Edouard Leon Cortes, Carducius Ream, Marcel Dyf, James Gale Tyler, Gustave Adolph Wiegand, Joseph Henry Sharp, William Trost Richards, Albert Bierstadt, William Keith, Charles Green Shaw, Reginald Marsh, Jane Peterson, William Horton, Eric Sloane. CATEGORY: antique vintage painting AD: ART CONSIGNMENTS WANTED. CONTACT US SKU#: 117773 US Shipping $42 + insurance. BIOGRAPHY: Mathias Alten (1871-1938) was a German - American impressionist painter active in Grand Rapids, Michigan. Mathias Alten worked as an artist between 1890 and 1938. Although best known for his land- and seascapes he was also an accomplished portrait, floral, and animal painter. William H. Gerdts, a pre- eminent authority on American regional painting, describes Alten's style as that of a "second-generation Impressionist." Alten studied at the acclaimed Academie Julian and at the Academie Colarossi where he won a gold medal for the best figure drawing. As early in his career as 1905, Alten was being invited to show his paintings in museum exhibits. During his lifetime, his work was exhibited at the National Academy in New York, The Chicago Institute of Art, the Corcoran Gallery in Washington, D.C., the Pennsylvania Academy of the Fine Arts, the Detroit Institute of Art and other smaller venues. As catalogs from those aforementioned exhibits show, Alten's paintings hung among the works of acclaimed artists such as Childe Hassam, Edward Henry Potthast, Charles Russell, H.O. Tanner, Frederic Remington, O.E. Berninghaus, George Bellows, J.S. Sargent, E.L. Blumenschein, Thomas Eakins, William Merritt Chase and William Wendt as well as those of his similarly distinguished friends - H.R. Poore of Old Lyme, Connecticut, and E.I. Couse of Taos, New Mexico. According to Gerdts, "By 1898 Alten appears to have felt the need for greater professional training and exposure to more cosmopolitan experience in artistic craftsmanship and association." He made a number of voyages to Europe; first to study his craft in Paris (with the help of wealthy patrons) in 1899. Then, attracted to the Hague School of Dutch artists, he spent 1910-11 working in the Netherlands amidst the settings favored by the Maris brothers, Jozef Israils, Willem Roelofs, and even Vincent van Gogh and Piet Mondriaan's (Eng. "Mondrian") early work. Later, Alten fell under the influence of the work of Spanish painter Joaquin Sorolla. Several working trips to Spain followed. An exhibit of Alten's sun-drenched canvasses from the 1920s was held at the Holt Galleries in New York City. The Literary Digest for October 12, 1929, featured the showing with an article and a reproduction of one of the Spanish marine scenes on its front cover. This was perhaps the high point of Alten's national recognition. Alten's career entailed an astounding amount of travel; especially given the conditions at the time sea voyages, less than luxurious trains, horse-drawn carriages even donkeys. He frequently visited noted art colonies such as Old Lyme, Connecticut; Taos, New Mexico; Laguna Beach, California and Tarpon Springs, Florida. But, although Alten painted alongside fellow artists, he never became a resident member of any artists' colony. Nor did he formally, by designation or choice, become a follower of specific "schools" such as the Fauves in France or the Ashcan School of the Depression era. Alten continued his working trips within the US well into the 1930s, traveling to both coasts, Florida, Taos and always within his beloved West Michigan. His subject matter was notably diverse; landscapes, still lifes, seascapes, animals and portraits - often of judges throughout Michigan, as well as other notables as far afield as California and Oregon. His style evolved in accordance with both the tastes of the times and his own preferences. He never felt pressure to veer into the overtly "modernist" style which artists of the generation after his frequently embraced. Over the years, various local (West Michigan) arts-affiliated organizations named Alten as an honorary member. Regional and national organizations sought his membership as well. By 1904, he had joined the pioneering Society of Western Artists, one of the era's most influential art organizations. And, in 1916, he was invited to become a member of the National Arts Club in New York. In addition, Alten was a longtime member of Detroit's prestigious Scarab Club by which he was awarded a Gold Medal for his art in 1920. According to James A. Straub, the compiler of his Catalogue Raisonne, Alten is often referred to as the "dean of Michigan painters." Alten died, at age 67, in March 1938 at 1593 East Fulton Street in Grand Rapids, Michigan. That home is now listed on the National Register of Historic Places.
Broward Auction Gallery LLC
May. 09, 2021
Mathias Joseph Alten (MI,CA,1871-1938) oil painting antique
Est: $4,500 - $6,000
ARTIST: Mathias Joseph Alten (California, Michigan, German, 1871 - 1938) NAME: Seascape - Rocks at Laguna YEAR: circa 1929 MEDIUM: oil on canvas. Canvas applied to board CONDITION: Excellent. No visible inpaint under UV light. SIGHT SIZE: 13 x 15 inches / 33 x 38 cm FRAME SIZE: 19 x 21 inches / 48 x 53 cm SIGNATURE: Lower left NOTE: Catalogued on alten.gvsuartgallery.org #CASS1289 (http://alten.gvsuartgallery.org/catalogue-raisonne/rocks-laguna-0) PROVENANCE: Bergsma Gallery, Grand Rapids, MI (has label on verso); Hefner's Art Shop, Grand Rapids, MI (has label on verso) SIMILAR ARTISTS: William Merritt Chase, Aaron Draper Shattuck, Edouard Leon Cortes, Carducius Ream, Marcel Dyf, James Gale Tyler, Gustave Adolph Wiegand, Joseph Henry Sharp, William Trost Richards, Albert Bierstadt, William Keith, Charles Green Shaw, Reginald Marsh, Jane Peterson, William Horton, Eric Sloane. CATEGORY: antique vintage painting SKU#: 116411 US Shipping $60 + insurance. AD: ART CONSIGNMENTS WANTED. CONTACT US Mathias Joseph Alten (California, Michigan, German, 1871вЂ“1938) Mathias Alten (1871вЂ“1938) was a German - American impressionist painter active in Grand Rapids, Michigan. Mathias Alten worked as an artist between 1890 and 1938. Although best known for his land- and seascapes he was also an accomplished portrait, floral, and animal painter. William H. Gerdts, a pre-eminent authority on American regional painting, describes Alten's style as that of a "second-generation Impressionist." Alten studied at the acclaimed AcadГ©mie Julian and at the AcadГ©mie Colarossi where he won a gold medal for the best figure drawing. As early in his career as 1905, Alten was being invited to show his paintings in museum exhibits. During his lifetime, his work was exhibited at the National Academy in New York, The Chicago Institute of Art, the Corcoran Gallery in Washington, D.C., the Pennsylvania Academy of the Fine Arts, the Detroit Institute of Art and other smaller venues. As catalogs from those aforementioned exhibits show, Alten's paintings hung among the works of acclaimed artists such as Childe Hassam, Edward Henry Potthast, Charles Russell, H.O. Tanner, Frederic Remington, O.E. Berninghaus, George Bellows, J.S. Sargent, E.L. Blumenschein, Thomas Eakins, William Merritt Chase and William Wendt вЂ“ as well as those of his similarly distinguished friends - H.R. Poore of Old Lyme, Connecticut, and E.I. Couse of Taos, New Mexico. According to Gerdts, "By 1898 Alten appears to have felt the need for greater professional training and exposure вЂ¦ to more cosmopolitan experience in artistic craftsmanship and association." He made a number of voyages to Europe; first to study his craft in Paris (with the help of wealthy patrons) in 1899. Then, attracted to the Hague School of Dutch artists, he spent 1910-11 working in the Netherlands amidst the settings favored by the Maris brothers, Jozef IsraГ«ls, Willem Roelofs, and even Vincent van Gogh and Piet Mondriaan's (Eng. "Mondrian") early work. Later, Alten fell under the influence of the work of Spanish painter JoaquГn Sorolla. Several working trips to Spain followed. An exhibit of Alten's sun-drenched canvasses from the 1920s was held at the Holt Galleries in New York City. The Literary Digest for October 12, 1929, featured the showing with an article and a reproduction of one of the Spanish marine scenes on its front cover. This was perhaps the high point of Alten's national recognition. Alten's career entailed an astounding amount of travel; especially given the conditions at the time вЂ“ sea voyages, less than luxurious trains, horse-drawn carriages вЂ¦ even donkeys. He frequently visited noted art colonies such as Г‰taples in France; Old Lyme, Connecticut; Taos, New Mexico; Laguna Beach, California and Tarpon Springs, Florida. But, although Alten painted alongside fellow artists, he never became a resident member of any artists' colony. Nor did he formally, by designation or choice, become a follower of specific "schools" such as the Fauves in France or the Ashcan School of the Depression era. Alten continued his working trips within the US well into the 1930s, traveling to both coasts, Florida, Taos and always within his beloved West Michigan. His subject matter was notably diverse; landscapes, still lifes, seascapes, animals and portraits - often of judges throughout Michigan, as well as other notables as far afield as California and Oregon. His style evolved in accordance with both the tastes of the times and his own preferences. He never felt pressure to veer into the overtly "modernist" style which artists of the generation after his frequently embraced. Over the years, various local (West Michigan) arts-affiliated organizations named Alten as an honorary member. Regional and national organizations sought his membership as well. By 1904, he had joined the pioneering Society of Western Artists, one of the era's most influential art organizations. And, in 1916, he was invited to become a member of the National Arts Club in New York. In addition, Alten was a longtime member of Detroit's prestigious Scarab Club by which he was awarded a Gold Medal for his art in 1920. According to James A. Straub, the compiler of his Catalogue Raisonne, Alten is often referred to as the "dean of Michigan painters." Alten died, at age 67, in March 1938 at 1593 East Fulton Street in Grand Rapids, Michigan. That home is now listed on the National Register of Historic Places.
Broward Auction Gallery LLC
May. 09, 2021
Mathias Joseph Alten (MI,CA,1871-1938) oil painting
Est: $3,500 - $4,250
ARTIST: Mathias Joseph Alten (Michigan, California, German, 1871 - 1938) NAME: Sunset Landscape MEDIUM: oil on canvas board CONDITION: Good. Minor paint losses mostly along left edge. No visible inpaint under UV light. SIGHT SIZE: 8 x 10 inches / 20 x 25 cm FRAME SIZE: 11 x 13 inches / 27 x 33 cm SIGNATURE: lower right SIMILAR ARTISTS: William Merritt Chase, Aaron Draper Shattuck, Edouard Leon Cortes, Carducius Ream, Marcel Dyf, James Gale Tyler, Gustave Adolph Wiegand, Joseph Henry Sharp, William Trost Richards, Albert Bierstadt, William Keith, Charles Green Shaw, Reginald Marsh, Jane Peterson, William Horton, Eric Sloane. CATEGORY: antique vintage painting AD: ART CONSIGNMENTS WANTED. CONTACT US SKU#: 117773 US Shipping $42 + insurance. BIOGRAPHY: Mathias Alten (1871-1938) was a German - American impressionist painter active in Grand Rapids, Michigan. Mathias Alten worked as an artist between 1890 and 1938. Although best known for his land- and seascapes he was also an accomplished portrait, floral, and animal painter. William H. Gerdts, a pre- eminent authority on American regional painting, describes Alten's style as that of a "second-generation Impressionist." Alten studied at the acclaimed Academie Julian and at the Academie Colarossi where he won a gold medal for the best figure drawing. As early in his career as 1905, Alten was being invited to show his paintings in museum exhibits. During his lifetime, his work was exhibited at the National Academy in New York, The Chicago Institute of Art, the Corcoran Gallery in Washington, D.C., the Pennsylvania Academy of the Fine Arts, the Detroit Institute of Art and other smaller venues. As catalogs from those aforementioned exhibits show, Alten's paintings hung among the works of acclaimed artists such as Childe Hassam, Edward Henry Potthast, Charles Russell, H.O. Tanner, Frederic Remington, O.E. Berninghaus, George Bellows, J.S. Sargent, E.L. Blumenschein, Thomas Eakins, William Merritt Chase and William Wendt as well as those of his similarly distinguished friends - H.R. Poore of Old Lyme, Connecticut, and E.I. Couse of Taos, New Mexico. According to Gerdts, "By 1898 Alten appears to have felt the need for greater professional training and exposure to more cosmopolitan experience in artistic craftsmanship and association." He made a number of voyages to Europe; first to study his craft in Paris (with the help of wealthy patrons) in 1899. Then, attracted to the Hague School of Dutch artists, he spent 1910-11 working in the Netherlands amidst the settings favored by the Maris brothers, Jozef Israils, Willem Roelofs, and even Vincent van Gogh and Piet Mondriaan's (Eng. "Mondrian") early work. Later, Alten fell under the influence of the work of Spanish painter Joaquin Sorolla. Several working trips to Spain followed. An exhibit of Alten's sun-drenched canvasses from the 1920s was held at the Holt Galleries in New York City. The Literary Digest for October 12, 1929, featured the showing with an article and a reproduction of one of the Spanish marine scenes on its front cover. This was perhaps the high point of Alten's national recognition. Alten's career entailed an astounding amount of travel; especially given the conditions at the time sea voyages, less than luxurious trains, horse-drawn carriages even donkeys. He frequently visited noted art colonies such as Old Lyme, Connecticut; Taos, New Mexico; Laguna Beach, California and Tarpon Springs, Florida. But, although Alten painted alongside fellow artists, he never became a resident member of any artists' colony. Nor did he formally, by designation or choice, become a follower of specific "schools" such as the Fauves in France or the Ashcan School of the Depression era. Alten continued his working trips within the US well into the 1930s, traveling to both coasts, Florida, Taos and always within his beloved West Michigan. His subject matter was notably diverse; landscapes, still lifes, seascapes, animals and portraits - often of judges throughout Michigan, as well as other notables as far afield as California and Oregon. His style evolved in accordance with both the tastes of the times and his own preferences. He never felt pressure to veer into the overtly "modernist" style which artists of the generation after his frequently embraced. Over the years, various local (West Michigan) arts-affiliated organizations named Alten as an honorary member. Regional and national organizations sought his membership as well. By 1904, he had joined the pioneering Society of Western Artists, one of the era's most influential art organizations. And, in 1916, he was invited to become a member of the National Arts Club in New York. In addition, Alten was a longtime member of Detroit's prestigious Scarab Club by which he was awarded a Gold Medal for his art in 1920. According to James A. Straub, the compiler of his Catalogue Raisonne, Alten is often referred to as the "dean of Michigan painters." Alten died, at age 67, in March 1938 at 1593 East Fulton Street in Grand Rapids, Michigan. That home is now listed on the National Register of Historic Places.
Broward Auction Gallery LLC
May. 07, 2021
Mathias Joseph Alten (American, 1871-1938) Taos Woman in Flowers, 1927 Oil on ca
Est: $25,000 - $35,000
Mathias Joseph Alten (American, 1871-1938) Taos Woman in Flowers, 1927 Oil on canvas 40 x 32 inches (101.6 x 81.3 cm) Signed and inscribed upper right: M. Alten / TAOS PROVENANCE: [With]Perception Gallery, Grand Rapids, Michigan; Private collection; Bergsma Gallery, Grand Rapids, Michigan; Hefner Gallery, Grand Rapids, Michigan; Private collection, Texas, acquired from the above. EXHIBITED: Grand Rapids Art Gallery, Grand Rapids, Michigan, "Mathias Alten Memorial Exhibition," October 4-31, 1938; Bergsma Gallery, Grand Rapids, Michigan, "Mathias J. Alten (1871-1938)," 1979. LITERATURE: The Grand Rapids Press, December 2, 1927, n.p.; Grand Rapids Art Gallery, Catalogue of the Mathias Alten Memorial Exhibition, Grand Rapids, Michigan, 1938; "Distinguished Artist...Favorite Subjects," Grand Rapids Mirror Magazine, December 1941-January 1942, p. 37, illustrated; J.G. Sweeney, Mathias J. Alten (1871 -1938), exhibition catalogue, 1979; Smithsonian Institution Research Information System (SIRIS), "Alten, Mathias Joseph 1871-1938," online database. This painting is recorded in the online Mathias J. Alten Catalogue Raisonné under NMF119. Indian Girl, Taos, alternatively titled Taos Woman in Flowers and Indian Girl Tending Garden, is listed as painting number A-27 in the Alten family inventory. HID01801242017
Heritage Auctions
Mar. 26, 2021
MATHIAS ALTEN, USA 1871 - 38, OIL ON BOARD 1919, H 9" W 6" BOY WITH KITE
Est: $300 - $800
Signed.Original frame 13" x 9.5".
DuMouchelles
Feb. 07, 2021
Mathias Joseph Alten (MI,CA,1871-1938) oil painting antique
Est: $4,250 - $4,750
ARTIST: Mathias Joseph Alten (California, Michigan, German, 1871 - 1938) NAME: Seascape - Rocks at Laguna YEAR: circa 1929 MEDIUM: oil on canvas. Canvas applied to board CONDITION: Excellent. No visible inpaint under UV light. SIGHT SIZE: 13 x 15 inches / 33 x 38 cm FRAME SIZE: 19 x 21 inches / 48 x 53 cm SIGNATURE: Lower left NOTE: Catalogued on alten.gvsuartgallery.org #CASS1289 (http://alten.gvsuartgallery.org/catalogue-raisonne/rocks-laguna-0) PROVENANCE: Bergsma Gallery, Grand Rapids, MI (has label on verso); Hefner's Art Shop, Grand Rapids, MI (has label on verso) SIMILAR ARTISTS: William Merritt Chase, Aaron Draper Shattuck, Edouard Leon Cortes, Carducius Ream, Marcel Dyf, James Gale Tyler, Gustave Adolph Wiegand, Joseph Henry Sharp, William Trost Richards, Albert Bierstadt, William Keith, Charles Green Shaw, Reginald Marsh, Jane Peterson, William Horton, Eric Sloane. CATEGORY: antique vintage painting SKU#: 116411 US Shipping $60 + insurance. AD: ART CONSIGNMENTS WANTED. CONTACT US Mathias Joseph Alten (California, Michigan, German, 1871вЂ“1938) Mathias Alten (1871вЂ“1938) was a German - American impressionist painter active in Grand Rapids, Michigan. Mathias Alten worked as an artist between 1890 and 1938. Although best known for his land- and seascapes he was also an accomplished portrait, floral, and animal painter. William H. Gerdts, a pre-eminent authority on American regional painting, describes Alten's style as that of a "second-generation Impressionist." Alten studied at the acclaimed AcadГ©mie Julian and at the AcadГ©mie Colarossi where he won a gold medal for the best figure drawing. As early in his career as 1905, Alten was being invited to show his paintings in museum exhibits. During his lifetime, his work was exhibited at the National Academy in New York, The Chicago Institute of Art, the Corcoran Gallery in Washington, D.C., the Pennsylvania Academy of the Fine Arts, the Detroit Institute of Art and other smaller venues. As catalogs from those aforementioned exhibits show, Alten's paintings hung among the works of acclaimed artists such as Childe Hassam, Edward Henry Potthast, Charles Russell, H.O. Tanner, Frederic Remington, O.E. Berninghaus, George Bellows, J.S. Sargent, E.L. Blumenschein, Thomas Eakins, William Merritt Chase and William Wendt вЂ“ as well as those of his similarly distinguished friends - H.R. Poore of Old Lyme, Connecticut, and E.I. Couse of Taos, New Mexico. According to Gerdts, "By 1898 Alten appears to have felt the need for greater professional training and exposure вЂ¦ to more cosmopolitan experience in artistic craftsmanship and association." He made a number of voyages to Europe; first to study his craft in Paris (with the help of wealthy patrons) in 1899. Then, attracted to the Hague School of Dutch artists, he spent 1910-11 working in the Netherlands amidst the settings favored by the Maris brothers, Jozef IsraГ«ls, Willem Roelofs, and even Vincent van Gogh and Piet Mondriaan's (Eng. "Mondrian") early work. Later, Alten fell under the influence of the work of Spanish painter JoaquГn Sorolla. Several working trips to Spain followed. An exhibit of Alten's sun-drenched canvasses from the 1920s was held at the Holt Galleries in New York City. The Literary Digest for October 12, 1929, featured the showing with an article and a reproduction of one of the Spanish marine scenes on its front cover. This was perhaps the high point of Alten's national recognition. Alten's career entailed an astounding amount of travel; especially given the conditions at the time вЂ“ sea voyages, less than luxurious trains, horse-drawn carriages вЂ¦ even donkeys. He frequently visited noted art colonies such as Г‰taples in France; Old Lyme, Connecticut; Taos, New Mexico; Laguna Beach, California and Tarpon Springs, Florida. But, although Alten painted alongside fellow artists, he never became a resident member of any artists' colony. Nor did he formally, by designation or choice, become a follower of specific "schools" such as the Fauves in France or the Ashcan School of the Depression era. Alten continued his working trips within the US well into the 1930s, traveling to both coasts, Florida, Taos and always within his beloved West Michigan. His subject matter was notably diverse; landscapes, still lifes, seascapes, animals and portraits - often of judges throughout Michigan, as well as other notables as far afield as California and Oregon. His style evolved in accordance with both the tastes of the times and his own preferences. He never felt pressure to veer into the overtly "modernist" style which artists of the generation after his frequently embraced. Over the years, various local (West Michigan) arts-affiliated organizations named Alten as an honorary member. Regional and national organizations sought his membership as well. By 1904, he had joined the pioneering Society of Western Artists, one of the era's most influential art organizations. And, in 1916, he was invited to become a member of the National Arts Club in New York. In addition, Alten was a longtime member of Detroit's prestigious Scarab Club by which he was awarded a Gold Medal for his art in 1920. According to James A. Straub, the compiler of his Catalogue Raisonne, Alten is often referred to as the "dean of Michigan painters." Alten died, at age 67, in March 1938 at 1593 East Fulton Street in Grand Rapids, Michigan. That home is now listed on the National Register of Historic Places.
Broward Auction Gallery LLC
Dec. 06, 2020
Mathias Alten, (German/American, 1871-1938), Chickens in the Yard, oil on canvas laid to board, 12 3/8" x 17 1/8"
Est: $1,000 - $2,000
signed lower right
Toomey & Co. Auctioneers
Nov. 15, 2020
MATHAIS JOSEPH ALTEN, (American, 1871-1938), Valencia Coastline, oil on canvas laid on artist's board, 13 1/2 x 18 in., frame: 19 1/2 x 23 1/2 in.
Est: $2,000 - $4,000
MATHAIS JOSEPH ALTEN (American, 1871-1938) Valencia Coastline oil on canvas laid on artist's board signed Alten and located Cabanal lower right 13 1/2 x 18 in., frame: 19 1/2 x 23 1/2 in.
Grogan & Company
Nov. 08, 2020
Mathias Joseph Alten (MI,CA,1871вЂ“1938) oil painting antique
Est: $4,500 - $5,000
ARTIST: Mathias Joseph Alten (California, Michigan, German, 1871вЂ“1938) NAME: Seascape - Rocks at Laguna YEAR: circa 1929 MEDIUM: oil on canvas. Canvas applied to board CONDITION: Excellent. No visible inpaint under UV light. SIGHT SIZE: 13 x 15 inches / 33 x 38 cm FRAME SIZE: 19 x 21 inches / 48 x 53 cm SIGNATURE: Lower left NOTE: Catalogued on alten.gvsuartgallery.org #CASS1289 (http://alten.gvsuartgallery.org/catalogue-raisonne/rocks-laguna-0) PROVENANCE: Bergsma Gallery, Grand Rapids, MI (has label on verso); Hefner's Art Shop, Grand Rapids, MI (has label on verso) SIMILAR ARTISTS: William Merritt Chase, Aaron Draper Shattuck, Edouard Leon Cortes, Carducius Ream, Marcel Dyf, James Gale Tyler, Gustave Adolph Wiegand, Joseph Henry Sharp, William Trost Richards, Albert Bierstadt, William Keith, Charles Green Shaw, Reginald Marsh, Jane Peterson, William Horton, Eric Sloane. CATEGORY: antique vintage painting SKU#: 116411 US Shipping $60 + insurance. AD: ART CONSIGNMENTS WANTED. CONTACT US Mathias Joseph Alten (California, Michigan, German, 1871вЂ“1938) Mathias Alten (1871вЂ“1938) was a German - American impressionist painter active in Grand Rapids, Michigan. Mathias Alten worked as an artist between 1890 and 1938. Although best known for his land- and seascapes he was also an accomplished portrait, floral, and animal painter. William H. Gerdts, a pre-eminent authority on American regional painting, describes Alten's style as that of a "second-generation Impressionist." Alten studied at the acclaimed AcadГ©mie Julian and at the AcadГ©mie Colarossi where he won a gold medal for the best figure drawing. As early in his career as 1905, Alten was being invited to show his paintings in museum exhibits. During his lifetime, his work was exhibited at the National Academy in New York, The Chicago Institute of Art, the Corcoran Gallery in Washington, D.C., the Pennsylvania Academy of the Fine Arts, the Detroit Institute of Art and other smaller venues. As catalogs from those aforementioned exhibits show, Alten's paintings hung among the works of acclaimed artists such as Childe Hassam, Edward Henry Potthast, Charles Russell, H.O. Tanner, Frederic Remington, O.E. Berninghaus, George Bellows, J.S. Sargent, E.L. Blumenschein, Thomas Eakins, William Merritt Chase and William Wendt вЂ“ as well as those of his similarly distinguished friends - H.R. Poore of Old Lyme, Connecticut, and E.I. Couse of Taos, New Mexico. According to Gerdts, "By 1898 Alten appears to have felt the need for greater professional training and exposure вЂ¦ to more cosmopolitan experience in artistic craftsmanship and association." He made a number of voyages to Europe; first to study his craft in Paris (with the help of wealthy patrons) in 1899. Then, attracted to the Hague School of Dutch artists, he spent 1910-11 working in the Netherlands amidst the settings favored by the Maris brothers, Jozef IsraГ«ls, Willem Roelofs, and even Vincent van Gogh and Piet Mondriaan's (Eng. "Mondrian") early work. Later, Alten fell under the influence of the work of Spanish painter JoaquГn Sorolla. Several working trips to Spain followed. An exhibit of Alten's sun-drenched canvasses from the 1920s was held at the Holt Galleries in New York City. The Literary Digest for October 12, 1929, featured the showing with an article and a reproduction of one of the Spanish marine scenes on its front cover. This was perhaps the high point of Alten's national recognition. Alten's career entailed an astounding amount of travel; especially given the conditions at the time вЂ“ sea voyages, less than luxurious trains, horse-drawn carriages вЂ¦ even donkeys. He frequently visited noted art colonies such as Г‰taples in France; Old Lyme, Connecticut; Taos, New Mexico; Laguna Beach, California and Tarpon Springs, Florida. But, although Alten painted alongside fellow artists, he never became a resident member of any artists' colony. Nor did he formally, by designation or choice, become a follower of specific "schools" such as the Fauves in France or the Ashcan School of the Depression era. Alten continued his working trips within the US well into the 1930s, traveling to both coasts, Florida, Taos and always within his beloved West Michigan. His subject matter was notably diverse; landscapes, still lifes, seascapes, animals and portraits - often of judges throughout Michigan, as well as other notables as far afield as California and Oregon. His style evolved in accordance with both the tastes of the times and his own preferences. He never felt pressure to veer into the overtly "modernist" style which artists of the generation after his frequently embraced. Over the years, various local (West Michigan) arts-affiliated organizations named Alten as an honorary member. Regional and national organizations sought his membership as well. By 1904, he had joined the pioneering Society of Western Artists, one of the era's most influential art organizations. And, in 1916, he was invited to become a member of the National Arts Club in New York. In addition, Alten was a longtime member of Detroit's prestigious Scarab Club by which he was awarded a Gold Medal for his art in 1920. According to James A. Straub, the compiler of his Catalogue Raisonne, Alten is often referred to as the "dean of Michigan painters." Alten died, at age 67, in March 1938 at 1593 East Fulton Street in Grand Rapids, Michigan. That home is now listed on the National Register of Historic Places.
Broward Auction Gallery LLC
Nov. 08, 2020
Mathias Joseph Alten (MI,CA,1871-1938) watercolor painting antique
Est: $2,900 - $3,200
ARTIST: Mathias Joseph Alten (Michigan, California, German, 1871 - 1938) NAME: Nude in an Outdoor Setting YEAR: 1907 MEDIUM: watercolor on paper CONDITION: Very good. Some age toning. SIGHT SIZE: 20 x 13 1/2 inches / 50 x 35 cm FRAME SIZE: unframed SIGNATURE: lower right NOTE: The painting was authenficated by James A. Straub, Mathias Alten's work expert since 1982 and developer of Catalogue Raisonne, catalogued on alten.gvsuartgallery.org #MINU1785 (http://alten.gvsuartgallery.org/catalogue-raisonne/nude-outdoor-setting) PROVENANCE: Clars Auction Gallery, Date 2009-11-07, Lot 6306 SIMILAR ARTISTS: William Merritt Chase, Aaron Draper Shattuck, Edouard Leon Cortes, Carducius Ream, Marcel Dyf, James Gale Tyler, Gustave Adolph Wiegand, Joseph Henry Sharp, William Trost Richards, Albert Bierstadt, William Keith, Charles Green Shaw, Reginald Marsh, Jane Peterson, William Horton, Eric Sloane. CATEGORY: antique vintage painting SKU#: 117067 US Shipping $60 + insurance. AD: ART CONSIGNMENTS WANTED. CONTACT US BIOGRAPHY: Mathias Alten (1871-1938) was a German - American impressionist painter active in Grand Rapids, Michigan. Mathias Alten worked as an artist between 1890 and 1938. Although best known for his land- and seascapes he was also an accomplished portrait, floral, and animal painter. William H. Gerdts, a pre- eminent authority on American regional painting, describes Alten's style as that of a "second-generation Impressionist." Alten studied at the acclaimed Academie Julian and at the Academie Colarossi where he won a gold medal for the best figure drawing. As early in his career as 1905, Alten was being invited to show his paintings in museum exhibits. During his lifetime, his work was exhibited at the National Academy in New York, The Chicago Institute of Art, the Corcoran Gallery in Washington, D.C., the Pennsylvania Academy of the Fine Arts, the Detroit Institute of Art and other smaller venues. As catalogs from those aforementioned exhibits show, Alten's paintings hung among the works of acclaimed artists such as Childe Hassam, Edward Henry Potthast, Charles Russell, H.O. Tanner, Frederic Remington, O.E. Berninghaus, George Bellows, J.S. Sargent, E.L. Blumenschein, Thomas Eakins, William Merritt Chase and William Wendt as well as those of his similarly distinguished friends - H.R. Poore of Old Lyme, Connecticut, and E.I. Couse of Taos, New Mexico. According to Gerdts, "By 1898 Alten appears to have felt the need for greater professional training and exposure to more cosmopolitan experience in artistic craftsmanship and association." He made a number of voyages to Europe; first to study his craft in Paris (with the help of wealthy patrons) in 1899. Then, attracted to the Hague School of Dutch artists, he spent 1910-11 working in the Netherlands amidst the settings favored by the Maris brothers, Jozef Israils, Willem Roelofs, and even Vincent van Gogh and Piet Mondriaan's (Eng. "Mondrian") early work. Later, Alten fell under the influence of the work of Spanish painter Joaquin Sorolla. Several working trips to Spain followed. An exhibit of Alten's sun-drenched canvasses from the 1920s was held at the Holt Galleries in New York City. The Literary Digest for October 12, 1929, featured the showing with an article and a reproduction of one of the Spanish marine scenes on its front cover. This was perhaps the high point of Alten's national recognition. Alten's career entailed an astounding amount of travel; especially given the conditions at the time sea voyages, less than luxurious trains, horse-drawn carriages even donkeys. He frequently visited noted art colonies such as Old Lyme, Connecticut; Taos, New Mexico; Laguna Beach, California and Tarpon Springs, Florida. But, although Alten painted alongside fellow artists, he never became a resident member of any artists' colony. Nor did he formally, by designation or choice, become a follower of specific "schools" such as the Fauves in France or the Ashcan School of the Depression era. Alten continued his working trips within the US well into the 1930s, traveling to both coasts, Florida, Taos and always within his beloved West Michigan. His subject matter was notably diverse; landscapes, still lifes, seascapes, animals and portraits - often of judges throughout Michigan, as well as other notables as far afield as California and Oregon. His style evolved in accordance with both the tastes of the times and his own preferences. He never felt pressure to veer into the overtly "modernist" style which artists of the generation after his frequently embraced. Over the years, various local (West Michigan) arts-affiliated organizations named Alten as an honorary member. Regional and national organizations sought his membership as well. By 1904, he had joined the pioneering Society of Western Artists, one of the era's most influential art organizations. And, in 1916, he was invited to become a member of the National Arts Club in New York. In addition, Alten was a longtime member of Detroit's prestigious Scarab Club by which he was awarded a Gold Medal for his art in 1920. According to James A. Straub, the compiler of his Catalogue Raisonne, Alten is often referred to as the "dean of Michigan painters." Alten died, at age 67, in March 1938 at 1593 East Fulton Street in Grand Rapids, Michigan. That home is now listed on the National Register of Historic Places.
Broward Auction Gallery LLC
Oct. 30, 2020
Mathias Joseph Alten (AMERICAN, 1871–1938)
Est: $7,000 - $9,000
Mathias Joseph Alten (AMERICAN, 1871–1938) oil on board. Signed lower right. Measures 15 1/4 inches high x 18 7/8 inches wide + 2 1/4 inches frame.
Joshua Kodner
Oct. 30, 2020
Mathias Joseph Alten (AMERICAN, 1871–1938)
Est: $7,000 - $9,000
Mathias Joseph Alten (AMERICAN, 1871–1938) oil on board. Signed Lower Right. Measures 16 inches high x 19 1/2 inches wide + 2 1/2 inch frame
Joshua Kodner
Oct. 30, 2020
Mathias Joseph Alten (AMERICAN, 1871–1938)
Est: $7,000 - $9,000
Mathias Joseph Alten (AMERICAN, 1871–1938) oil on board. Measures 15 3/4 inches high x 20 inches wide + 2 inch frame. Signed lower right.
Joshua Kodner
Aug. 09, 2020
Mathias Joseph Alten (MI,CA,1871вЂ“1938) oil painting antique
Est: $4,750 - $5,250
ARTIST: Mathias Joseph Alten (California, Michigan, German, 1871вЂ“1938) NAME: Seascape - Rocks at Laguna YEAR: circa 1929 MEDIUM: oil on canvas. Canvas applied to board CONDITION: Excellent. No visible inpaint under UV light. SIGHT SIZE: 13 x 15 inches / 33 x 38 cm FRAME SIZE: 19 x 21 inches / 48 x 53 cm SIGNATURE: Lower left NOTE: Catalogued on alten.gvsuartgallery.org #CASS1289 (http://alten.gvsuartgallery.org/catalogue-raisonne/rocks-laguna-0) PROVENANCE: Bergsma Gallery, Grand Rapids, MI (has label on verso); Hefner's Art Shop, Grand Rapids, MI (has label on verso) SIMILAR ARTISTS: William Merritt Chase, Aaron Draper Shattuck, Edouard Leon Cortes, Carducius Ream, Marcel Dyf, James Gale Tyler, Gustave Adolph Wiegand, Joseph Henry Sharp, William Trost Richards, Albert Bierstadt, William Keith, Charles Green Shaw, Reginald Marsh, Jane Peterson, William Horton, Eric Sloane. CATEGORY: antique vintage painting SKU#: 116411 WARRANTY: 7 days returns accepted if item doesn't match description US Shipping $60 + insurance. Mathias Joseph Alten (California, Michigan, German, 1871вЂ“1938) Mathias Alten (1871вЂ“1938) was a German - American impressionist painter active in Grand Rapids, Michigan. Mathias Alten worked as an artist between 1890 and 1938. Although best known for his land- and seascapes he was also an accomplished portrait, floral, and animal painter. William H. Gerdts, a pre-eminent authority on American regional painting, describes Alten's style as that of a "second-generation Impressionist." Alten studied at the acclaimed AcadГ©mie Julian and at the AcadГ©mie Colarossi where he won a gold medal for the best figure drawing. As early in his career as 1905, Alten was being invited to show his paintings in museum exhibits. During his lifetime, his work was exhibited at the National Academy in New York, The Chicago Institute of Art, the Corcoran Gallery in Washington, D.C., the Pennsylvania Academy of the Fine Arts, the Detroit Institute of Art and other smaller venues. As catalogs from those aforementioned exhibits show, Alten's paintings hung among the works of acclaimed artists such as Childe Hassam, Edward Henry Potthast, Charles Russell, H.O. Tanner, Frederic Remington, O.E. Berninghaus, George Bellows, J.S. Sargent, E.L. Blumenschein, Thomas Eakins, William Merritt Chase and William Wendt вЂ“ as well as those of his similarly distinguished friends - H.R. Poore of Old Lyme, Connecticut, and E.I. Couse of Taos, New Mexico. According to Gerdts, "By 1898 Alten appears to have felt the need for greater professional training and exposure вЂ¦ to more cosmopolitan experience in artistic craftsmanship and association." He made a number of voyages to Europe; first to study his craft in Paris (with the help of wealthy patrons) in 1899. Then, attracted to the Hague School of Dutch artists, he spent 1910-11 working in the Netherlands amidst the settings favored by the Maris brothers, Jozef IsraГ«ls, Willem Roelofs, and even Vincent van Gogh and Piet Mondriaan's (Eng. "Mondrian") early work. Later, Alten fell under the influence of the work of Spanish painter JoaquГn Sorolla. Several working trips to Spain followed. An exhibit of Alten's sun-drenched canvasses from the 1920s was held at the Holt Galleries in New York City. The Literary Digest for October 12, 1929, featured the showing with an article and a reproduction of one of the Spanish marine scenes on its front cover. This was perhaps the high point of Alten's national recognition. Alten's career entailed an astounding amount of travel; especially given the conditions at the time вЂ“ sea voyages, less than luxurious trains, horse-drawn carriages вЂ¦ even donkeys. He frequently visited noted art colonies such as Г‰taples in France; Old Lyme, Connecticut; Taos, New Mexico; Laguna Beach, California and Tarpon Springs, Florida. But, although Alten painted alongside fellow artists, he never became a resident member of any artists' colony. Nor did he formally, by designation or choice, become a follower of specific "schools" such as the Fauves in France or the Ashcan School of the Depression era. Alten continued his working trips within the US well into the 1930s, traveling to both coasts, Florida, Taos and always within his beloved West Michigan. His subject matter was notably diverse; landscapes, still lifes, seascapes, animals and portraits - often of judges throughout Michigan, as well as other notables as far afield as California and Oregon. His style evolved in accordance with both the tastes of the times and his own preferences. He never felt pressure to veer into the overtly "modernist" style which artists of the generation after his frequently embraced. Over the years, various local (West Michigan) arts-affiliated organizations named Alten as an honorary member. Regional and national organizations sought his membership as well. By 1904, he had joined the pioneering Society of Western Artists, one of the era's most influential art organizations. And, in 1916, he was invited to become a member of the National Arts Club in New York. In addition, Alten was a longtime member of Detroit's prestigious Scarab Club by which he was awarded a Gold Medal for his art in 1920. According to James A. Straub, the compiler of his Catalogue Raisonne, Alten is often referred to as the "dean of Michigan painters." Alten died, at age 67, in March 1938 at 1593 East Fulton Street in Grand Rapids, Michigan. That home is now listed on the National Register of Historic Places.
Broward Auction Gallery LLC
Jun. 14, 2020
MATHIAS JOSEPH ALTEN: "HARVEST TIME"
Est: $4,000 - $6,000
circa 1920 oil on canvas signed and dated lower right Provenance: The Estate of DeWitt McCall III De Ru's Fine Arts, Bellflower, CA Bonhams--Los Angeles: August 2, 2016 [Lot 103] 32 x 42 inches
Abell Auction
Jun. 07, 2020
Mathias Alten (MI,CA,1871вЂ“1938) oil painting antique
Est: $5,750 - $6,500
ARTIST: Mathias Joseph Alten (California, Michigan, Germany, 1871вЂ“1938) NAME: Landscape YEAR: 1916 MEDIUM: oil on canvas. Canvas applied to board. CONDITION: Minor craquelure. No visible inpaint under UV light. SIGHT SIZE: 12 x 17 inches / 30 x 43 cm FRAME SIZE: 19 x 24 inches / 47 x 60 cm SIGNATURE: Lower right NOTE: The painting was authenficated by James A. Straub, Mathias Alten's work expert since 1982 and developer of Catalogue Raisonne (MathiasAlten.com). SIMILAR ARTISTS: William Merritt Chase, Aaron Draper Shattuck, Edouard Leon Cortes, Carducius Ream, Marcel Dyf, James Gale Tyler, Gustave Adolph Wiegand, Joseph Henry Sharp, William Trost Richards, Albert Bierstadt, William Keith, Charles Green Shaw, Reginald Marsh, Jane Peterson, William Horton, Eric Sloane. CATEGORY: antique vintage painting SKU#: 116051 WARRANTY: 7 days returns accepted if item doesn't match description US Shipping $60 + insurance. Mathias Joseph Alten (California, Michigan, German, 1871вЂ“1938) Mathias Alten (1871вЂ“1938) was a German - American impressionist painter active in Grand Rapids, Michigan. Mathias Alten worked as an artist between 1890 and 1938. Although best known for his land- and seascapes he was also an accomplished portrait, floral, and animal painter. William H. Gerdts, a pre-eminent authority on American regional painting, describes Alten's style as that of a "second-generation Impressionist." Alten studied at the acclaimed AcadГ©mie Julian and at the AcadГ©mie Colarossi where he won a gold medal for the best figure drawing. As early in his career as 1905, Alten was being invited to show his paintings in museum exhibits. During his lifetime, his work was exhibited at the National Academy in New York, The Chicago Institute of Art, the Corcoran Gallery in Washington, D.C., the Pennsylvania Academy of the Fine Arts, the Detroit Institute of Art and other smaller venues. As catalogs from those aforementioned exhibits show, Alten's paintings hung among the works of acclaimed artists such as Childe Hassam, Edward Henry Potthast, Charles Russell, H.O. Tanner, Frederic Remington, O.E. Berninghaus, George Bellows, J.S. Sargent, E.L. Blumenschein, Thomas Eakins, William Merritt Chase and William Wendt вЂ“ as well as those of his similarly distinguished friends - H.R. Poore of Old Lyme, Connecticut, and E.I. Couse of Taos, New Mexico. According to Gerdts, "By 1898 Alten appears to have felt the need for greater professional training and exposure вЂ¦ to more cosmopolitan experience in artistic craftsmanship and association." He made a number of voyages to Europe; first to study his craft in Paris (with the help of wealthy patrons) in 1899. Then, attracted to the Hague School of Dutch artists, he spent 1910-11 working in the Netherlands amidst the settings favored by the Maris brothers, Jozef IsraГ«ls, Willem Roelofs, and even Vincent van Gogh and Piet Mondriaan's (Eng. "Mondrian") early work. Later, Alten fell under the influence of the work of Spanish painter JoaquГn Sorolla. Several working trips to Spain followed. An exhibit of Alten's sun-drenched canvasses from the 1920s was held at the Holt Galleries in New York City. The Literary Digest for October 12, 1929, featured the showing with an article and a reproduction of one of the Spanish marine scenes on its front cover. This was perhaps the high point of Alten's national recognition. Alten's career entailed an astounding amount of travel; especially given the conditions at the time вЂ“ sea voyages, less than luxurious trains, horse-drawn carriages вЂ¦ even donkeys. He frequently visited noted art colonies such as Г‰taples in France; Old Lyme, Connecticut; Taos, New Mexico; Laguna Beach, California and Tarpon Springs, Florida. But, although Alten painted alongside fellow artists, he never became a resident member of any artists' colony. Nor did he formally, by designation or choice, become a follower of specific "schools" such as the Fauves in France or the Ashcan School of the Depression era. Alten continued his working trips within the US well into the 1930s, traveling to both coasts, Florida, Taos and always within his beloved West Michigan. His subject matter was notably diverse; landscapes, still lifes, seascapes, animals and portraits - often of judges throughout Michigan, as well as other notables as far afield as California and Oregon. His style evolved in accordance with both the tastes of the times and his own preferences. He never felt pressure to veer into the overtly "modernist" style which artists of the generation after his frequently embraced. Over the years, various local (West Michigan) arts-affiliated organizations named Alten as an honorary member. Regional and national organizations sought his membership as well. By 1904, he had joined the pioneering Society of Western Artists, one of the era's most influential art organizations. And, in 1916, he was invited to become a member of the National Arts Club in New York. In addition, Alten was a longtime member of Detroit's prestigious Scarab Club by which he was awarded a Gold Medal for his art in 1920. According to James A. Straub, the compiler of his Catalogue Raisonne, Alten is often referred to as the "dean of Michigan painters." Alten died, at age 67, in March 1938 at 1593 East Fulton Street in Grand Rapids, Michigan. That home is now listed on the National Register of Historic Places.
Broward Auction Gallery LLC