Christophe-Gabriel Allegrain Sold at Auction Prices

Gino Ruggeri (Italian) Resin Sculpture, Venus At The Bath

Inspired by Christophe-Gabriel Allegrain (French, 1710-1795) neoclassical statue of the Roman goddess of beauty with a loose cloth around her waist. The figure is attached to a black base. Gino Ruggeri marked on the side. Made in Italy stickered. Artist: Gino Ruggeri Issued: 20th century Dimensions: 5.5"W x 14.5"H

CHRISTOPHE-GABRIEL ALLEGRAIN GROSSE BADENDE VENUS VON MILO

CHRISTOPHE-GABRIEL ALLEGRAIN 1710 Paris - 1795 ibid. (after) LARGE BATHING VENUS OF MILO Bronze, dark patina, on a round plinth (h. 5 cm). H. 108, w. 36, d. 28 cm. Unsigned, made at the beginning of the 20th century. Part. Loss of patina and bumped. CHRISTOPHE-GABRIEL ALLEGRAIN 1710 Paris - 1795 ebenda (Nachfolger) GROSSE BADENDE VENUS VON MILO Bronze, dunkel patiniert, auf runder Plinthe (H. 5 cm). H. 108, B. 36, T. 28 cm. Unsigniert, Ausführung Anfang 20. Jh.. Part. Verlust der Patina und best..

(After) CHRISTOPHE-GABRIEL ALLEGRAIN (1710-1795) "VENUS AU BAIN" cast bronze statue of woman, 19th/20th century, 84cm high

(After) CHRISTOPHE-GABRIEL ALLEGRAIN (1710-1795) "VENUS AU BAIN" cast bronze statue of woman, 19th/20th century, 84cm high

Allegrain (Christophe-Gabriel, 1710-1795). Venus sortant du Bain..., and one other

Allegrain (Christophe-Gabriel, 1710-1795). Venus sortant du Bain..., and one other * After Christophe-Gabriel Allegrain (1710-1795). Venus sortant du Bain, or Venus emerging from the Bath, [and] after Étienne Maurice Falconet (1716-1791), La Baigneuse, or The Bather, later castings, probably late 19th century, two bronze sculptures, each modelled as a nude female bather, the first signed 'Allegrain', the second signed 'Falconet', uniformly mounted on square marble bases, both of overall height 29 cm QTY: (2)

VÉNUS AU BAIN OU BAIGNEUSE D'APRÈS CHRISTOPHE-GABRIEL ALLEGRAIN (1710-1795)

VÉNUS AU BAIN OU BAIGNEUSE D'APRÈS CHRISTOPHE-GABRIEL ALLEGRAIN (1710-1795) ET ÉTIENNE MAURICE FALCONET H. 44,5 cm (17 ½ in.) La base : H. 11,2 cm (4 ½ in.) ; D. 24,5 cm (9 ½ in.)

Following models by CHRISTOPHE-GABRIEL ALLEGRAIN (French, 1710–1795); beginning of the 20th century. "Bather". Carrara marble.

Modelled on CHRISTOPHE-GABRIEL ALLEGRAIN (French, 1710-1795); early 20th century. "Bather". Carrara marble. Measurements: 86 x 27 x 32 cm. Sculpture in carrara marble, of round bulk that follows the models of the sculpture entitled the bather that was made by Gabriel Allegrain around 1775, commissioned by the Marquis de Marigny (1727-1781), general director of the Bâtiments du Roi. The piece was first exhibited at the Salon of 1757, where a modelled sketch was shown. When the finished marble was finally exhibited at the Salon of 1767, it received a sensational reception. In 1772, Louis XV gave it as a gift to Madame du Barry for her château at Louveciennes, where he had recently completed the famous pavilion that introduced the new neoclassicism, generally associated with the "Louis Seize style", into court circles. Christophe-Gabriel Allegrain was a French sculptor who tempered a neoclassical style with Rococo charm and softness, under the influence of his much more famous brother-in-law, Jean-Baptiste Pigalle. Allegrain was born into a well-established family of landscape painters in Paris. His most famous work, a marble bather (La Baigneuse), was commissioned for the royal residences through the Bâtiments du Roi in 1755. After the king's death, Du Barry was so satisfied with it that in 1776 he commissioned a hanging bather from Allegrain, which he delivered in 1778. Presented in the landscape garden as Venus and Diane, they provided an allegory of her past sensual love and her present chaste status. (Both are preserved in the Louvre Museum.) There are small-scale patinated bronze reproductions, and both pieces remained popular and often reproduced throughout the 19th century: in 1860, when the Goncourt brothers referred to "the refined legs of a Diane d'Allegrain", their readers evoked the familiar image; his portrait of Joseph Duplessis, 1774, earned the painter a place at the Académie Royale de Peinture et de Sculpture. Among his pupils were his son and François-Dominique-Aimé Milhomme. He died in Paris.

CHRISTOPHE-GABRIEL ALLEGRAIN 1710 Paris - 1795 ebenda (Nach

CHRISTOPHE-GABRIEL ALLEGRAIN1710 Paris - 1795 ibid (succession)BATHING VENUSBronze, brown patinated, on round plinth (h. 1,5 cm). H. 48,5, D. 16 cm, weight ca. 9,62 kg. crown stamped on the rock. min. rubbed, part. loss of patina. CHRISTOPHE-GABRIEL ALLEGRAIN 1710 Paris - 1795 ebenda (Nachfolge) BADENDE VENUS Bronze, braun patiniert, auf runder Plinthe (H. 1,5 cm). Ges.-H. 48,5, D. 16 cm, Gew. ca. 9,62 kg. am Felsen gestempelte Krone. min. ber., part. Verlust der Patina.

LARGE 19TH CENTURY BRONZE SCULPTURE OF VENUS BY GABRIEL-CHRISTOPHE ALLÉGRAIN (PARIS, 1710-1795). SIGNED

Large 19th century bronze sculpture of Venus by Gabriel-Christophe Allégrain (Paris, 1710-1795). Signed on the bottom of the back, very good condition, W: 11 inches, H: 33 inches, D: 13 inches

LARGE 19TH C BRONZE SCULPTURE OF VENUS BY GABRIEL-CHRISTOPHE ALLÉGRAIN(PARIS,1710-1795),SIGNED

Large 19th century bronze sculpture of Venus by Gabriel-Christophe Allégrain (Paris, 1710-1795). Signed on the bottom of the back, very good condition, W: 11 inches, H: 33 inches, D: 13 inches

LARGE 19TH C BRONZE SCULPTURE OF VENUS BY GABRIEL-CHRISTOPHE ALLÉGRAIN(PARIS,1710-1795),SIGNED

Large 19th century bronze sculpture of Venus by Gabriel-Christophe Allégrain (Paris, 1710-1795). Signed on the bottom of the back, very good condition, W: 11 inches, H: 33 inches, D: 13 inches

LARGE 19TH C BRONZE SCULPTURE OF VENUS BY GABRIEL-CHRISTOPHE ALLÉGRAIN(PARIS,1710-1795),SIGNED

Large 19th century bronze sculpture of Venus by Gabriel-Christophe Allégrain (Paris, 1710-1795). Signed on the bottom of the back, very good condition, W: 11 inches, H: 33 inches, D: 13 inches

LARGE 19TH C BRONZE SCULPTURE OF VENUS BY GABRIEL-CHRISTOPHE ALLÉGRAIN(PARIS,1710-1795),SIGNED

Large 19th century bronze sculpture of Venus by Gabriel-Christophe Allégrain (Paris, 1710-1795). Signed on the bottom of the back, very good condition, W: 11 inches, H: 33 inches, D: 13 inches

LARGE 19TH C BRONZE SCULPTURE OF VENUS BY GABRIEL-CHRISTOPHE ALLÉGRAIN(PARIS,1710-1795),SIGNED

Large 19th century bronze sculpture of Venus by Gabriel-Christophe Allégrain (Paris, 1710-1795). Signed on the bottom of the back, very good condition, W: 11 inches, H: 33 inches, D: 13 inches

LARGE 19TH C BRONZE SCULPTURE OF VENUS BY GABRIEL-CHRISTOPHE ALLÉGRAIN(PARIS,1710-1795),SIGNED

Large 19th century bronze sculpture of Venus by Gabriel-Christophe Allégrain (Paris, 1710-1795). Signed on the bottom of the back, very good condition, W: 11 inches, H: 33 inches, D: 13 inches

AFTER CHRISTOPHE-GABRIEL ALLEGRAIN (FRENCH, 1710-1795), BRONZE FIGURE OF VENUS AT THE BATH, 19TH/20TH CENTURY

AFTER CHRISTOPHE-GABRIEL ALLEGRAIN (FRENCH, 1710-1795), BRONZE FIGURE OF VENUS AT THE BATH, 19TH/20TH CENTURY above a red and yellow marble base and granite pedestal; bronze, h: 33.75 in.; base, h: 2.5 in.; pedestal, h: 32 in.

CHRISTOPHE-GABRIEL ALLEGRAIN, BADENDE

CHRISTOPHE-GABRIEL ALLEGRAIN 1710 Paris - 1795 ebenda (Nachfolge) Badende Kunstmarmor. H. 39 cm. Rückseitig mit der Modellnummer '902'. Über einem runden Sockel ganzfigurige Aktdarstellung einer jungen Frau mit einem Tuch. Part. min. ber.

AFTER CHRISTOPHE-GABRIEL ALLEGRAIN (1710-1795)

AFTER CHRISTOPHE-GABRIEL ALLEGRAIN (1710-1795)EARLY 20TH CENTURYAn Alabaster figure of Venus au Bain now mounted as a lamp with a silk shade and fitted for electricity, on a green and white scagliola column with a red marble D-shaped plinth110cm high (lamp), 103cm high (column)

After Christophe-Gabriel Allegrain

After Christophe-Gabriel Allegrain. (París,1710-1795). "Venus au bain", escultura en bronce , 77 cm. alt.

CHRISTOPHE GABRIEL ALLEGRAIN (1710-1795) (kopie naar) Het b

CHRISTOPHE GABRIEL ALLEGRAIN (1710-1795) (kopie naar) Het bad van Diana. Sculptuur in brons, bruine patina. Gieterijstempel 'F.Barbedienne.Fondeur'. Laat 19de eeuwse geut. Patine met verlies. H.: 43 cm CHRISTOPHE GABRIEL ALLEGRAIN (1710-1795) (copie d'après) Bain de Diane. Epreuve de la fin du 19ème siècle en bronze à patine brune. Cachet de fonderie 'Barbedienne.Fondeur'. Patine avec pertes. H.: 43 cm CHRISTOPHE GABRIEL ALLEGRAIN (1710-1795) (copie of) Diana, bathing. Sculpture in bronze, brown patina. Foundry mark 'F.Barbedienne.Fondeur'. Late 19th century cast. Patina with loss. H.: 43 cm

After Christophe-Gabriel Allegrain (French, 1710-1795), "Venus au Bain"

After Christophe-Gabriel Allegrain (French, 1710-1795) "Venus au Bain", first half 20th century patinated bronze incised "C G Allegrain" along back edge of self-base. h. 33-1/4", w. 11-3/4", d. 14"

Christophe-Gabriel Allegrain (French 1710-1795),

Christophe-Gabriel Allegrain (French 1710-1795), a patinated bronze figure, 'Venus au Bain', Barbedienne foundry stamp to the reverse, 68cm high

ALLEGRAIN Christophe-Gabriel (1710 - 1795) - "Venus sortant du bain" en bronze dor

ALLEGRAIN Christophe-Gabriel (1710 - 1795) "Venus sortant du bain" en bronze doré. Anonyme. D'après Christophe-Gabriel Allegrain. Ecole française. Epoque: fin XIXème - début XXème. (**). H.:80,5cm.

AFTER CHRISTOPHE-GABRIEL ALLEGRAIN (FRENCH, 1710-1795), VENUS AT HER BATH,

AFTER CHRISTOPHE-GABRIEL ALLEGRAIN (FRENCH, 1710-1795), VENUS AT HER BATH, a bronze figure, signed Allegrain, with greenish-brown patina. 49cm

AFTER CHRISTOPHE-GABRIEL ALLEGRAIN (FRENCH, 1710-1795): A 19TH CENTURY MARBLE FIGURE OF VENUS SORTANT DU BAIN the nude maiden holding her falling drapery with her left hand, about to dry herself, her hair arranged in an elaborate coiffure with entwined plaits, on a naturalistic base carved with rocks and reeds, signed 'ALLEGRAIN',  88cm high Currently on display at our South Kensington Gallery until 30 May (on view at Chiswick from 31/5 – 6/6) Allegrain was commissioned to carve the original version of this figure in 1755 by the Marquis de Marigny for the chateau de Choisy-Le-Roi (Val-de-Marne). He exhibited a plaster version at the salon of 1757, and the marble version was completed and exhibited in 1767. The comtesse Du Barry purchased the piece for the park of the Chateau de Louveciennes in 1772 where it remained until 1793 when Louis-Simon Boizot secured the figure for the nation, it is now in the Louvre.

AFTER CHRISTOPHE-GABRIEL ALLEGRAIN (FRENCH, 1710-1795): A 19TH CENTURY MARBLE FIGURE OF VENUS SORTANT DU BAIN the nude maiden holding her falling drapery with her left hand, about to dry herself, her hair arranged in an elaborate coiffure with entwined plaits, on a naturalistic base carved with rocks and reeds, signed 'ALLEGRAIN',  88cm high Currently on display at our South Kensington Gallery until 30 May (on view at Chiswick from 31/5 – 6/6) Allegrain was commissioned to carve the original version of this figure in 1755 by the Marquis de Marigny for the chateau de Choisy-Le-Roi (Val-de-Marne). He exhibited a plaster version at the salon of 1757, and the marble version was completed and exhibited in 1767. The comtesse Du Barry purchased the piece for the park of the Chateau de Louveciennes in 1772 where it remained until 1793 when Louis-Simon Boizot secured the figure for the nation, it is now in the Louvre.

Attr. to Christophe G. Allegrain. Head of a Boy

Attributed to Christophe Gabriel Allegrain (French, 1710-1795). Black and red chalk on paper, attribution on clipping from original sheet attached to verso, 11 x 8 3/4 in., framed

After Christophe-Gabriel Allegrain (French, 1710-1795): a 19th century carved carrara marble figure of Venus Sortant du Bain, or Baigneuse (Venus leaving her bath), modelled standing with her left foot raised on a rock, drapery falling from her

After Christophe-Gabriel Allegrain (French, 1710-1795): a 19th century carved carrara marble figure of Venus Sortant du Bain, or Baigneuse (Venus leaving her bath), modelled standing with her left foot raised on a rock, drapery falling from her waist, on a naturalistic circular base, bears signature 'Allegrin' to rear of base, 28 by 87cm high. Notes: Allegrain was commissioned to carve the original version of this figure in 1755 by the Marquis de Marigny for the chateau de Choisy-Le-Roi (Val-de-Marne), exhibiting a plaster version at the salon of 1757, the marble version was completed and exhibited in 1767. The comtesse Du Barry purchased the piece for the park of the Chateau de Louveciennes in 1772 where it remained until 1793 when Louis-Simon Boizot secured the figure for the French nation. It is in the permanent collection of the Louvre. Provenance: The Private Lincolnshire Estate of a Danish Family.

AFTER A MODEL BY CHRISTOPHE-GABRIEL ALLEGRAIN (1710-1795) FRENCH, 19TH CENTURY | Baigneuse (Venus after the Bath)

white marble

After Christophe-Gabriel Allegrain (1710-1795) Bathing Venus, Bronze,

After Christophe-Gabriel Allegrain (1710-1795) Bathing Venus, Bronze, Unsigned. H: 31 W: 9 1/2 D: 10 in.

ESCUELA FRANCESA SIGLO XIX

"Bañista". Escultura en alabastro. Siguiendo modelo de C-G. Allegrain (París, 1710-1795. El original se conserva en el Museo del Louvre. 25 cms alt. y 7,5 cms diám.

Vénus ou Baigneuse, sculpture en marbre recomposé, h. 66 cm

Vénus ou Baigneuse, sculpture en marbre recomposé, XXe s., signée Dal Torrione, d'après la sculpture de Christophe-Gabriel Allegrain (1710-1795) exposée au Louvre, h. 66 cm SCULPTURES, XXe - 20th century

After Allegrain, bronze statue of bathing Venus, 76"h

After Christophe-Gabriel Allegrain (French, 1710-1795), contemporary bronze sculpture of a bathing Venus, her hair braided into a crown while she raises a robed leg and rests her foot on a rock, the whole rising on an associated fluted base, 76"h x 24"dia of base.

FRENCH SCHOOL, 19TH CENTURY

"Bañista". Escultura en alabastro. Siguiendo modelo de C-G. Allegrain (París, 1710-1795. El original se conserva en el Museo del Louvre. 25 cms alt. y 7,5 cms diám.

Christophe-Gabriel Allegrain (1710-1795), d'après, Vénus sortant du Bain, sculpture en albâtre, h. 52 cm

Christophe-Gabriel Allegrain (1710-1795), d'après, Vénus sortant du Bain, sculpture en albâtre, h. 52 cm

GINO AND FIORENZO PUGI (ACTIVE FIRST HALF 20TH CENTURY) AFTER A MODEL BY CHRISTOPHE-GABRIEL ALLEGRAIN (1710-1795) ITALIAN, FLORENCE, FIRST HALF 20TH CENTURY | Baigneuse

white marble

CHRISTOPHE-GABRIEL ALLEGRAIN

CHRISTOPHE-GABRIEL ALLEGRAIN 1710 Paris - 1795 ebenda (nach) Die badende Venus Bronze, braun patiniert, Holzsockel. Ges.- H. 127 cm, H. 48 cm (Figur). Seitlich bezeichnet 'Allegrain'. Über einem quadratischen Stand ganzfigurige Aktdarstellung der Göttin Venus, mit einem Bein auf einem Felsen stehend und sich mit einem Tuch abtrocknend. Patina part. ber., Sockel wohl sekundär.

CHRISTOPHE GABRIEL ALLEGRAIN - Badende Venus

Paris 1710-1795 Paris Patinierte Bronze, quadratischer Sockel. Am Rand beschriftet "G.C. ALLEGRAIN FECIT 1767 // F. BARBEDIENNE FONDEUR". Zusätzlich runde Punze mit der Umschrift "Reduction Mecanique brevete A(chille) Collas". H = 34,5 cm

Allegrain, Christophe Gabriel - recast, "The Bathers" act on base sitzend-

GERMAN Allegrain,Christophe Gabriel - Nachguss ''Die Badendende''/Weiblicher Akt auf Sockel sitzend- Bronze mit Marmorsockel, detailgetreue Ausformung,Gießerstempel wurde entfernt,H.ca.32cm ENGLISH Allegrain, Christophe Gabriel - recast, "The Bathers" act on base sitzend- bronze on marble base, detail getreuee molding, foundry mark was removed, H. 32cm

CHRISTOPHE GABRIEL ALLEGRAIN, Venus nach dem Bade

CHRISTOPHE GABRIEL ALLEGRAIN, Venus nach dem Bade, Nach, Paris 1710-1795 Paris, Patinierte Bronze, auf Rechteckplinthe. Auf dem Kopf kleines Loch und rückseitig beim Halsansatz kleiner Riss. H = 23,5 cm,

After Christophe-Gabriel Allegrain (French, 1710-1795), bronze sculpture, Venus au Bain, dark brown patina, modeled as a semi nude C...

After Christophe-Gabriel Allegrain (French, 1710-1795), bronze sculpture, Venus au Bain, dark brown patina, modeled as a semi nude Classical woman, raised on a stepped circular plinth, inscribed 'Allegrain', 17 1/2" tall

After Christophe-Gabriel Allegrain (French, 1710-1795):A marble composition figure of Venus Sortant du Bain Period Design

on a naturalistic circular base, 68cm high

After Christophe-Gabriel Allegrain (1710-1795), "Venus a Bain," 19th c., carved white marble sculpture, H.- 21 1/2 in., W.- 6 3/4 in...

After Christophe-Gabriel Allegrain (1710-1795), "Venus a Bain," 19th c., carved white marble sculpture, H.- 21 1/2 in., W.- 6 3/4 in., D.- 6 1/2 in.

Christophe-Gabriel Allegrain (Paris, 1710-1795) Narcisse se mirant dans l’eau Marbre H 54 × L 52 cm (Un doigt restauré, un doigt man...

Christophe-Gabriel Allegrain (Paris, 1710-1795) Narcisse se mirant dans l'eau Marbre H 54 × L 52 cm (Un doigt restauré, un doigt manquant ) Provenance : collection particulière ; par descendance. En 1746, Christophe-Gabriel Allegrain fut agréé par l'Académie Royale de Peinture et Sculpture grâce à un Narcisse se mirant dans l'eau qu'il réalisa d'abord en plâtre, puis en marbre pour être définitivement reçu en 1751. Le plâtre fut exposé au Salon de 1747 (n°130), tandis que le marbre fut admiré au Salon de 1753 (n°58). Né dans une famille d'artistes, Allegrain avait épousé en 1732 la soeur du sculpteur Jean-Baptiste Pigalle. D'abord son proche collaborateur, Allegrain s'émancipa peu à peu de la tutelle de Pigalle. Il devint célèbre grâce au raffinement et à la sensualité de sa Vénus sortant du Bain en marbre, qui lui fut commandée par Louis XV pour orner le château de Choisy (aujourd'hui à Paris, musée du Louvre). Exposée lors du Salon de 1767, admirée par Diderot, la déesse fut offerte par le roi à sa favorite Madame Du Barry en 1772. Cette dernière commanda à notre sculpteur une Diane surprise par Actéon qui remporta le même succès pendant le Salon de 1777 (Paris, musée du Louvre). Artiste apprécié de ses contemporains, Allegrain travailla dès lors pour une clientèle fortunée attirée par la perfection de son art. Après la Révolution, le Narcisse rejoignit le Museum du palais du Louvre, puis, sous le Consulat, il fut mis en dépôt au château de Saint Cloud par ordre de Napoléon Bonaparte 1. Là, sous l'Empire, le Narcisse orna les appartements de l'impératrice Joséphine puis, pendant la Restauration, ceux de la reine Marie-Amélie. Le château de Saint Cloud brûla en 1870 et le Narcisse disparut dans l'incendie. Toutefois, profitant du succès au concours de l'Académie, Allegrain avait lui-même diffusé le modèle de son Narcisse 2. Deux plâtres aujourd'hui disparus sont mentionnés dans des catalogues de vente datés de 1774 et de 1807 3. Enfin, Allegrain réalisa une réplique en marbre de son Narcisse pour le fermier-général Etienne-Michel Bouret (1710-1777) afin que celui-ci l'expose dans son luxueux Pavillon du Roi édifié dans la forêt de Sénart 4. Bouret mourut ruiné, si bien que ses filles refusèrent leur héritage 5. Son inventaire après-décès ne mentionne pas le Narcisse 6, ce qui signifie que Bouret s'en était déjà dessaisi. Sans doute l'avait-il offert à sa fille adultérine Adélaïde Filleul qui, à son tour, dû le céder à son amant Talleyrand, avec lequel elle conçut en 1785 un enfant adultérin. En effet, Talleyrand offrit au début du XIXe siècle un même Narcisse de marbre à sa nouvelle maîtresse et confidente Dorothée de Courlande, duchesse de Dino et de Sagan 7. Dorothée de Courlande épousa le neveu de Talleyrand et se retira à partir de 1843 au château de Sagan, en Silésie (actuelle Pologne). Son fils, Napoléon Louis de Talleyrand-Périgord, puis son petit-fils, Boson de Talleyrand-Périgord, se défirent peu à peu des collections. Une photographie ancienne du Narcisse prise au château de Sagan 8 et un dessin du sculpteur Joseph Nollekens, réalisé vers 1770 9, étaient, jusqu'à aujourd'hui, les rares témoignages de ce chef-d'oeuvre inconnu. Bibliographie : - Livrets du Salon de 1747 et 1753. - Jean-Aimar Piganiol de la Force, Description historique de la ville de Paris et de ses environs, Paris, Chez les libraires associés, 1765, IX, p. 189. - Prosper Tarbé, La Vie et les oeuvres de Jean-Baptiste Pigalle sculpteur, Paris, J. Renouard, 1859, p. 98 et p. 240-241. - Samuel Rocheblave, « Jean-Baptiste Pigalle et son art », Revue de l'art ancien et moderne, XII, 1902, p. 369-370. - Guilhem Scherf, « Un monument méconnu : le mausolée de Charles-Joseph de Pollinchove par Christophe-Gabriel Allegrain (1710-1795) », Bulletin de la Société de l'histoire de l'art français, 1989, p. 117-130. - Caroline Béziès, « Nouveaux documents sur Christophe-Gabriel Allegrain (1710-1795) », Bulletin de la Société de l'histoire de l'art français, 2000, p. 158-179. - Rita Hofereiter, « ''C'est pour le roi''. Etienne- Michel Bouret : bâtisseur du Pavillon du Roi », dans T. Gaehtgens (éd.), L'art et les normes sociales au XVIIIe siècle, actes colloque, Paris, Maisons des sciences de l'homme, 2001, p. 101-124.Restauration ancienne à l'index de la main droite: doigt cassé net et recollé au niveau de la première phalange. Petit doigt de la main droite manquant remplacé par un doigt en terre cuite. Taches (salissures) rondes et claires sur la partie avant du rocher, sur les cuisses et sur le haut du dos. Old restoration to the forefinger of the right hand finger snapped and glued at the first knuckle. Little finger of the right hand missing a finger replaced by clay. Spots (stains) and clear round on the front of the rock, thighs and upper back.

Allegrain, Christophe GabrielParis 1710 - 1795 -

Allegrain, Christophe Gabriel Paris 1710 - 1795 - Kopie nach Badende Venus. Gipsguss. Höhe: 67,5cm.

A FRENCH BRONZE FIGURE OF VENUS AU BAIN LATE 19TH CENTURY, AFTER CHRISTOPHE-GABRIEL ALLEGRAIN (1710-1795) Standing on a rock on square plinth signed 'allegrain 1757' 16½ in. (42 cm.) high

French Bronze Figure of "Venus au Bain"

French Bronze Figure of "Venus au Bain", fourth quarter 19th century, after Christophe-Gabriel Allegrain (French, 1710-1795), retaining a rich brown patina, inscribed "Allegrain" on the rear, as well as "cold" on a rock, possibly indicating the casting process, h. 31-1/4", dia. 10-1/2".

CHRISTOPHE-GABRIEL ALLEGRAIN "VENUS AT BATH" BRONZ

CHRISTOPHE-GABRIEL ALLEGRAIN (FRENCH, 1644-1736) "VENUS AT BATH" BRONZE SCULPTURE. Height: 21 in. by Width: 7.50 in.

ALLEGRAIN Christophe-Gabriel (1710-1795). D'après.

ALLEGRAIN Christophe-Gabriel (1710-1795). D'après. "Diane au bain" en bronze à patine brune. D'après Christophe-Gabriel Allegrain. Ecole française. Epoque : XXème. H.:38.7cm.

French Bronze Figure of Venus After the Bath, mid

French Bronze Figure of Venus After the Bath, mid 20th century after the model by Christophe-Gabriel Allegrain (French, 1710-1795), height 15.75" - 40 cm.