Vincenzo Aloja Sold at Auction Prices

copperplate engraver, Painter, Etcher

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    • V. ALOJA (19th) after Unknown (19th), View from Marechiaro, around 1810, Copper engraving
      Sep. 28, 2024

      V. ALOJA (19th) after Unknown (19th), View from Marechiaro, around 1810, Copper engraving

      Est: €450 - €600

      Vincenzo Aloja (19th century) after Unknown (19th century): View of Marechiaro near Posillipo, c. 1810, Copper engraving Technique: Copper engraving on Paper Date: c. 1810 Description: Depiction of a coastal landscape with sailing ships in the foreground, a group of figures on the shore and a town in the middle ground, embedded in a rural scene under a cloudy sky. Keywords: Coastal landscape; Sailing ships; Figures; Shore; City; Rurality; Clouds; Engraving; Art; Sea; Horizon; Architecture; Harbour; Trees; Shipping; Clouds; Scenery; Printmaking; Sky, 19th century, Romanticism, Architecture, Italy, Size: Paper: 31,0 cm x 41,5 cm (12,2 x 16,3 in), Plate: 22,5 cm x 30,5 cm (8,9 x 12 in), Depiction: 17,5 cm x 26,0 cm (6,9 x 10,2 in)

      Fichter Kunsthandel
    • V. ALOJA (19th) after Unknown (19th), View of Pozzuoli, around 1810, Copper engraving
      Sep. 28, 2024

      V. ALOJA (19th) after Unknown (19th), View of Pozzuoli, around 1810, Copper engraving

      Est: €450 - €600

      Vincenzo Aloja (19th century) after Unknown (19th century): View of Pozzuoli, c. 1810, Copper engraving Technique: Copper engraving on Paper Date: c. 1810 Description: The copperplate engraving shows an idyllic landscape with people and farm animals in the foreground, embedded in lush vegetation. In the background, a picturesque mountain range stretches out beneath a dynamic sky with detailed cloud formations. Keywords: Copperplate engraving; landscape; people; farm animals; vegetation; mountain range; sky; clouds; graphic; idyll; nature; art; agriculture; scenery; perspective; depth effect; play of light; printing technique; historical, 19th century, Romanticism, Architecture, Italy, Size: Paper: 31,0 cm x 41,5 cm (12,2 x 16,3 in), Plate: 22,5 cm x 30,0 cm (8,9 x 11,8 in), Depiction: 17,4 cm x 26,0 cm (6,9 x 10,2 in)

      Fichter Kunsthandel
    • V. ALOJA (19th) after Unknown (19th), Coast of Baiae, Naepel, around 1810, Copper engraving
      Sep. 28, 2024

      V. ALOJA (19th) after Unknown (19th), Coast of Baiae, Naepel, around 1810, Copper engraving

      Est: €450 - €600

      Vincenzo Aloja (19th century) after Unknown (19th century): Coast of Baiae on the Gulf of Naepel, c. 1810, Copper engraving Technique: Copper engraving on Paper Date: c. 1810 Description: This classic etching shows an idyllic landscape with a pastoral character. Viewers can see a wide bay with sailing ships and rolling hills in the background. In the foreground, a herd grazes quietly while a shepherd oversees his animals, surrounded by lush trees and a dramatically transfigured sky. Keywords: etching; landscape; bay; sailing ships; hill; herd; shepherd; trees; sky; pasture; idyll; pastoral scene; art; classical; nature; printmaking; culture; traditional; tranquillity, 19th century, Romanticism, Architecture, Italy, Size: Paper: 31,0 cm x 41,5 cm (12,2 x 16,3 in), Plate: 22,8 cm x 30,0 cm (9 x 11,8 in), Depiction: 17,5 cm x 25,8 cm (6,9 x 10,2 in)

      Fichter Kunsthandel
    • V. ALOJA (19th) after Unknown (19th), Temepl in Paestum, around 1810, Copper engraving
      Sep. 28, 2024

      V. ALOJA (19th) after Unknown (19th), Temepl in Paestum, around 1810, Copper engraving

      Est: €450 - €600

      Vincenzo Aloja (19th century) after Unknown (19th century): Temepl in Paestum, c. 1810, Copper engraving Technique: Copper engraving on Paper Inscription: Lower right signed: "Vincenzo Aloja incise". Date: c. 1810 Description: A detailed engraving presents an idyllic landscape with ancient temple ruins in Paestum. Animals graze in the foreground, flanked by a lush tree and figures, suggesting a harmonious coexistence of nature and architecture. Keywords: engraving; landscape; temple ruins; antiquity; grazing animals; tree; architecture; nature; harmony; idyll; figures; cultural history; art; printmaking; aesthetic; perspective; sky; clouds; mountains; scenery, 19th century, Romanticism, Architecture, Italy, Size: Paper: 31,0 cm x 41,5 cm (12,2 x 16,3 in), Plate: 22,5 cm x 30,2 cm (8,9 x 11,9 in), Depiction: 17,5 cm x 26,0 cm (6,9 x 10,2 in)

      Fichter Kunsthandel
    • V. ALOJA (19th) after Unknown (19th), Sanctuary in Pompeii, around 1810, Copper engraving
      Sep. 28, 2024

      V. ALOJA (19th) after Unknown (19th), Sanctuary in Pompeii, around 1810, Copper engraving

      Est: €450 - €600

      Vincenzo Aloja (19th century) after Unknown (19th century): Sanctuary in Pompeii, c. 1810, Copper engraving Technique: Copper engraving on Paper Inscription: Lower right signed: "Vincenzo Aloja incise". Date: c. 1810 Description: The engraving shows an archaeological scene with ruins in a wooded landscape, people exploring and ancient inscriptions on signs suggesting art-historical importance. Keywords: engraving; ruins; archaeology; forest landscape; exploration; antiquity; inscriptions; signs; study; history, 19th century, Romanticism, Architecture, Italy, Size: Paper: 31,0 cm x 41,5 cm (12,2 x 16,3 in), Plate: 22,0 cm x 29,5 cm (8,7 x 11,6 in), Depiction: 17,5 cm x 26,0 cm (6,9 x 10,2 in)

      Fichter Kunsthandel
    • V. ALOJA (19th) after Unknown (19th), Isi temple in Pompeii, around 1810, Copper engraving
      Sep. 28, 2024

      V. ALOJA (19th) after Unknown (19th), Isi temple in Pompeii, around 1810, Copper engraving

      Est: €450 - €600

      Vincenzo Aloja (19th century) after Unknown (19th century): Isi temple in Pompeii, c. 1810, Copper engraving Technique: Copper engraving on Paper Inscription: Lower right signed: "Vincenzo Aloja incise.". Date: c. 1810 Description: This engraving from the art historical period shows ruins of ancient architecture. People and animals animate the scenery, evoking a mood of transience. Fine lines and shading create depth and atmosphere. Keywords: engraving; ruins; antiquity; architecture; people; animals; transience; linework; shading; atmosphere; art history; scene; representation; antiquity; drama; perspective; culture; artwork; illustration; archaeology, 19th century, Romanticism, Architecture, Italy, Size: Paper: 31,0 cm x 41,5 cm (12,2 x 16,3 in), Plate: 22,3 cm x 30,0 cm (8,8 x 11,8 in), Depiction: 17,5 cm x 26,2 cm (6,9 x 10,3 in)

      Fichter Kunsthandel
    • V. ALOJA (19th) after HACKERT (*1737), View from Persano, around 1810, Copper engraving
      Sep. 28, 2024

      V. ALOJA (19th) after HACKERT (*1737), View from Persano, around 1810, Copper engraving

      Est: €450 - €600

      Vincenzo Aloja (19th century) after Jakob Philipp Hackert (1737 Prenzlau - 1807 San Piero di Careggio (Florenz)): View of Persano with the Casino del Re, c. 1810, Copper engraving Technique: Copper engraving on Paper Inscription: Lower right signed: "Vincenzo Aloja incise". Date: c. 1810 Description: The artwork depicts a classicist landscape characterised by picturesque elements such as ancient architecture, landscaped paths and figures in harmonious interaction with nature. Keywords: Classicism; landscape; architecture; antiquity; paths; figures; nature; harmony; picturesque; idyll; engraving; printmaking; trees; staffage; perspective; art history; picture printing;, 19th century, Romanticism, Architecture, Italy, Size: Paper: 31,0 cm x 41,5 cm (12,2 x 16,3 in), Plate: 22,5 cm x 30,0 cm (8,9 x 11,8 in), Depiction: 17,4 cm x 25,6 cm (6,9 x 10,1 in)

      Fichter Kunsthandel
    • V. ALOJA (19th) after FERGOLA (*1768), Promenades in Naples, around 1810, Copper engraving
      Sep. 28, 2024

      V. ALOJA (19th) after FERGOLA (*1768), Promenades in Naples, around 1810, Copper engraving

      Est: €450 - €600

      Vincenzo Aloja (19th century) after Luigi Fergola (1768 - 1834 ): Promenades in Naples, c. 1810, Copper engraving Technique: Copper engraving on Paper Date: c. 1810 Description: The artwork presents a detailed depiction of a lively beach promenade, garnished with the architecture of a historical site and geological formations in the background. Keywords: beach promenade; historical architecture; geological formations; engraving; etching; artwork; detail; animated scene; maritime landscape; early modern; printmaking; figure staffage; coastal view; city; culture; aesthetics; perspective; clouds; sea; horizon, 19th century, Romanticism, Architecture, Italy, Size: Paper: 31,0 cm x 41,5 cm (12,2 x 16,3 in), Plate: 22,5 cm x 30,0 cm (8,9 x 11,8 in), Depiction: 17,5 cm x 26,4 cm (6,9 x 10,4 in)

      Fichter Kunsthandel
    • V. ALOJA (19th) after FERGOLA (*1768), Naples harbour, around 1810, Copper engraving
      Sep. 28, 2024

      V. ALOJA (19th) after FERGOLA (*1768), Naples harbour, around 1810, Copper engraving

      Est: €450 - €600

      Vincenzo Aloja (19th century) after Luigi Fergola (1768 - 1834 ): Naples harbour, c. 1810, Copper engraving Technique: Copper engraving on Paper Date: c. 1810 Description: This graphic work presents a coherent depiction of a busy harbour with architecture and ships. It balances subtle shading to create depth and perspective, while groups of figures animate the foreground. Keywords: harbour; ships; architecture; graphics; artwork; perspective; depth; shading; depiction; animated; groups of figures; foreground; scenery; historical; nautical; cityscape; coast; watercraft; sky; clouds, 19th century, Romanticism, Architecture, Italy, Size: Paper: 31,0 cm x 41,5 cm (12,2 x 16,3 in), Plate: 22,8 cm x 30,6 cm (9 x 12 in), Depiction: 17,5 cm x 26,0 cm (6,9 x 10,2 in)

      Fichter Kunsthandel
    • V. ALOJA (19th) after FERGOLA (*1768), Castel dell'Ovo in Neapel, around 1810, Copper engraving
      Sep. 28, 2024

      V. ALOJA (19th) after FERGOLA (*1768), Castel dell'Ovo in Neapel, around 1810, Copper engraving

      Est: €450 - €600

      Vincenzo Aloja (19th century) after Luigi Fergola (1768 - 1834 ): Castel dell'Ovo in Neapel, c. 1810, Copper engraving Technique: Copper engraving on Paper Date: c. 1810 Description: Copperplate engraving shows maritime scenery with architectural elements and figures in the foreground. Atmospheric perspective and detailed depiction characterise this artistic work. Keywords: Copper engraving; architecture; maritime scene; figures; atmospheric perspective; work of art; richness of detail; foreground; historical depiction; artistic; graphic; ship; sea; coast; building; clouds; sky; engraving; classicism;, 19th century, Romanticism, Architecture, Italy, Size: Paper: 31,0 cm x 41,5 cm (12,2 x 16,3 in), Plate: 23,0 cm x 30,2 cm (9,1 x 11,9 in), Depiction: 17,5 cm x 26,1 cm (6,9 x 10,3 in)

      Fichter Kunsthandel
    • V. ALOJA (19th) after FERGOLA (*1768), View of Naples, around 1810, Copper engraving
      Sep. 28, 2024

      V. ALOJA (19th) after FERGOLA (*1768), View of Naples, around 1810, Copper engraving

      Est: €450 - €600

      Vincenzo Aloja (19th century) after Luigi Fergola (1768 - 1834 ): View of Naples with Capodichino, c. 1810, Copper engraving Technique: Copper engraving on Paper Date: c. 1810 Description: The graphic shows an idyllic landscape with historical buildings, people in the foreground and a range of hills in the background. Fine lines and differentiated shading lend the work a wealth of detail and spatial depth. Keywords: Graphics; Landscape; Historical buildings; People; Range of hills; Fine lines; Differentiated shading; Richness of detail; Spatial depth; Idyll; Engraving; Art; Architecture; Nature; Tree; Clouds; Skyline; Antique; Visual art; Perspective, 19th century, Romanticism, Architecture, Italy, Size: Paper: 31,0 cm x 41,5 cm (12,2 x 16,3 in), Plate: 21,8 cm x 29,5 cm (8,6 x 11,6 in), Depiction: 17,1 cm x 25,9 cm (6,7 x 10,2 in)

      Fichter Kunsthandel
    • V. ALOJA (19th) after FERGOLA (*1768), View of Bagnoli near Posillipo, around 1810, Copper engraving
      Sep. 28, 2024

      V. ALOJA (19th) after FERGOLA (*1768), View of Bagnoli near Posillipo, around 1810, Copper engraving

      Est: €450 - €600

      Vincenzo Aloja (19th century) after Luigi Fergola (1768 - 1834 ): View of Bagnoli near Posillipo, c. 1810, Copper engraving Technique: Copper engraving on Paper Date: c. 1810 Description: The artwork is a view showing an idyllic scene. In the foreground are figures on a path winding through a wooded landscape. Gentle hills rise in the background, with a cloudy sky above. Stylistically, there are fine lines and nuanced shading. Keywords: Veduta; Landscape; Figures; Path; Woodland; Hills; Clouds; Sky; Printmaking; Linework; Shading; Idyll; Nature; Work of art; Historical; Scenery; Delicacy; Nuance;, 19th century, Romanticism, Architecture, Italy, Size: Paper: 31,0 cm x 41,5 cm (12,2 x 16,3 in), Plate: 22,5 cm x 30,5 cm (8,9 x 12 in), Depiction: 17,6 cm x 26,2 cm (6,9 x 10,3 in)

      Fichter Kunsthandel
    • V. ALOJA (19th) after FERGOLA (*1768), Naples harbour, around 1810, Copper engraving
      Sep. 28, 2024

      V. ALOJA (19th) after FERGOLA (*1768), Naples harbour, around 1810, Copper engraving

      Est: €450 - €600

      Vincenzo Aloja (19th century) after Luigi Fergola (1768 - 1834 ): Naples harbour, c. 1810, Copper engraving Technique: Copper engraving on Paper Date: c. 1810 Description: In front of us is a fine engraving depicting a lively harbour scene: sailing ships, figures, ancient ruins and a city in the background, under a sky panorama with detailed cloud formations. Keywords: engraving; harbour; sailing ships; figures; ruins; city; landscape; clouds; sky; art; historical; scene depiction; architecture; culture; sea; scenery; graphic; panorama; veduta; shore, 19th century, Romanticism, Architecture, Italy, Size: Paper: 31,0 cm x 41,5 cm (12,2 x 16,3 in), Plate: 22,2 cm x 29,8 cm (8,7 x 11,7 in), Depiction: 17,5 cm x 26,2 cm (6,9 x 10,3 in)

      Fichter Kunsthandel
    • V. ALOJA (19th) after D'ANNA (*1743), Theatre in ancient Pompeii, around 1810, Copper engraving
      Sep. 28, 2024

      V. ALOJA (19th) after D'ANNA (*1743), Theatre in ancient Pompeii, around 1810, Copper engraving

      Est: €450 - €600

      Vincenzo Aloja (19th century) after Alessandro d'Anna (1743 Palermo - 1810 ibid.): Theatre in ancient Pompeii, c. 1810, Copper engraving Technique: Copper engraving on Paper Inscription: At the lower part signed in the printing plate: "Aless. d'Anna dis. / Vinc. Aloja inc.". Date: c. 1810 Description: The etching shows an ancient ruin, probably a theatre, with columns and arches, in an idyllic setting. People are studying the remains. Keywords: Etching; Antiquity; Ruin; Theatre; Columns; Arches; Idyll; Study; Archaeology; History; Art; Culture; Research; Exploration; Depiction; Documentation; Image interpretation; Art history; Architecture; Scenery, 19th century, Romanticism, Architecture, Italy, Size: Paper: 31,0 cm x 41,5 cm (12,2 x 16,3 in)

      Fichter Kunsthandel
    • V. ALOJA (19th) after GRASSO (19th), Gulf of Naples, 1806, Etching
      Apr. 27, 2024

      V. ALOJA (19th) after GRASSO (19th), Gulf of Naples, 1806, Etching

      Est: €450 - €600

      Vincenzo Aloja (19th century) after Carlo Grasso (19th century): Gulf of Naples View from Sorrento, 1806, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "Carlo Grasso delin. / Vincenzo Aloja inc.". At the lower part inscribed in the printing plate: "Veduta presso Napoli, Portici e la Torre [...] In Napoli presso Nicola Gervasi al Gigante di Palazzo No. 23". Date: 1806 Description: The etching presents an idyllic landscape on the Gulf of Naples, accentuated by the erupting Mount Vesuvius in the background. Figures and architecture can be recognised in the foreground, depicting a scene of human activity. Source: Raccolta di [...] Vedute dell'Citta e Regno di Napoli dipinte da Filippo Hackert, Carlo Grasso, Luigi Fergola etc. incise da Vincenzo Aloja, 1806 | print suite, Landscape, Architecture Keywords: Gulf of Naples; Campania; Vesuvius; etching; landscape; volcano; eruption; trees; architecture; figures; activity; idyll; background; foreground; scenery; depiction; art; historical; print, 19th century, Romanticism, Landscape, Italy,

      Fichter Kunsthandel
    • V. ALOJA (19th) after FERGOLA (*1768), Veduta of Naples, 1806, Etching
      Apr. 27, 2024

      V. ALOJA (19th) after FERGOLA (*1768), Veduta of Naples, 1806, Etching

      Est: €450 - €600

      Vincenzo Aloja (19th century) after Luigi Fergola (1768 - 1834 ): Veduta of Naples Gulf of Naples with smoking Vesuvius, 1806, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "Luigi Fergola dis dal vero / Vincenzo Aloja incise". At the lower part inscribed in the printing plate: "Veduta di Napoli dalla parte di Mergellina [...] In Napoli presso Nicola Gervasi al Gigante di Palazzo No. 23". Date: 1806 Description: The artwork presents a detailed depiction of the lively coastal landscape on the Gulf of Naples. In the foreground, we recognise historical architecture and figures entering the scene, while the middle and background planes are enriched with urban buildings and a mountain silhouette. Cloud formations accentuate the sky. Source: Raccolta di [...] Vedute dell'Citta e Regno di Napoli dipinte da Filippo Hackert, Carlo Grasso, Luigi Fergola etc. incise da Vincenzo Aloja, 1806 | print suite, Landscape, Architecture Keywords: Campania; Gulf of Naples; Vesuvius; Sorrento; Coastal landscape; Historical architecture; Figures; Urbanity; Mountain silhouette; Cloud formations; Work of art; Representation; Foreground; Middle ground; Background; Buildings; Richness of detail; Scenery; Sky; Revitalisation; Cultural history; Graphics; Perspective; Composition, 19th century, Romanticism, Landscape, Italy,

      Fichter Kunsthandel
    • V. ALOJA (19th) after FERGOLA (*1768), Viaduct in Ponti Rossi, Naples, 1806, Etching
      Apr. 27, 2024

      V. ALOJA (19th) after FERGOLA (*1768), Viaduct in Ponti Rossi, Naples, 1806, Etching

      Est: €450 - €600

      Vincenzo Aloja (19th century) after Luigi Fergola (1768 - 1834 ): Viaduct in Ponti Rossi, Naples, 1806, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "Luigi Fergola dis. dal vero / Vincenzo Aloja inc.". At the lower part inscribed in the printing plate: "Veduta de Ponti Rossi in Napoli per andare a S. Maria de Monti[...] In Napoli presso Nicola Gervasi al Gigante di Palazzo No. 23". Date: 1806 Description: The artwork shows an idyllic scene in the Ponti Rossi district of Naples with the ruins of a viaduct, complemented by figures and horses, embedded in a rural landscape with trees and a cloudy sky. Source: Raccolta di [...] Vedute dell'Citta e Regno di Napoli dipinte da Filippo Hackert, Carlo Grasso, Luigi Fergola etc. incise da Vincenzo Aloja, 1806 | print suite, Landscape, Architecture Keywords: Campania; artwork; ruins; arches; figures; horses; landscape; trees; cloudy sky; idyll; scenery; graphics; print; architecture; historical; nature; culture; open air; discovery; past; silence, 19th century, Romanticism, Architecture, Italy,

      Fichter Kunsthandel
    • V. ALOJA (19th) after FERGOLA (*1768), Grabmal auf Scodillo Hill, 1806, Etching
      Apr. 27, 2024

      V. ALOJA (19th) after FERGOLA (*1768), Grabmal auf Scodillo Hill, 1806, Etching

      Est: €450 - €600

      Vincenzo Aloja (19th century) after Luigi Fergola (1768 - 1834 ): View of an ancient tomb on the Collina dello Scodillo near Naples, 1806, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "Luigi Fergola dis. dal vero / Vincenzo Aloja incise". At the lower part inscribed in the printing plate: "Veduta di un Sepolcro antico sopra la Collina dello Scodillo a Napoli [...] In Napoli presso Nicola Gervasi al Gigante di Palazzo No. 23". Date: 1806 Description: This engraving shows an ancient burial site in an idyllic landscape near Naples. Individual figures and a dog enliven the scene, while mountain contours and a tree-lined ruin can be recognised in the background. Source: Raccolta di [...] Vedute dell'Citta e Regno di Napoli dipinte da Filippo Hackert, Carlo Grasso, Luigi Fergola etc. incise da Vincenzo Aloja, 1806 | print suite, Landscape, Architecture Keywords: Campania; Naples; Vesuvius; engraving; antique; tomb; landscape; figures; dog; mountains; trees; ruin; idyll, 19th century, Romanticism, Architecture, Italy,

      Fichter Kunsthandel
    • V. ALOJA (19th) after D'ANNA (*1743), Tomb of Mamia near Pompeii, 1806, Etching
      Apr. 27, 2024

      V. ALOJA (19th) after D'ANNA (*1743), Tomb of Mamia near Pompeii, 1806, Etching

      Est: €450 - €600

      Vincenzo Aloja (19th century) after Alessandro d'Anna (1743 Palermo - 1810 ibid.): Tomb of Mamia on the Via dei Sepolcri near Pompeii, 1806, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "Ales.o d'Anna dis. / Vinco Aloja inc.". At the lower part inscribed in the printing plate: "Veduta del Sepolcro di Mamia [...] In Napoli presso Nicola Gervasi al Gigante di Palazzo No. 23". Date: 1806 Description: This engraving depicts an ancient ruin site on the Pompeii burial route. In the foreground, figures and animals populate a path leading to a partially eroded, columned tomb on a hill. Subtle cloud formations also create an elegiac atmosphere in the sky. Source: Raccolta di [...] Vedute dell'Citta e Regno di Napoli dipinte da Filippo Hackert, Carlo Grasso, Luigi Fergola etc. incise da Vincenzo Aloja, 1806 | print suite, Landscape, Architecture Keywords: Pompeii; Campania; Vesuvius; engraving; ruins; antiquity; temple; columns; hill; path; figures; animals; elegant; clouds; sky; erosion; architecture; history; illustration; classicism; art history; landscape; archaeology, 19th century, Romanticism, Cities, Italy, Pompeii (Campanian),

      Fichter Kunsthandel
    • V. ALOJA (19th) after D'ANNA (*1743), Tomb of Mamia near Pompeii, 1806, Etching
      Apr. 27, 2024

      V. ALOJA (19th) after D'ANNA (*1743), Tomb of Mamia near Pompeii, 1806, Etching

      Est: €450 - €600

      Vincenzo Aloja (19th century) after Alessandro d'Anna (1743 Palermo - 1810 ibid.): Tomb of Mamia on the Via dei Sepolcri near Pompeii, 1806, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "Ales.o d'Anna dis. / Vinc. Aloja incise". At the lower part inscribed in the printing plate: "Veduta interna del Sepolcro di Mamia [...] In Napoli presso Nicola Gervasi al Gigante di Palazzo No. 23". Date: 1806 Description: The precise engraving reveals a picturesque scene of a historic ruin in a landscape, enlivened by groups of figures and domesticated animals, framed in a balanced relationship between light and shadow. Source: Raccolta di [...] Vedute dell'Citta e Regno di Napoli dipinte da Filippo Hackert, Carlo Grasso, Luigi Fergola etc. incise da Vincenzo Aloja, 1806 | print suite, Landscape, Architecture Keywords: Pompeii; Campania; Vesuvius; graphic; ruin; landscape; engraving; historical; figures; animals; light; shadow; picturesque; park-like; tree; sky; clouds; perspective; culture; architecture; art; scene; nature;, 19th century, Romanticism, Cities, Italy, Pompeii (Campanian),

      Fichter Kunsthandel
    • V. ALOJA (19th), City gate of Pompeii, 1806, Etching
      Apr. 27, 2024

      V. ALOJA (19th), City gate of Pompeii, 1806, Etching

      Est: €450 - €600

      Vincenzo Aloja (19th century): City gate of Pompeii Ancient ruins on the access road to Pompeii, 1806, Etching Technique: Etching on Paper Inscription: Lower right signed in the printing plate: "Vincenzo Aloja inc.". At the lower part inscribed in the printing plate: "Veduta della Porta di Pompei [...] In Napoli presso Nicola Gervasi di Piazza No 38". Date: 1806 Description: The engraving shows an idyllic landscape of ruins at the city gate of Pompeii. In the foreground is a seated figure next to a dog. Architectural fragments and trees surround her, while an openwork wall provides a view of further ruins. Source: Raccolta di [...] Vedute dell'Citta e Regno di Napoli dipinte da Filippo Hackert, Carlo Grasso, Luigi Fergola etc. incise da Vincenzo Aloja, 1806 | print suite, Landscape, Architecture Keywords: Pompeii; Campania; Vesuvius; Engraving; Ruins; Landscape; Figure; Dog; Architecture; Trees; Wall; View; Idyll; Transience; Work of art; Historical depiction, 19th century, Romanticism, Cities, Italy, Pompeii (Campanian),

      Fichter Kunsthandel
    • V. ALOJA (19th), Theatre in Pompeii, 1806, Etching
      Apr. 27, 2024

      V. ALOJA (19th), Theatre in Pompeii, 1806, Etching

      Est: €450 - €600

      Vincenzo Aloja (19th century): Theatre in Pompeii View of the ancient ruins, 1806, Etching Technique: Etching on Paper Inscription: Lower right signed in the printing plate: "Vincenzo Aloja inc.". At the lower part inscribed in the printing plate: "Veduta del Teatro di Pompei [...] In Napoli presso Nicola Gervasi al Gigante di Palazzo №23". Date: 1806 Description: This detailed engraving shows the ruins of the ancient amphitheatre of Pompeii, surrounded by lush vegetation. Several figures move through the scenery, indicating human presence and interaction with the historical site. Source: Raccolta di [...] Vedute dell'Citta e Regno di Napoli dipinte da Filippo Hackert, Carlo Grasso, Luigi Fergola etc. incise da Vincenzo Aloja, 1806 | print suite, Landscape, Architecture Keywords: Pompeii; Campania; Vesuvius; engraving; ruins; amphitheatre; vegetation; figures; ancient; historical site; archaeology; art; cultural history, 19th century, Romanticism, Cities, Italy, Pompeii (Campanian),

      Fichter Kunsthandel
    • Vincenzo Aloja (attivo 1786 - 1815) () - Four scenes with traditional costumes
      May. 27, 2019

      Vincenzo Aloja (attivo 1786 - 1815) () - Four scenes with traditional costumes

      Est: €1,300 - €1,800

      ink and tempera on card cm 36 x 27 circa ciascuna a) Rivisondoli village costume b) Montealdiero village, Teramo province, costume  c) Civitavecchia village, Contado di Molise province, costume d) Carovilli village costume

      Finarte Roma
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