Edward Allington Sold at Auction Prices

EDWARD ALLINGTON (BRITISH 1951-2017) Preview: Barley Mow Centre

EDWARD ALLINGTON (BRITISH 1951-2017) Preview: Barley Mow Centre EDWARD ALLINGTON (BRITISH 1951-2017): A kitsch ceramic teapot, circa 1975, in a duck egg blue glaze, of Art Deco Cubist form, the finial in the form of a leopard, the cover signed to underside 'Ed Allington'. 17.5 h x 24.5 w x 12 cm d cm

Edward Allington, 4 Aquarelle mit Ausstellungskatalog von 1993

Edward Allington, 4 Aquarelle mit Ausstellungskatalog von 1993 Edward Thomas Allington, 1951 Troutbeck Bridge, Westmorland - 2017 London, Bildhauer, Plastiker, New British Sculpture Movement der 1980er Jahre, Prof. an d. Slade School of Fine Art, London. Hier: 4 Aquarelle mit Tusche, 2 x mit Künstlermonogrammstempel, je 27 x 38 cm, o. Rahmen, dazu Ausstellungskatalog Bonner KV, Städtische Galerie Göppingen, Cornerhouse Manchester, Icon Gallery Birmingham 1993 Edward Allington, 4 watercolours with exhibition catalogue from 1993 Edward Thomas Allington, 1951 Troutbeck Bridge, Westmorland - 2017 London, sculptor, New British Sculpture Movement of the 1980s, Prof. at the Slade School of Fine Art, London. Here: 4 watercolours with ink, 2 x with artist's monogram stamp, each 27 x 38 cm, without frame, plus exhibition catalogue Bonner KV, Städtische Galerie Göppingen, Cornerhouse Manchester, Icon Gallery Birmingham 1993.

Edward Allington

(British, born 1951) Two works from the Artemis of Ephesus series, 1985-1986: green patinated bronze, signed on the bottom "Edward Arlington/86", 5 x 10 x 6-3/4 in.; ink and emulsion drawing on ledger paper, signed lower right "Edward Allington/85", 13-1/2 x 19-1/4 in.; wood frame, 18-3/4 x 24-1/4 in.

Edward Allington

(British, born 1951) Three works from the Lamia series, 1986: green patinated bronze, signed on the bottom "Edward Arlington/86", 8-3/4 x 11-1/2 x 7 in.; two ink and emulsion drawings on ledger paper, each signed lower right "Edward Allington/86", largest 13-1/2 x 19-1/2 in.; wood frames, largest 18-3/4 x 24-1/4 in.

Edward Allington (British, 1951) An Analysis of Beauty #2, First Series, 1985 Mi

Edward Allington (British, 1951) An Analysis of Beauty #2, First Series, 1985 Mixed Media on paper 43-3/4 x 24-1/2 inches (111.1 x 62.2 cm) Signed, dated, titled, and inscribed lower right: Edward Allington 85 / After Hogarth, An Analysis of Beauty #2 / First Series PROVENANCE: Lisson Gallery, London. HID01801242017

Edward Allington, British b.1951 - Incomplete Instrument, 1989 [EA89.D.15];

Edward Allington, British b.1951- Incomplete Instrument, 1989 [EA89.D.15]; acrylic and paper on canvas, signed, titled, inscribed and dated to the reverse, 183 x 122 cm (unframed) (ARR) Provenance: Kunstgalerij, Lokeren Belgium according to the label attached to the reverse. Please refer to department for condition report

Edward Allington, British b. 1951 - With Poisonous Libation, 1983 [EA.83.25];

Edward Allington, British b. 1951- With Poisonous Libation, 1983 [EA.83.25]; mixed media, 135x70x53.5cm including base (ARR) Provenance: Diane Brown Gallery, New York Private Collection, New York. In Pursuit of Savage Luxury, Midland Group, Nottingham, April 21 - May 19, 1984 Space Invaders, Mackenzie Art Gallery, University of Regina, Saskatchewan, 1985 Solo Exhibition, Lisson Gallery, London, July 3 - August 3, 1985 Please refer to department for condition report

EDWARD ALLINGTON (°1951)

Untitled, 1983. Bronze, olive green patina. Signature and date under base. Provenance: Galerie S65 Aalst/ Belgium Description FR Sans titre, 1983. Epreuve d'époque en bronze à patine vert olive. Signature et date au revers de la base. Provenance: Galerie S65, Alost Beschrijving NL Zonder titel, 1983. Brons, olijfgroen patina. Signatuur en datum onderaan. Herkomst : Galerie S65, Aalst

Edward Allington, 4 Aquarelle & Ausstellungskatalog 1993

Edward Allington, 4 Aquarelle & Ausstellungskatalog 1993 Edward Thomas Allington, 1951 Troutbeck Bridge, Westmorland - 2017 London, Bildhauer, Plastiker, New British Sculpture Movement der 1980er Jahre, Prof. an d. Slade School of Fine Art, London, 4 Aquarelle m. Tusche, 2x m. Künstlermonogrammstempel, je 27 x 38 cm, o. Rahmen, dazu Ausstellungskatalog Bonner KV, Städtische Galerie Göppingen, Cornerhouse Manchester, Icon Gallery Birmingham 1993

Edward ALLINGTON (1951) "Sin título" litografía sobre papel P/S  37x54 cm. Justificación al dorso.

Edward ALLINGTON (1951) "Untitled" lithography on paper P / S 37x54 cm. Justification on the back.

Edward ALLINGTON (1951) "Sin título" litografía sobre papel P/S  37x54 cm. Justificación al dorso.

Edward ALLINGTON (1951) "Untitled" lithography on paper P / S 37x54 cm. Justification on the back.

EDWARD ALLINGTON 1951 Inglaterra - 2017 Sin título

EDWARD ALLINGTON 1951 Inglaterra - 2017 Sin título Edited by Noise Color lithograph 36 x 53 cm. Graphic work

Edward Allington (b. 1951) - Drawing, 1984

Edward Allington (b. 1951) - Drawing, 1984 gouache and graphite over graph paper, signed, inscribed and dated at lower right 13 x 18 1/2 in., 33 x 47 cm IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Edward Allington (b.1951) - Fragments from an Unknown Building, 1987

Edward Allington (b.1951) - Fragments from an Unknown Building, 1987 pen and ink on graph paper laid down onto canvas, overpainted with white emulsion, signed, titled and dated on the reverse 72 x 96 in., 182.8 x 243.8 cm IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Edward Allington (b.1951) Fragments from an

Edward Allington (b.1951) Fragments from an Unknown Building, 1987 pen and ink on graph paper laid down onto canvas, overpainted with white emulsion signed, titled and dated on reverse 72 x 96 in., 182.8 x 243.8 cm IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Edward Allington (B. 1951) (i) Sculpture: Ideal Standard Forms (Ornamental Version) (ii) We Are Time (i) aluminium, Styrofoam, plaster, household paint and metallic enamel, in nine parts (ii) ink and emulsion on ledger paper (i) 25 5/8 x 218½ x 90¾in. (65.1 x 555 x 230.5cm.) (dimensions variable) (ii) 62½ x 88¼in. (159 x 224cm.) Executed in 1985

Edward Allington, British b.1951- "Incomplete

Edward Allington, British b.1951- "Incomplete Instrument IV"; pen, ink and emulsion on adjoined paper sheets laid on canvas, signed, titled and dated to the reverse, 182x121cm, (may be subject to Droit de Suite)

Edward Allington, British b.1951- "Incomplete

Edward Allington, British b.1951- "Incomplete Instrument VI"; ink, emulsion and collage on adjoined paper sheets laid on canvas, signed, titled inscribed and dated '90 on the reverse, 185x124.5cm, (may be subject to Droit de Suite)

Edward Allington, British b.1951- "Queen of

Edward Allington, British b.1951- "Queen of Proofs", 1990; bronze sculpture and c-print, from an edition of 6, sculpture 37x49x51.5cm, c-print 73x57cm, (2), (may be subject to Droit de Suite) Provenance: with the Lisson Gallery London, according to the label attached to the reverse of the frame of the print

Edward Allington (British, b. 1951) With Poisonous

Edward Allington (British, b. 1951) With Poisonous Libation, 1983; Mixed media; 75'' x 23 1/2'' x 29 1/2''; Exhibition: ''In Pursuit of Savage Luxury'', Midland Group, Nottingham, April 21 - May 19, 1984; ''Space Invaders'', Mackenzie Art Gallery, University of Regina, Saskatchewan, 1985; ''Solo Exhibition'', Lisson Gallery, London, July 3 - August 3, 1985; Provenance: Diane Brown Gallery, New York; Private Collection, New York

Edward Allington, Crude Ziggurat: ink and emulsion

Edward Allington, Crude Ziggurat: ink and emulsion on paper, signed and dated (lower right), executed in 1987, framed:35.8 x 64.5cm:ink and emulsion on paper:1987

Edward Allington (B. 1951)

Horn and Sickle signed, dated and numbered 'E Allington/87/1/3' (on the underside) bronze with light green patina 18 in. (45.7 cm.) high

Edward Allington (b.1951)

Between the Horns of the Snail No.4; and Propped Channel signed, inscribed and dated 'Between the horns of a snail/-TOKYO 84 E.Allington' (lower right) ink, emulsion and collage 14 x 19 1/4 in. (35.5 x 48.9 cm.) (2)

Edward Allington (b.1951)

Things Unsaid III; Between the Horns of the Snail no.2; and The Horn and a Sythe signed, variously inscribed and dated 'Edward Allington 89' (lower left) ink and emulsion 19 1/2 x 30 in. (49.5 x 76.2 cm.) (3)

Edward Allington (b.1951)

The Lady of Indolence signed, numbered 2/6 and dated 86 bronze 10 x 22.4 x 23.3 cm. (4 x 8 7/8 x 9 1/8 in.)

Edward Allington (b.1951)

Caritas Romana signed, numbered 4/6 and dated 86 bronze 16.5 x 28.2 x 12.3 cm. (6 1/2 x 11 1/8 x 4 7/8 in.)