David (1744) Allan Paintings & Artwork for Sale | David (1744) Allan Art Value Price Guide

Oct. 02, 2024
DAVID ALLAN (SCOTTISH 1744-1796) TWO LITTLE GIRLS ON THE ISLAND OF PROCIDA
Est: £400 - £600
DAVID ALLAN (SCOTTISH 1744-1796) TWO LITTLE GIRLS ON THE ISLAND OF PROCIDA TWO LITTLE GIRLS ON THE ISLAND OF PROCIDA IN THE MEDITERRANEAN Inscribed Two little Girls, in the Island of Procita / in the Mediterranean pen and ink and watercolour on laid paper 25 x 16.5cm; 9 3/4 x by 6 1/2in together with another watercolour by William Alexander (1767-1816), A little girl holding a kitten, signed W Alexander, lower right both unframed (2)
Olympia Auctions
May. 26, 2024
David Allan "William Inglis, Surgeon and Captain" Offset Lithograph
Est: $400 - $600
David Allan (1744-1796) was a Scottish artist and painter known for his contributions to the art world during the 18th century. He is particularly associated with the Scottish Enlightenment and is celebrated for his genre paintings and illtrations that depicted scenes of everyday life in Scotland.Here are some key points about David Allan and his art:1. **Early Life and Education**: David Allan was born in Alloa, Scotland, and displayed an early talent for art. He studied at the Foulis Academy in Glasgow, where he honed his skills as a painter.2. **Scottish Enlightenment**: Allan was part of the intellectual and cultural movement known as the Scottish Enlightenment, which emphasized reason, science, and the advancement of knowledge. This period had a profound influence on his work.3. **Genre Painting**: Allan is best known for his genre paintings, which depicted scenes of Scottish rural life, both in its everyday aspects and in moments of festivity and celebration. His works often featured peasants, villagers, and country folk engaged in vario activities.4. **Historical Paintings**: In addition to genre scenes, Allan created historical paintings that portrayed significant events from Scottish history, including the Jacobite uprisings. His historical works were noted for their attention to detail and historical accuracy.5. **Illtrations**: Allan was also an accomplished illtrator. He worked on a series of illtrations for Robert Burns' poem "The Cotter's Saturday Night" and illtrated "The Gentle Shepherd" by the Scottish poet Allan Ramsay.6. **Patronage**: Allan received support and patronage from prominent figures of the Scottish Enlightenment, including Henry Home, Lord Kames, and David Hume. Their encouragement and support helped advance his career.7. **Travel**: Allan traveled to Rome in 1773, where he spent several years studying classical art and further developing his skills as a painter. His time in Italy had a significant influence on his artistic style.8. **Legacy**: David Allan's paintings are celebrated for their depiction of Scottish life and culture during the 18th century. His works provide valuable insights into the social and cultural aspects of the time. He is considered one of the leading figures of Scottish art in the 18th century.David Allan's genre paintings and illtrations continue to be appreciated for their historical and artistic significance. His ability to capture the essence of everyday life in 18th-century Scotland and his contributions to the art of his era make him an important figure in the history of Scottish art. Measures 22 x 28.
Morgan Auctions
Jun. 07, 2023
Allan, David: Charity
Est: €500 - €750
Charity. Radierung und Aquatinta in Braun auf Bütten. 35,1 x 27,2 cm. 1783. Wz. Schriftzug. -- -- Ganz ausgezeichneter, nuancierter Druck mit schmalem Rand, rechts und links mit feinem Rändchen. Schwache Gebrauchsspuren und vereinzelt stockfleckig bzw. fleckig, oben rechts minimal knick- und knitterspurig, partiell minimal angestaubt, sonst sehr gut. -- -- - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. -- - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
Apr. 23, 2021
GRP inc Railway Books by Ian Allan, OPC, David
Est: £30 - £50
Railway Books by Ian Allan, OPC, David & Charles and others to include South Wales Railways at Grouping, The Heyday of Steam of South Wales, Steam in Scotland Volume 1, Channel Tunnel Trains, Discovering Britain's Lost Railways and others, conditions range from Fair to Good. (14)
Vectis Auctions Ltd
Nov. 27, 2020
David, Jiři: Allan Kaprow aus der Serie "Hidden Image"
Est: €1,000 - €1,200
Allan Kaprow aus der Serie "Hidden Image" 2 Gelatin Silver Prints auf Baryta Papier. 1990-1995. Je 99,3 x 69,8 cm. Beide verso mit Faserstift in Schwarz signiert "JIRI DAVID", datiert sowie betitelt. Auflage 5 num. Ex. Die Fotografie entstand im Juli 1994 in San Diego. Eine kontrastreiche Darstellung des Aktionskünstlers und Begründers der Happenings. - Provenienz: Vom derzeitigen Besitzer direkt beim Künstler erworben - Ausstellung: Skryte podoby / Hidden Image, Galerie Rudolfinum, Prag 1995, u. a. Fotograficka Retrospektiva / Photos Retrospective, Dum Umeni, Brno 2006 - Literatur: J. Derrida, u. a. Jiri David - Skryte podoby / Hidden Image, Galerie Rudolfinum, Prag 1995, S. 117 - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
Jun. 14, 2017
ATTRIBUTED TO DAVID ALLAN (SCOTTISH 1744-1796) FULL LENGTH PORTRAIT OF A MOTHER AND CHILD 75cm x 63cm (30in x 25in)
Est: £2,000 - £3,000
ATTRIBUTED TO DAVID ALLAN (SCOTTISH 1744-1796) FULL LENGTH PORTRAIT OF A MOTHER AND CHILD Signed with initials and dated Edinburgh 1786, oil on canvas 75cm x 63cm (30in x 25in)
Lyon & Turnbull
Jul. 17, 2013
DAVID ALLAN (1744-96) The start of the carnival in
Est: £200 - £300
DAVID ALLAN (1744-96) The start of the carnival in Rome, sepia aquatint engraving, 13" x 20 3/4"; and two further similar, all unframed (3) NB. These three works are extremely fragile and please speak to a member of staff should you wish to handle them
Mallams
Nov. 16, 2012
Allan, David 1744 Alloa - 1796 Edinburgh -
Est: €2,500 - €3,000
Allan, David 1744 Alloa - 1796 Edinburgh - attributed to The Confession. Oil on canvas. 74 x 62cm. Verso: Inscribed on the canvas. German Text Allan, David 1744 Alloa - 1796 Edinburgh - zugeschrieben Die Beichte. Öl auf Leinwand. 74 x 62cm. Rückseitig: Auf der Leinwand bezeichnet.
Van Ham Kunstauktionen
May. 29, 2012
After David Allan [1744-1796]: Procession of the Silver Club
Est: £400 - £500
A printer's proof with embossed stamp lower left, copyright 1962 printed by Frost & Read and published by Lawrence Josset and signed by Josset in pencil lower right quarter. Features William Inglis, Captain of the Honourable Company of Edinburgh Golfers 1782-1784. Mounted, framed and glazed. 24 x 19 inches
Bonhams
Nov. 13, 2011
DAVID ALLAN (Scottish, 1744-1796). PORTRAIT OF A GENTLEMAN, FULL LENGTH, IN A RED COAT, BUFF WAISTCOAT AND BREECHES, HOLDING A BLACK TR
Est: $7,000 - $9,000
DAVID ALLAN (Scottish, 1744-1796). PORTRAIT OF A GENTLEMAN, FULL LENGTH, IN A RED COAT, BUFF WAISTCOAT AND BREECHES, HOLDING A BLACK TRICORN HAT, signed and dated '77 lower right. Oil on canvas - Framed, 54 in. x 39 in.
Sloans & Kenyon
Jul. 09, 2010
David Allan (Alloa 1744-1796 Edinburgh)
Est: £2,000 - £3,000
David Allan (Alloa 1744-1796 Edinburgh) A family of the island of Procida with Vesuvius in the background signed and dated 'D. Allan Pt. 1775' (lower right); and inscribed and dated 'Family of the Island of Procita 1775' (on the reverse) oil on panel 11¼ x 14¼ in. (28.6 x 36.2 cm.)
Christie's
Feb. 04, 2009
Allan, David
Est: £400 - £600
Allan, David Highland officer and a Highland soldier, c.1785, watercolours, each approx 24.5 by 18cm wide, framed and glazed (2)
Lyon & Turnbull
Apr. 23, 2008
Portrait of Mr Fullerton of Carberry, half-length, seated, in a brown coat and waistcoat, in a feigned oval
Est: £1,500 - £2,000
Attributed to David Allan (Alloa 1744-1796 Edinburgh) Portrait of Mr Fullerton of Carberry, half-length, seated, in a brown coat and waistcoat, in a feigned oval with inscription 'Mr Fullerton of Carberry NA OB' (upper right) oil on canvas, unlined, unframed 30 x 26 in. (76.3 x 66 cm.)
Christie's
Apr. 02, 2008
Portrait of a gentleman, bust-length, seated in a yellow vest and brown coat, holding a book of poetry
Est: $1,000 - $1,500
Attributed to David Allan (Alloa 1744-1796 Edinburgh) Portrait of a gentleman, bust-length, seated in a yellow vest and brown coat, holding a book of poetry oil on canvas 30 x 24½ in. (76.2 x 62.2 cm.)
Christie's
Jun. 07, 2006
DAVID ALLAN 1744 - 1796
Est: £40,000 - £60,000
THE PROPERTY OF A GENTLEMAN PORTRAIT OF SIR WILLIAM AND LADY HAMILTON PORTRAIT OF SIR WILLIAM AND LADY HAMILTON measurements note 45 by 57 cm., 17½ by 22½ in. Both full length, seated in an interior, Lady Hamilton playing at a keyboard signed and inscribed on the reverse: Sir William and/ Lady Hamilton / David Allan pinxt/ at Naples 1770 oil on copper PROVENANCE Commissioned from the artist by Sir William Hamilton; Probably given by the above to Sholto Charles Douglas, 16th Earl of Morton (1732-74) when in Naples; By descent to George Douglas, 17th Earl of Morton, his son, who married, Elizabeth, sister of John Yarde-Buller, 1st Baron Churston; By descent to John Yarde-Buller, 3rd Baron Churston, by whom sold, Christie's, 26th June 1925, lot 1, where acquired by Agnew's on behalf of Georgiana G. Anson, the Earl of Morton's great-grand-niece; Thence by family descent EXHIBITED CEMA, English Conversation Pictures, no. 25 LITERATURE John Ingamells, National Gallery, Mid-Georgian Portraits 1760-1790, 2004, p.234 NOTE This intimate portrait of Sir William and his first wife, Catherine, follows in the established tradition of the 'conversation piece' which had been so enthusiastically exemplified in Scotland by John Thomas Seton and Gawen Hamilton. David Allan has portrayed Sir William Hamilton sitting in his Naples house listening to his wife play the harpsichord. Allan has included many details of Sir William's interests, not least the classical bust of Zeus, and the distant view of Vesuvius smoking in the background. Sir William Hamilton had a great admiration for David Allan describing him as 'one of the greatest geniuses I ever met with; he is indefatigable' (quoted in T. Crouther Gordon, David Allan, 1951, p.21). Sir William sat to Allan a second time in 1775 for a full length portrait wearing robes of the Order of the Bath (National Portrait Gallery) which Allan later presented to the British Museum as 'a small testimony of my dutiful regard' (B. Skinner, The Indefatigable Mr Allan, Exh. Cat., Scottish Arts Council, 1973, under no.41). Allan himself was clearly pleased with the composition of the present work since he reprised a similar composition of figures around a musical instrument for his group portrait of the Grant family (see David and Francina Irwin, Scottish Painters, At Home and Abroad 1700-1900, 1975, p.68). David Allan is known to have been in Italy by the summer of 1767 and he made a number of trips to Naples where he must have been introduced to Sir William. Allan produced relatively few portraits during his stay in Italy. He was aspiring to be a history painter, and only began to focus seriously on portraiture when he returned to Scotland. Hamilton married his first wife on 26th January 1758. Lady Hamilton was the daughter of John Barlow, M.P. of Slebech, Pembrokeshire, and his wife, Ann Skrine. Hamilton later wrote that he had married 'a virtuous good-tempered woman with a little independent fortune' (Letter from William Hamilton to C.F. Greville, 12th September 1780) and the couple seemed to live happily together. They shared a passion for music, and Catherine was an accomplished harpsichord player. She died in 1782, and in 1791 Sir William took as his second wife, Emma Hamilton, who herself later became the mistress of Nelson. The painting was probably acquired in Naples by the Earl of Morton. He arrived in Naples with his family in 1774, and was clearly familiar with Sir William Hamilton, since Hamilton mentioned in his correspondence that the Mortons were to go on a tour of Sicily, where the Earl subsequently died. More importantly there was a family connection between the two men since the Earl of Morton had married Katherine Hamilton (1736-1823) who was the granddaughter of the 6th Earl of Haddington. It is likely that this fine and intimate portrait of a true connoisseur was given to the Earl of Morton by Sir William as a gift. Two further autograph versions of the composition by Allan are known, one at Blair Atholl and the other in the collection of Lord Cathcart.
Sotheby's
Nov. 24, 2005
DAVID ALLAN 1744-1796
Est: £5,000 - £7,000
AN ALBUM OF FIGURE STUDIES AN ALBUM OF FIGURE STUDIES measurements note album sheet measures 33.5 by 25 cm.,13 1/4 by 10 in. including girls of Procida Island near Naples, a weary pilgrim, Rome, a spinner - Procida, Italian fishermen, a girl and child of Procida, a lemon seller, Naples, a Florentine shepherd boy, a Florentine shepherdess, a girl from the Alps, an ancient game called Micare digitis, a milk man - Rome, a fishmonger - Rome, a lady of Smyrna, an old man - Procita, a thief - Naples, a Swiss Guard of the Pope, a Neopolitan family; feeding the cats and drawing water in Rome, girls of Parma; a young girl - Procita, a seaman of Procita, strolling musicians - Rome, couriers, a thief catcher - Rome, a thief taker -Venice, a girl of Fraschale, Florentine travelers, a porter - Edinburgh, an oyster wench, a fireman, a chair man, a clapper man, a salt wife, coal men, a town officer and other subjects forty-four, one dated 1794, mostly numbered and inscribed with titles forty-three pen and grey ink with watercolour over pencil and one pen and grey ink with grey wash over pencil, bound between early nineteenth century morocco over cloth covered boards, the spine gilt in compartments, inscribed on the front free endpaper: Portrait Drawings by David Allan/1744-1796 NOTE (an album) The Scottish born artist David Allan is known for his genre scenes and is often referred to as the 'Scottish Hogarth'. He visited Rome in the autumn of 1764 and spent most of the following thirteen years in Italy. He travelled to the islands of Procida and Ischia, off Naples, and was particularly impressed by the simple way of life he discovered there. This, together with the colourful costumes of the local people, provided him with ample inspiration for his drawings. Later, encouraged by the demand for his works and possibly with a mind to producing aquatints for publication, he returned again to the same subjects. In 1777 he exhibited four oil paintings of Italian subjects at the Royal Academy. There are similar figures studies by Allan in the National Gallery of Scotland and formerly at Dunimarle House. A further album entitled 'A Collection of Italian and French Dress drawn from nature by D. Allan painter, 1788' is in the New York Public Library
Sotheby's
Mar. 22, 2005
DAVID ALLAN 1744-1796 PORTRAIT OF A MOTHER AND HER CHILD
Est: £6,000 - £8,000
both full length, seated in an interior oil on canvas
Sotheby's