José Luis Alexanco Paintings & Artwork for Sale | José Luis Alexanco Art Value Price Guide

Mar. 25, 2025
José Luis Alexanco. Untitled
Est: -
Screen print on paper. Signed and numbered (36/125) in the lower right corner.
Duran Arte y Subastas
Mar. 25, 2025
José Luis Alexanco. Transformable torso
Est: -
Multiple prints made of silkscreened methacrylate in various shades. Titled and signed at the bottom of the white plates. Numbered (15/20) and signed on each of the translucent plates.
Duran Arte y Subastas
Feb. 25, 2025
Jose Luis Alexanco. No title
Est: -
Silkscreen on paper. Signed and dated (2007) in the lower right corner. Numbered (2/50) in the lower left corner.
Duran Arte y Subastas
Feb. 20, 2025
JOSÉ LUIS ALEXANCO (Madrid, 1942-2021). "Boscuman", 1991. Acrylic on cotton canvas. Signed and dated on the back. Titled and dated on the stretcher frame.
Est: €2,800 - €3,000
JOSÉ LUIS ALEXANCO (Madrid, 1942-2021). "Boscuman", 1991. Acrylic on cotton canvas. Signed and dated on the back. Titled and dated on the stretcher frame. Measurements: 150 x 150 cm; 154 x 154 cm (frame). Alexanco studied drawing and engraving with Manuel Castro Gil at the Casa de la Moneda, in Madrid, and in 1960 he enters the School of Fine Arts. Between 1968 and 1974 he collaborated with other artists at the University's Calculus Center, where he worked on sculptural generation programs, in collaboration with the American company IBM. During this period he met the mathematician José Barbera, and together they developed the software MOUVNT, designed to generate automatic forms that would later materialize in anthropomorphic sculptures. In 1970, together with Luis de Pablo, he created the acoustic plastic show "Soledad Interrumpida", trained in Buenos Aires. In the following years he would continue to work with the same author on various projects, including the organization of the Pamplona Encounters of 1972. In 1978 he designed the prince edition of the Spanish Constitution for the Editora Nacional, and in 1998 he presented an important retrospective exhibition at the Centre d'Art Santa Mònica in Barcelona (later at the Círculo de Bellas Artes in Madrid). A referent of late Francoist painting and a technological innovator, his work is part of collections such as those of the Victoria & Albert Museum in London, The Chase Manhattan Bank in New York, MNCARS, Madrid; MACBA, Barcelona or the Juan March Foundation.
Setdart Auction House
Oct. 23, 2024
José Luis Alexanco (Madrid, 1942) “Still life”
Est: €100 - €150
José Luis Alexanco (Madrid, 1942) “Still life” Silkscreen Signed and numbered 4/75 40 x 61 cm 100 - 150 €
Greco Subastas
Sep. 24, 2024
José Luis Alexanco. Transformable torso
Est: -
Multiple print made of silk-screened methacrylate in different shades. Titled and signed at the bottom of the white sheets. Numbered (15/20) and signed on each of the translucent sheets.
Duran Arte y Subastas
Sep. 24, 2024
José Luis Alexanco. No title
Est: -
Screen printing on paper. Signed and dated (2007) in the lower right corner. Numbered (2/50) in the lower left corner.
Duran Arte y Subastas
Sep. 10, 2024
JOSÉ LUIS ALEXANCO (Madrid, 1942-2021). "Boscuman", 1991. Acrylic on cotton canvas. Signed and dated on the back. Titled and dated on the stretcher frame.
Est: €3,500 - €3,700
JOSÉ LUIS ALEXANCO (Madrid, 1942-2021). "Boscuman", 1991. Acrylic on cotton canvas. Signed and dated on the back. Titled and dated on the stretcher frame. Measurements: 150 x 150 cm; 154 x 154 cm (frame). Alexanco studied drawing and engraving with Manuel Castro Gil at the Casa de la Moneda, in Madrid, and in 1960 he enters the School of Fine Arts. Between 1968 and 1974 he collaborated with other artists at the University's Calculus Center, where he worked on sculptural generation programs, in collaboration with the American company IBM. During this period he met the mathematician José Barbera, and together they developed the software MOUVNT, designed to generate automatic forms that would later materialize in anthropomorphic sculptures. In 1970, together with Luis de Pablo, he created the acoustic plastic show "Soledad Interrumpida", trained in Buenos Aires. In the following years he would continue to work with the same author on various projects, including the organization of the Pamplona Encounters of 1972. In 1978 he designed the prince edition of the Spanish Constitution for the Editora Nacional, and in 1998 he presented an important retrospective exhibition at the Centre d'Art Santa Mònica in Barcelona (later at the Círculo de Bellas Artes in Madrid). A referent of late Francoist painting and a technological innovator, his work is part of collections such as those of the Victoria & Albert Museum in London, The Chase Manhattan Bank in New York, MNCARS, Madrid; MACBA, Barcelona or the Juan March Foundation.
Setdart Auction House
Jul. 23, 2024
José Luis Alexanco. No title
Est: -
Screen printing on paper. Signed and numbered (64/125) in the lower right corner.
Duran Arte y Subastas
Jul. 23, 2024
JOSE LUIS ALEXANCO Madrid (1942) / (2021) "Untitled"
Est: €225 - €300
Silk-screen poster It has flaws and stains on the paper. It belongs to the exhibition "Movements 1964-1969 (Commotion among the silence of daily life)" held at the Drian Galleries in London. Measurements: 70.5 x 43.5 cm
Ansorena
Jun. 25, 2024
José Luis Alexanco. No title
Est: -
Screen printing on paper. Signed, dated (68) and numbered (45/45) in the lower left corner.
Duran Arte y Subastas
Jun. 25, 2024
José Luis Alexanco. No title
Est: -
Screen printing on paper. Signed and numbered (15/125) in the lower right corner.
Duran Arte y Subastas
Jun. 25, 2024
José Luis Alexanco. No title
Est: -
Screen printing on paper. Signed and dated (2007) in the lower right corner. Numbered (2/50) in the lower left corner.
Duran Arte y Subastas
Jun. 25, 2024
José Luis Alexanco. No title
Est: -
Screen printing on paper. Signed, dated (67) and numbered (2/10) in the lower left corner.
Duran Arte y Subastas
Jun. 25, 2024
José Luis Alexanco. Transformable torso
Est: -
Multiple made of silk-screened methacrylate in different shades. Numbered (16/20).
Duran Arte y Subastas
May. 28, 2024
ALEXANCO, JOSE LUIS (1942 - 2021)
Est: -
Screen printing on paper. Signed, dated (67) and numbered (12/13) in the lower left corner.
Duran Arte y Subastas
Apr. 24, 2024
José Luis Alexanco. Transformable torso
Est: -
Multiple made of silk-screened methacrylate in different shades. Numbered (10/20).
Duran Arte y Subastas
Mar. 19, 2024
JOSE LUIS ALEXANCO - Islas Rotas IV
Est: -
JOSE LUIS ALEXANCO Madrid 1942-Madrid 2021 Islas Rotas IV. 2003 Digital printing on paper Signed in pencil, titled and dated 2003 HC (Hors Commerce) 2/5 Measurements 101 x 153 cm
Subastas Segre
Mar. 19, 2024
JOSE LUIS ALEXANCO - Untitled
Est: -
JOSE LUIS ALEXANCO Madrid 1942-Madrid 2021 Untitled. 1967 Lithograph on paper Signed in pencil and dated 1967 Numbered V/X Measurements 18.6 x 17.6 cm
Subastas Segre
Mar. 05, 2024
JOSÉ LUIS ALEXANCO (Madrid, 1942-2021). "Boscuman", 1991. Acrylic on cotton canvas. Signed and dated on the back. Titled and dated on the stretcher frame.
Est: €4,000 - €5,000
JOSÉ LUIS ALEXANCO (Madrid, 1942-2021). "Boscuman", 1991. Acrylic on cotton canvas. Signed and dated on the back. Titled and dated on the stretcher frame. Measurements: 150 x 150 cm; 154 x 154 cm (frame). Alexanco studied drawing and engraving with Manuel Castro Gil at the Casa de la Moneda, in Madrid, and in 1960 he enters the School of Fine Arts. Between 1968 and 1974 he collaborated with other artists at the University's Calculus Center, where he worked on sculptural generation programs, in collaboration with the American company IBM. During this period he met the mathematician José Barbera, and together they developed the software MOUVNT, designed to generate automatic forms that would later materialize in anthropomorphic sculptures. In 1970, together with Luis de Pablo, he created the acoustic plastic show "Soledad Interrumpida", trained in Buenos Aires. In the following years he would continue to work with the same author on various projects, including the organization of the Pamplona Encounters of 1972. In 1978 he designed the prince edition of the Spanish Constitution for the Editora Nacional, and in 1998 he presented an important retrospective exhibition at the Centre d'Art Santa Mònica in Barcelona (later at the Círculo de Bellas Artes in Madrid). A referent of late Francoist painting and a technological innovator, his work is part of collections such as those of the Victoria & Albert Museum in London, The Chase Manhattan Bank in New York, MNCARS, Madrid; MACBA, Barcelona or the Juan March Foundation.
Setdart Auction House
Feb. 21, 2024
José Luis Alexanco. Transformable torso
Est: -
Multiple made of screen-printed methacrylate in different tones. Titled and signed at the bottom of the white sheets. Numbered (15/20) and signed on each of the translucent sheets.
Duran Arte y Subastas
Jan. 30, 2024
JOSÉ LUIS ALEXANCO (Madrid, 1942). Untitled, 1965. Mixed media (collage, oil, canvas and paper) on canvas. It has slight flaws in the left margin. Signed and dated in the lower left corner.
Est: €700 - €800
JOSÉ LUIS ALEXANCO (Madrid, 1942). Untitled, 1965. Mixed media (collage, oil, canvas and paper) on canvas. It has slight flaws in the left margin. Signed and dated in the lower left corner. Measurements: 38 x 55 cm; 39 x 56 cm (frame). In this work the author uses an abstract language, based on irregular geometry, with an organic character both in its outline and colors. It is an open style, whose basic characteristic is the conception of the pictorial surface as a whole, as an open field, without limits and without hierarchy. Thus, as we see here, the pictorial forms are the result of a thoughtful composition and experimentation, with an image of gestural character, are not limited to a composition, but go beyond, indicating to the viewer that it is about forms, ideas or suggestions that go beyond the boundaries of the purely pictorial. Alexanco studied drawing and engraving with Manuel Castro Gil at the Casa de la Moneda in Madrid, and in 1960 he entered the School of Fine Arts. Between 1968 and 1974 he collaborated with other artists at the University's Calculus Center, where he worked on sculptural generation programs, in collaboration with the American company IBM. During this period he met the mathematician José Barbera, and together they developed the software MOUVNT, designed to generate automatic forms that would later materialize in anthropomorphic sculptures. In 1970, together with Luis de Pablo, he created the acoustic plastic show "Soledad Interrumpida", trained in Buenos Aires. In the following years he would continue to work with the same author on various projects, including the organization of the Pamplona Encounters of 1972. In 1978 he designed the prince edition of the Spanish Constitution for the Editora Nacional, and in 1998 he presented an important retrospective exhibition at the Centre d'Art Santa Mònica in Barcelona (later at the Círculo de Bellas Artes in Madrid). A referent of late Francoist painting and a technological innovator, his work is part of collections such as those of the Victoria & Albert Museum in London, The Chase Manhattan Bank in New York, MNCARS, Madrid; MACBA, Barcelona or the Juan March Foundation.
Setdart Auction House
Jan. 24, 2024
José Luis Alexanco. No title
Est: -
Screen printing on paper. Signed and numbered (16/125) in the lower right corner.
Duran Arte y Subastas
Jan. 23, 2024
JOSe LUIS ALEXANCO Madrid (1942) / (2021) "Untitled"
Est: €450 - €600
"Untitled" Silk-screen poster It has flaws and stains on the paper. It belongs to the exhibition "Movements 1964-1969 (Commotion among the silence of daily life)" held at the Drian Galleries in London. Measurements: 70.5 x 43.5 cm
Ansorena
Jan. 10, 2024
JOSÉ LUIS ALEXANCO (Madrid, 1942-2021). "Sajra II", 2000. Mixed media on canvas. Signed and dated on the back.
Est: €13,000 - €15,000
JOSÉ LUIS ALEXANCO (Madrid, 1942-2021). "Sajra II", 2000. Mixed media on canvas. Signed and dated on the back. Measurements: 100 x 130 cm. In the pictorial series that Alexanco gathered under the epigraph "Sajra" his plastic and conceptual investigation of an organic abstraction can be appreciated in a significant way. The term "sajra", which refers to spiritual entities (demons or ambiguous beings) take the form of spectra with zigzagging contours that line up in rows, covering the entire pictorial surface. In this way, the apparent chaos of the irregular stroke is subsumed in an essential geometry marked by rhythm and repetition. Alexanco studied drawing and engraving with Manuel Castro Gil at the Casa de la Moneda in Madrid, and in 1960 he entered the School of Fine Arts. Between 1968 and 1974 he collaborated with other artists at the University's Calculus Center, where he worked on sculptural generation programs, in collaboration with the American company IBM. During this period he met the mathematician José Barbera, and together they developed the software MOUVNT, designed to generate automatic forms that would later materialize in anthropomorphic sculptures. In 1970, together with Luis de Pablo, he created the acoustic plastic show "Soledad Interrumpida", trained in Buenos Aires. In the following years he would continue to work with the same author on various projects, including the organization of the Pamplona Encounters of 1972. In 1978 he designed the prince edition of the Spanish Constitution for the Editora Nacional, and in 1998 he presented an important retrospective exhibition at the Centre d'Art Santa Mònica in Barcelona (later at the Círculo de Bellas Artes in Madrid). A referent of late Francoist painting and a technological innovator, his work is part of collections such as those of the Victoria & Albert Museum in London, The Chase Manhattan Bank in New York, MNCARS, Madrid; MACBA, Barcelona or the Juan March Foundation.
Setdart Auction House
Dec. 27, 2023
Jose Luis Alexanco. transformable torso
Est: -
Multiple made of silk-screened methacrylate in different tones. Edition of 20 copies.
Duran Arte y Subastas
Nov. 22, 2023
José Luis Alexanco.Torso transformable
Est: -
Múltiple realizado en metacrilato serigrafiado en distintos tonos. Numerada (10/20).
Duran Arte y Subastas
Oct. 25, 2023
José Luis Alexanco. Transformable torso
Est: -
Multiple made of silk-screened methacrylate in different shades. Numbered (16/20).
Duran Arte y Subastas
Sep. 27, 2023
José Luis Alexanco. Transformable torso
Est: -
Multiple made of silk-screened methacrylate in different tones. Titled and signed at the bottom of the white sheets. Numbered (15/20) and signed on each of the translucent sheets.
Duran Arte y Subastas
Jul. 19, 2023
ALEXANCO, JOSE LUIS (1942 - 2021)
Est: -
Multiple made of screen-printed methacrylate in different shades. Edition of 20 copies.
Duran Arte y Subastas
Apr. 26, 2023
Jose Luis Alexanco. transformable torso
Est: -
Multiple made of screen-printed methacrylate in different shades. Edition of 20 copies.
Duran Arte y Subastas
Feb. 22, 2023
Jose Luis Alexanco. transformable torso
Est: -
Multiple made of screen-printed methacrylate in different tones. Titled and signed at the bottom of the white sheets. Numbered (11/20) and signed on each of the translucent sheets.
Duran Arte y Subastas
Jan. 25, 2023
José Luis Alexanco. Transformable torso
Est: -
Multiple made of screen-printed methacrylate in different tones. Titled and signed at the bottom of the white sheets. Numbered (2/20) and signed on each of the translucent sheets.
Duran Arte y Subastas
Jan. 25, 2023
Jose Luis Alexanco. amenoca
Est: -
Etching on Arches paper. Signed in the lower right corner and dated (92). Numbered (IV/XX) in the lower left corner.
Duran Arte y Subastas
Jan. 03, 2023
JOSE LUIS ALEXANCO (Madrid, 1942). "Martial Buckle", 1985. Acrylic on canvas. It presents a label from the Fernando Viajande Gallery, Madrid. Presents frame with slight damage.
Est: €4,000 - €5,000
JOSÉ LUIS ALEXANCO (Madrid, 1942). "Martial Buckle", 1985. Acrylic on canvas. Presents label of the Galería Fernando Viajande, Madrid. It has a slightly damaged frame. Size: 172 x 226 cm; 175 x 230 cm (frame). In this work the author uses an abstract language, based on irregular geometry, with an organic character both in its outline and in the colours. It is an open style, whose basic characteristic is the conception of the pictorial surface as a whole, as an open field, without limits and without hierarchy. Thus, as we see here, the pictorial forms are the result of a thought-out composition and experimentation, with an image of a gestural nature, not limited to a composition, but going beyond it, indicating to the spectator that it is about forms, ideas or suggestions that go beyond the boundaries of the purely pictorial. Alexanco studied drawing and engraving with Manuel Castro Gil at the Casa de la Moneda in Madrid, and in 1960 he entered the School of Fine Arts. Between 1968 and 1974 he collaborated with other artists at the University's Calculus Centre, where he worked on sculptural generation programmes, in collaboration with the American company IBM. During this period he met the mathematician José Barbera, and together they developed the software MOUVNT, designed to generate automatic forms that would later materialise in anthropomorphic sculptures. In 1970, together with Luis de Pablo, he created the acoustic plastic show "Soledad Interrumpida", trained in Buenos Aires. In the following years he would continue to work with the same author on various projects, including the organisation of the Pamplona Encounters in 1972. In 1978 he designed the prince edition of the Spanish Constitution for the Editora Nacional, and in 1998 he presented an important retrospective exhibition at the Centre d'Art Santa Mònica in Barcelona (later at the Círculo de Bellas Artes in Madrid). A benchmark of late Francoist painting and a technological innovator, his work forms part of collections such as those of the Victoria & Albert Museum in London, The Chase Manhattan Bank in New York, MNCARS, Madrid; MACBA, Barcelona and the Fundación Juan March.
Setdart Auction House
Dec. 13, 2022
JOSE LUIS ALEXANCO - The stem from behind
Est: -
JOSE LUIS ALEXANCO Madrid 1942-Madrid 2021 The stem from behind. 1988 Acrylic on canvas Signed and dated 1988 Back signed, dated and titled Measurements 110 x 100 cm
Subastas Segre
Oct. 25, 2022
José Luis Alexanco.Torso transformable
Est: -
Multiple made in screen-printed methacrylate in different shades. Titled and signed at the bottom of the white sheets. Numbered (2/20) and signed on each of the translucent sheets.
Duran Arte y Subastas
Oct. 11, 2022
JOSE LUIS ALEXANCO (Madrid, 1942). "Martial Buckle", 1985. Acrylic on canvas. It presents a label from the Fernando Viajande Gallery, Madrid. Presents frame with slight damage.
Est: €4,000 - €5,000
JOSÉ LUIS ALEXANCO (Madrid, 1942). "Martial Buckle", 1985. Acrylic on canvas. Presents label of the Galería Fernando Viajande, Madrid. It has a slightly damaged frame. Size: 172 x 226 cm; 175 x 230 cm (frame). In this work the author uses an abstract language, based on irregular geometry, with an organic character both in its outline and in the colours. It is an open style, whose basic characteristic is the conception of the pictorial surface as a whole, as an open field, without limits and without hierarchy. Thus, as we see here, the pictorial forms are the result of a thought-out composition and experimentation, with an image of a gestural nature, not limited to a composition, but going beyond it, indicating to the spectator that it is about forms, ideas or suggestions that go beyond the boundaries of the purely pictorial. Alexanco studied drawing and engraving with Manuel Castro Gil at the Casa de la Moneda in Madrid, and in 1960 he entered the School of Fine Arts. Between 1968 and 1974 he collaborated with other artists at the University's Calculus Centre, where he worked on sculptural generation programmes, in collaboration with the American company IBM. During this period he met the mathematician José Barbera, and together they developed the software MOUVNT, designed to generate automatic forms that would later materialise in anthropomorphic sculptures. In 1970, together with Luis de Pablo, he created the acoustic plastic show "Soledad Interrumpida", trained in Buenos Aires. In the following years he would continue to work with the same author on various projects, including the organisation of the Pamplona Encounters in 1972. In 1978 he designed the prince edition of the Spanish Constitution for the Editora Nacional, and in 1998 he presented an important retrospective exhibition at the Centre d'Art Santa Mònica in Barcelona (later at the Círculo de Bellas Artes in Madrid). A benchmark of late Francoist painting and a technological innovator, his work forms part of collections such as those of the Victoria & Albert Museum in London, The Chase Manhattan Bank in New York, MNCARS, Madrid; MACBA, Barcelona and the Fundación Juan March.
Setdart Auction House
Sep. 20, 2022
JOSE LUIS ALEXANCO - Madrid 1942
Est: -
JOSE LUIS ALEXANCO Madrid 1942 Wardah II. Damascus series. Part of the Syrian suite. 1999 Oil on canvas Back signed, titled and dated 1999 Measures 180 x 170 cm ORIGIN Acquired from the artist by the current owner.
Subastas Segre
Jun. 21, 2022
JOSE LUIS ALEXANCO (Madrid, 1942). "Martial Buckle", 1985. Acrylic on canvas. It presents a label from the Fernando Viajande Gallery, Madrid. Presents frame with slight damage.
Est: €5,000 - €7,000
JOSÉ LUIS ALEXANCO (Madrid, 1942). "Martial Buckle", 1985. Acrylic on canvas. Presents label of the Galería Fernando Viajande, Madrid. It has a slightly damaged frame. Size: 172 x 226 cm; 175 x 230 cm (frame). In this work the author uses an abstract language, based on irregular geometry, with an organic character both in its outline and in the colours. It is an open style, whose basic characteristic is the conception of the pictorial surface as a whole, as an open field, without limits and without hierarchy. Thus, as we see here, the pictorial forms are the result of a thought-out composition and experimentation, with an image of a gestural nature, not limited to a composition, but going beyond it, indicating to the spectator that it is about forms, ideas or suggestions that go beyond the boundaries of the purely pictorial. Alexanco studied drawing and engraving with Manuel Castro Gil at the Casa de la Moneda in Madrid, and in 1960 he entered the School of Fine Arts. Between 1968 and 1974 he collaborated with other artists at the University's Calculus Centre, where he worked on sculptural generation programmes, in collaboration with the American company IBM. During this period he met the mathematician José Barbera, and together they developed the software MOUVNT, designed to generate automatic forms that would later materialise in anthropomorphic sculptures. In 1970, together with Luis de Pablo, he created the acoustic plastic show "Soledad Interrumpida", trained in Buenos Aires. In the following years he would continue to work with the same author on various projects, including the organisation of the Pamplona Encounters in 1972. In 1978 he designed the prince edition of the Spanish Constitution for the Editora Nacional, and in 1998 he presented an important retrospective exhibition at the Centre d'Art Santa Mònica in Barcelona (later at the Círculo de Bellas Artes in Madrid). A benchmark of late Francoist painting and a technological innovator, his work forms part of collections such as those of the Victoria & Albert Museum in London, The Chase Manhattan Bank in New York, MNCARS, Madrid; MACBA, Barcelona and the Fundación Juan March.
Setdart Auction House
Apr. 27, 2022
José Luis Alexanco.Transformable torso
Est: -
Multiple made in screen-printed methacrylate in different shades. Titled and signed at the bottom of the white sheets. Numbered (12/20) and signed on each of the translucent sheets.
Duran Arte y Subastas
Apr. 06, 2022
JOSÉ LUIS ALEXANCO. Madrid (1942). "Untitled" 1987. 44 x 63 cm.
Est: €120 - €160
Signed, dated and justified in pencil at the bottom, 73/125. Lithograph. 44 x 63 cm
Ansorena
Feb. 23, 2022
José Luis Alexanco. Torso transformable
Est: -
Multiple made in screen-printed methacrylate in different shades. Titled and signed at the bottom of the white sheets. Numbered (9/20) and signed on each of the translucent sheets.
Duran Arte y Subastas
Nov. 24, 2021
José Luis Alexanco. Errores corregidos
Est: -
Plotter y dibujo sobre papel. Firmado y fechado (75) en el ángulo inferior derecho. Titulado al dorso. Sello de la Galería Vandrés. José Luis Alexanco protagonizó la vanguardia a partir de mediados de los años 60, etapa que él mismo define como "el abandono de la pintura como fin y su utilización como medio de estudio para realizaciones posteriores en dos y tres dimensiones". A finales de 1968 comienzan en el Centro de Cálculo de la Universidad de Madrid (CCUM) los seminarios sobre Generación Automática de Formas Plásticas, etapa a la que pertenece la obra que presentamos. En 1972 Alexanco y Luis de Pablo organizan y dirigen los encuentros de Pamplona, trascendentales para el desarrollo de las nuevas tendencias artísticas a nivel internacional. Su obra se expone en galerías como Fernando Vijande, Vandrés o Nieves Fernández.
Duran Arte y Subastas
May. 18, 2021
JOSE LUIS ALEXANCO - Wardah II. Damascus Series. Part of the Syria Suite
Est: €6,000 - €12,000
JOSE LUIS ALEXANCO Madrid 1942 Wardah II. Damascus Series. Part of the Syrian suite. 1999 Oil on fabric Back signed, titled and dated 1999 Size 180 x 170 cm
Subastas Segre
Feb. 16, 2021
JOSE LUIS ALEXANCO - Dilation-translation IX (planimetries)
Est: €180 - €360
JOSE LUIS ALEXANCO Madrid 1942 Dilation-translation IX (planimetries). 1974 Screenprint, ink, pencil and watercolor on cardboard Signed in pencil, titled and dated 1974 Numbered 1/20 Sizements 52 x 50 cm
Subastas Segre
Feb. 16, 2021
JOSE LUIS ALEXANCO - Leg
Est: €900 - €1,800
JOSE LUIS ALEXANCO Madrid 1942 Leg. 2008 Oil, acrylic and collage on canvas Back signed, titled and dated 2008 Sizes 80 x 80 cm PROVENANCE Acquired from the artist by the current owner.
Subastas Segre
Jan. 30, 2020
Jose Luis Alexanco. Tostadora de mariposa fría
Est: -
ALEXANCO, JOSE LUIS (1942). "Tostadora de mariposa fría (1985)". Acrílico sobre lienzo. Firmado y fechado (85) al dorso. Titulado en el bastidor. 205 x 261 cm
Duran Arte y Subastas