Anna Alma-Tadema Sold at Auction Prices

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    • ANNA ALMA-TADEMA (BRITISH, 1867-1943) - The Garden Studio
      Jul. 29, 2020

      ANNA ALMA-TADEMA (BRITISH, 1867-1943) - The Garden Studio

      Est: £15,000 - £25,000

      ANNA ALMA-TADEMA (BRITISH, 1867-1943) The Garden Studio signed and dated 'ANNA ALMA TADEMA/ 1886-87' (lower centre) and inscribed 'The Garden Studio./ 17 Grove End Road/ Painted - 1886-87/ Artist/ Miss Anna Alma Tadema/ 17 Grove End Road/ St Johns Wood/ London' (on a label on the backboard) pencil, watercolour and bodycolour, heightened with gum arabic and with scratching out on paper181⁄4 x 131⁄2 in. (46.4 x 34.3 cm.)

      Christie's
    • Anna Alma-Tadema (1867-1943) Louisa Forbes Robertson and her daughter Olivia (Baby's Throne) pencil and watercolour on paper 28 ¾ x 20 7/8 in. (73 x 53 cm.); and Two albums of photographs of Olivia, both with a poem dedicated to her by Lawrence
      Jul. 11, 2019

      Anna Alma-Tadema (1867-1943) Louisa Forbes Robertson and her daughter Olivia (Baby's Throne) pencil and watercolour on paper 28 ¾ x 20 7/8 in. (73 x 53 cm.); and Two albums of photographs of Olivia, both with a poem dedicated to her by Lawrence

      Est: £8,000 - £12,000

      Anna Alma-Tadema (1867-1943) Louisa Forbes Robertson and her daughter Olivia (Baby's Throne) pencil and watercolour on paper 28 ¾ x 20 7/8 in. (73 x 53 cm.); and Two albums of photographs of Olivia, both with a poem dedicated to her by Lawrence Alma-Tadema, one with a pencil study for the watercolour, signed and dated 'Anna Alma Tadema/ Aug 31/ 1906' (lower right); and three framed photographs of Louisa, Olivia, and her brother

      Christie's
    • Anna Alma-Tadema (1867-1943) - Returning light
      Jul. 11, 2017

      Anna Alma-Tadema (1867-1943) - Returning light

      Est: £7,000 - £10,000

      Anna Alma-Tadema (1867-1943) Returning light oil on panel 17 3/8 x 6 1/8 in. (44.1 x 15.6 cm.)

      Christie's
    • ANNA ALMA-TADEMA, 1865-1943
      Mar. 21, 2007

      ANNA ALMA-TADEMA, 1865-1943

      Est: £4,000 - £6,000

      ETON COLLEGE CHAPEL measurements note 52x36 cm.; 20x14in. signed watercolour with bodycolour EXHIBITED Royal Academy, 1886, no. 1280 LITERATURE Art Journal, 1886, p. 252; Christopher Newall, Victorian Watercolours, 1987, p. 76 NOTE Eton College was founded in 1440 and is one of the oldest schools in the country. The south side of the college is dominated by the perpendicular architecture of the college chapel. Building began in 1441 on the chapel, but the original grandiose design was not completed as Edward IV usurped the throne and cut off most of Eton's revenues. The present building was intended to be merely the choir of a much larger church. Bishop Waynflete paid for the completion of the Antechapel at the wesern end of the building in 1479. The Chapel is a fine example of fifteenth century Perpendicular Gothic architecture with some of the most remarkable mediaeval wall paintings in Northern Europe. Anna Alma-Tadema was the second eldest daughter of Lawrence Alma-Tadema and his first wife who died when she was only two years old. She inherited her father's talent in capturing detail which also reflects the influence of Dutch painting.

      Sotheby's
    • The Idler's Harvest
      Feb. 28, 2007

      The Idler's Harvest

      Est: £4,000 - £6,000

      Anna Alma-Tadema (d.1943) The Idler's Harvest signed and dated 'Anna Alma-Tadema 1900' (lower right) oil on panel 14 x 9¾ in. (35.5 x 24.7 cm.)

      Christie's
    • ANNA ALMA-TADEMA 1865-1943
      Dec. 14, 2006

      ANNA ALMA-TADEMA 1865-1943

      Est: £6,000 - £8,000

      ETON COLLEGE CHAPEL measurements note 52 by 36 cm., 20 by 14 in. signed l.l.: Anna Alma Tadema watercolour with bodycolour EXHIBITED Royal Academy, 1886, no. 1280 LITERATURE Art Journal, 1886, p. 252; Christophr Newall, Victorian Watercolours, 1987, p. 76 NOTE Eton College was founded in 1440 and is one of the oldest schools in the country. The south side of the college is dominated by the perpendicular architecture of the college chapel. Building began in 1441 on the chapel, but the original grandiose design was not completed as Edward IV usurped the throne and cut off most of Eton's revenues. The present building was intended to be merely the choir of a much larger church. Bishop Waynflete paid for the completion of the Antechapel at the wesern end of the building in 1479. The Chapel is a fine example of fifteenth century Perpendicular Gothic architecture with some of the most remarkable mediaeval wall paintings in Northern Europe. Anna Alma-Tadema was the second eldest daughter of Lawrence Alma-Tadema and his first wife who died when she was only two years old. She inherited her father's talent in capturing detail which also reflects the influence of Dutch painting.

      Sotheby's
    • Anna Alma-Tadema (1867-1943)
      Feb. 19, 2003

      Anna Alma-Tadema (1867-1943)

      Est: $9,540 - $12,720

      Flags inscribed with initials 'LAT', for Lawrence Alma-Tadema (lower centre) oil on panel 32 1/8 x 21/2 in. (81.5 x 7.3 cm.) PROVENANCE Painted for the Alma-Tademas' house, 17 Grove End Road, St John's Wood; sold Hampton & Sons, London, 11 June 1913, lot 584. C.P. Mason; Sotheby's Belgravia, 5 November 1974, lot 56. Anon. sale, Sotheby's Belgravia, 29 June 1976, lot 94, when acquired by the present owner. LITERATURE R. de Cordova, 'The Panels in Sir Lawrence Alma-Tadema's Hall', Strand Magazine, vol. XXIV, no. 144, December 1902, p. 622, illus. EXHIBITION The Painter was a Lady, 1986-7, no. 1. Ladies of the Brush, 1994-5, no. 2. NOTES According to De Cordova, 'Miss Alma-Tadema's panel was a birthday gift to her father, and is a reminiscence of Queen Victoria's Jubilee. It consists of flags of various nations floating in the breeze...There is in it a conceit as beautiful as it is refined...The lowermost flag is that of Holland, which no-one needs reminding is the country of Sir Lawrence's birth. Adorning the flag is a laurel wreath surrounding the initials LAT, and the whole world has united with the country of his birth in offering him that recognised mark of greatest distinction.' It is not clear whether the artist was thinking of the Golden Jubilee of 1887 or the Diamond Jubilee of 1897, but the picture was certainly painted before 1902, the year of De Cordova's article. At some date after 1906 she contributed another panel to the scheme, entitled London Fog (sold Hampton's, London, 11 June 1913, lot 586; Sotheby's Belgravia, 5 November 1974, lot 58). Each measuring a mere 21/2 inches wide, the two panels were the narrowest in the entire sequence. In the case of Flags, this was particularly evident since the panel was placed immediately to the left of the widest of all the paintings, Marcus Stone's In the Garden.

      Christie's
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