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Carl Ethan Akeley Sold at Auction Prices

Animal sculptor, Sculptor, b. 1864 - d. 1926

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      • Lion and Buffalo
        Jul. 17, 2024

        Lion and Buffalo

        Est: $7,000 - $10,000

        Carl Ethan Akeley 1864 - 1926 Lion and Buffalo inscribed Carl E. Akeley © 1914, inscribed with the ROMAN BRONZE WORKS N-Y- foundry mark, inscribed Cast for / Mr. Geo. D. Pratt (on the base) bronze height: 13 in. 33.0 cm. Conceived in 1914; cast by 1915.

        Sotheby's
      • CARL ETHAN AKELEY (AMERICAN, 1864-1926)
        Feb. 24, 2023

        CARL ETHAN AKELEY (AMERICAN, 1864-1926)

        Est: $1,000 - $3,000

        Carl Ethan Akeley American, 1864-1926 The Wounded Comrade Bronze Three (3) elephants cast in 2005 by Turner Sculpture, Onley, VA. Invoice dated 3/11/05 from Turner Sculpture accompanies this lot.

        Selkirk Auctioneers & Appraisers
      • Carl Ethan Akeley (1864-1926) The Wounded Comrade 12 in. high
        Apr. 26, 2022

        Carl Ethan Akeley (1864-1926) The Wounded Comrade 12 in. high

        Est: $20,000 - $30,000

        Carl Ethan Akeley (1864-1926) The Wounded Comrade inscribed 'The Wounded Comrade / © Carl E. Akeley / .1913.' and 'Cast for / A. Barton Hepburn Esq' (along the base), stamped 'ROMAN BRONZE WORKS N.Y.' (at the back of the base) bronze with brown patina 12 in. high For further information on this lot please visit the Bonhams website

        Bonhams
      • Carl Ethan Akeley (1864-1926): Lion Attacking a Buffalo
        Mar. 24, 2022

        Carl Ethan Akeley (1864-1926): Lion Attacking a Buffalo

        Est: $2,000 - $4,000

        Bronze, 1914, signed 'Carl E. Akeley' and dated lower left, with the Roman Bronze Works foundry mark on the left side. 12 x 19 x 7 in.

        STAIR
      • Carl Ethan Akeley (American, 1864-1926) The Wounded Comrade, conceived 1913, cas
        May. 07, 2021

        Carl Ethan Akeley (American, 1864-1926) The Wounded Comrade, conceived 1913, cas

        Est: $40,000 - $60,000

        Carl Ethan Akeley (American, 1864-1926) The Wounded Comrade, conceived 1913, cast 1927 Bronze with brown patina 12 inches (30.5 cm) high Inscribed on base: The Wounded Comrade / Carl Akely [ sic] / 1913 Inscribed on the underside: A. No. 2. PROVENANCE: Mary Akeley, the artist's wife; Tiffany & Company, New York, acquired from the above, July 1927; The Perkins Family, Lee, Massachusetts, acquired from the above; By descent to the present owner. LITERATURE: P.J. Broder, Bronzes of the American West, New York, 1974, pp. 247-49, another example illustrated; V.S. Schmitt, Four Centuries of Sporting Art, Mumford, New York, 1984, p. 142, another example illustrated. Renowned as a taxidermist, conservationist, biologist and photographer, Carl Akeley was also a skilled sculptor. In 1909, Akeley accompanied Theodore Roosevelt on a year-long expedition in Africa funded by the Smithsonian Institution, and subsequently he began his work at the American Museum of Natural History in New York, where his efforts can still be seen in the Akeley African Hall of Mammals. Akeley specialized in African mammals following his first African trip in 1896, particularly the gorilla and the elephant. The artist conceived the idea of creating a full-scale African diorama to show the animals in their natural habitat. As a taxidermist, he improved on techniques of fitting the skin over a carefully prepared and sculpted form of the animal's body, producing very lifelike specimens, with consideration of musculature, wrinkles, and veins. He also displayed the specimens in groups in a natural setting. Many animals that he preserved he had personally collected. The  Wounded Comrade portrays a scene that Akeley had directly observed in the wild; when an elephant is wounded, others from the herd will rush towards the injured animal in an attempt to convey it to safety. Fellow sculptor Alexander Phimister Proctor suggested that Akeley cast a series of these models into bronze. The first and most famous work in the series is The Wounded Comrade. Akeley initially cast The Wounded Comrade in 1913, and between 1913 and 1917, he went on to produce 23 examples in total at the Roman Bronze Works foundry in New York. Much like the authorized posthumous castings by Frederic Remington's widow, Mary Lee Jobe Akeley cast a number of her late husband's bronzes in the late 1920s, some of which bear the letter "A" on the body of the work. The "A" numeration was the serial number assigned to this round of casts. The history behind the present work is unique and extraordinary. This particular bronze was commissioned in July 1927, one year following Akeley's death in Uganda, by Mary Akeley. This particular cast was made for Tiffany & Company, and Mary Akeley delivered it personally to Tiffany on July 27, 1927. The present work was subsequently purchased by the Great-Grandfather of the present owner from Tiffany & Company, and has remained in the family ever since. HID01801242017

        Heritage Auctions
      • Carl Ethan Akeley (1864-1926) The Wounded Comrade 12in high (Modeled in 1913.)
        Feb. 26, 2021

        Carl Ethan Akeley (1864-1926) The Wounded Comrade 12in high (Modeled in 1913.)

        Est: $25,000 - $35,000

        Carl Ethan Akeley (1864-1926) The Wounded Comrade inscribed 'The Wounded Comrade © Carl E. Akeley' and stamped with foundry mark 'QHDN GORHAM CO. FOUNDERS CIRE PERDUE' (along the base) bronze with dark brown patina 12in high Modeled in 1913. For further information on this lot please visit the Bonhams website

        Bonhams
      • Carl Ethan Akeley (American, 1864 - 1926)"The Wounded Comrade, 1913"plaster castingsigned and titled on base12-1/2" x 20"Proven...
        Jan. 30, 2021

        Carl Ethan Akeley (American, 1864 - 1926)"The Wounded Comrade, 1913"plaster castingsigned and titled on base12-1/2" x 20"Proven...

        Est: $500 - $1,000

        Carl Ethan Akeley (American, 1864 - 1926)"The Wounded Comrade, 1913"plaster castingsigned and titled on base12-1/2" x 20"Provenance: The Estate of Diana Atwood Johnson

        Nadeau's Auction Gallery
      • CARL ETHAN AKELEY (1864-1926) - The Charging Herd
        May. 23, 2018

        CARL ETHAN AKELEY (1864-1926) - The Charging Herd

        Est: $70,000 - $100,000

        CARL ETHAN AKELEY (1864-1926) The Charging Herd signed and dated, ‘Carl E. Akeley. / © 1915 -,’ inscribed with title ‘The Charging Herd,’ numbered and inscribed ‘cast for / John T. McCutcheon / limited to ten copies No. 1 / C.A. 11-19-15’ and stamped ‘Roman Bronze Works N-Y-’ (along the base) bronze with dark brown patina 13 1/2in high Modeled in 1915.

        Bonhams
      • CARL ETHAN AKELEY | Lion Attacking a Buffalo
        Apr. 07, 2017

        CARL ETHAN AKELEY | Lion Attacking a Buffalo

        Est: $6,000 - $9,000

        bronze, dark brown patina

        Sotheby's
      • CARL ETHAN AKELEY | Lion and Buffalo
        Oct. 20, 2016

        CARL ETHAN AKELEY | Lion and Buffalo

        Est: $7,000 - $10,000

        bronze, dark brown patina

        Sotheby's
      • CARL ETHAN AKELEY (American, 1864-1926) LION AND BUFFALO
        Aug. 25, 2015

        CARL ETHAN AKELEY (American, 1864-1926) LION AND BUFFALO

        Est: $8,000 - $10,000

        Bronze. Signed lower left base "Carl E. Akeley (c) 1914" SIZE: 12" h x 23-1/2" l x 7" d PROVENANCE: From a fine Downeast Maine home. NOTE: Accompanying this lot are letters between Mrs. Carl Akeley and the buyer also a letter from Mrs. Akeley telling the buyer that the bronze foundry will ship the bronze "today". The letter is dated 1928, and indicating a purchase price of $425.00. CONDITION: Very good with a dark brown bronze patina 1074-2

        James D. Julia
      • Akeley, Carl Ethan - Stung
        Nov. 19, 2014

        Akeley, Carl Ethan - Stung

        Est: $10,000 - $12,000

        STUNG Akeley was a staff naturalist for the Field Museum in Chicago, Illinois, from 1885-1909. He was a member of the National Sculpture Society, the New York Architectural League, and the National Institute of Social Sciences, all in New York City. He exhibited at the National Academy of Design in New York City, showing numerous African animals, including Stung.

        The Sporting Art Auction
      • CARL ETHAN AKELEY (American, 1864-1926) The Wounded Com
        Nov. 17, 2014

        CARL ETHAN AKELEY (American, 1864-1926) The Wounded Com

        Est: $80,000 - $120,000

        CARL ETHAN AKELEY (American, 1864-1926) The Wounded Comrade, 1913 Bronze with brown patina 12 inches (30.5 cm) high Inscribed on the underside: A. No. 2. PROVENANCE: The Perkins Family, Lee, Massachusetts; By descent to the present owner. LITERATURE: P.J. Broder, Bronzes of the American West, New York, 1974, pp. 247-49, another example illustrated; V.S. Schmitt, Four Centuries of Sporting Art, Mumford, New York, 1984, p. 142, another example illustrated.

        Heritage Auctions
      • Carl Ethan Akeley (1864-1926)
        Feb. 27, 2013

        Carl Ethan Akeley (1864-1926)

        Est: $12,000 - $18,000

        Carl Ethan Akeley (1864-1926) 'Stung' inscribed '"Stung"' (on the base)--inscribed '© Carl E Akeley 1914 ROMAN BRONZE WORKS N.Y.' (along the base) bronze with dark brown patina 9¼ in. (23.5 cm.) high

        Christie's
      • CARL ETHAN AKELEY (1864-1926): "STUNG"
        Oct. 15, 2011

        CARL ETHAN AKELEY (1864-1926): "STUNG"

        Est: $1,500 - $3,000

        CARL ETHAN AKELEY (1864-1926): "STUNG" Bronze, signed and titled and impressed Roman Bronze Works, NY; modeled as an elephant trampling a serpent (as is); together with a miniature bronze trumpeting elephant signed C. Akeley. 4 3/4 x 5 1/2 in. and 9 1/4 x 9 in.

        STAIR
      • "The Wounded Comrade" by Carl E. Akeley (1864-1926)
        Jul. 27, 2011

        "The Wounded Comrade" by Carl E. Akeley (1864-1926)

        Est: £40,000 - £60,000

        Cast in bronze in the round and depicting a wounded elephant supported by two others (the left tusk of the central elephant expertly repaired), the realistic base signed to the front The Wounded Elephant/© Carl E. Akeley, the rear stamped QHDN, Gorham Co. Founders, Cire Perdue 24in. long x 12¼in. high

        Bonhams
      • Carl Ethan Akeley (1864-1926)
        Mar. 03, 2011

        Carl Ethan Akeley (1864-1926)

        Est: $12,000 - $18,000

        Carl Ethan Akeley (1864-1926) 'Stung' inscribed 'Stung/© Carl E Akeley--1914' and 'ROMAN BRONZE WORKS N-Y-' (along the base) bronze with brown patina 9 in. (22.9 cm.) high

        Christie's
      • CARL ETHAN AKELEY
        Sep. 29, 2010

        CARL ETHAN AKELEY

        Est: $20,000 - $30,000

        CARL ETHAN AKELEY 1864 - 1926 LION AND BUFFALO signed: Carl E. Akeley ©, dated 1914 and inscribed ROMAN BRONZE WORKS N-Y- Cast for Mr. Geo. D. Pratt ( on the base) bronze, dark brown patina 13 by 19 in. 33 by 48.3 cm.

        Sotheby's
      • Carl Ethan Akeley , American 1864-1926 The Wounded Comrade bronze, dark green patina
        Dec. 05, 2008

        Carl Ethan Akeley , American 1864-1926 The Wounded Comrade bronze, dark green patina

        Est: $70,000 - $90,000

        signed: Carl E. Akeley © titled The Wounded Comrade and dated 1913; with the ROMAN BRONZE WORKS N-Y- foundry mark (on the base) bronze, dark green patina

        Sotheby's
      • - Carl Ethan Akeley , American 1864-1926 Lion and Buffalo bronze, dark brown patina
        Dec. 05, 2008

        - Carl Ethan Akeley , American 1864-1926 Lion and Buffalo bronze, dark brown patina

        Est: $50,000 - $70,000

        signed: Carl E. Akeley ©, dated 1914 and inscribed ROMAN BRONZE WORKS N-Y- Cast for Mr. Geo. D. Pratt ( on the base) bronze, dark brown patina

        Sotheby's
      • Carl Ethan Akeley (1864-1926)
        Sep. 25, 2008

        Carl Ethan Akeley (1864-1926)

        Est: $15,000 - $25,000

        Carl Ethan Akeley (1864-1926) 'Stung' inscribed 'Stung/© Carl E. Akeley 1914' and stamped 'Roman Bronze Works N.Y.' (along the base) bronze with dark brown patina 9¼ in. (23.5 cm.) high

        Christie's
      • Carl Ethan Akeley , American 1864-1926 The Wounded Comrade bronze, dark green patina
        Nov. 29, 2007

        Carl Ethan Akeley , American 1864-1926 The Wounded Comrade bronze, dark green patina

        Est: $100,000 - $150,000

        signed: Carl E. Akeley © titled The Wounded Comrade and dated 1913; with the ROMAN BRONZE WORKS N-Y- foundry mark (on the base) bronze, dark green patina

        Sotheby's
      • CARL ETHAN AKELEY
        Nov. 30, 2006

        CARL ETHAN AKELEY

        Est: $15,000 - $20,000

        AMERICAN, 1864-1926 STUNG measurements height: 9 1/4 in. alternate measurements 23.5 cm signed: © Carl E Akeley, dated 1914, with the foundry mark ROMAN BRONZE WORKS N-Y- and titled "Stung" (on the base) bronze, dark brown patina LITERATURE Dorothy S. Green, "Carl Akeley: Sculptor-Taxidermist," American Magazine of Art, 1924, pp. 125-130 NOTE Akeley created the model for Stung while working on his design and installation for the African Hall at the American Museum of Natural History in New York City. For further information, see lot 31.

        Sotheby's
      • CARL ETHAN AKELEY
        Nov. 30, 2006

        CARL ETHAN AKELEY

        Est: $100,000 - $150,000

        AMERICAN, 1864-1926 THE WOUNDED COMRADE measurements height: 12 in. alternate measurements 30.5 cm signed: Carl E. Akeley, dated 1913, titled The Wounded Comrade ©, with the foundry mark ROMAN BRONZE WORKS N-Y-, and dedicated Cast for / John T. McCutcheon / our comrade in / Tenbe land C.E.A. (on the base) bronze, dark brown patina LITERATURE P. J. Broder, Bronzes of the American West, New York, 1974, pp. 247-249 (for a related example) Victoria S. Schmitt, Four Centuries of Sporting Art, Mumford, New York, 1984, p.142, illustrated (for a related example) NOTE Carl Akeley is remembered as a taxidermist, artist, biologist, conservationist, and nature photographer, noted for his extensive travels throughout Africa and contributions to American museums, particuarly New York's American Museum of Natural History. His steadfast commitment to the first-hand observation of wildlife in their native habitats, lead teams of scientists and artists to Africa to study the already rapidly decreasing species of animal and plant life. In particular, Akeley was fascinated by elephants, and, over the course of numerous safaris, lived among the giant animals observing their unique behaviors and intricate relationships with one another. Such immediate observation was essential; as Akeley explained, "no animal in captivity can give one more than a slight idea of his natural habits in his jungle home" (Carl E. Akeley, In Brightest Africa, Memorial Edition, New York, 1923, p. 21). After years of study Akeley concluded that, of all the animals, elephants were "the most fascinating, and that man, for all the thousands of years he has known of elephants, knows mighty little about him" (Akeley, p. 21). The Wounded Comrade reveals Akelely's profound understanding and relationship to the elephant. The sculpture's finely modeled surface, intricately detailing the elephant's thick, wrinkled hide, trunks roped with muscles and mighty tusks, is directly informed by Akeley's incredible experiences in Uganda, where he encountered herds of elephants in primeval dense forests and misty valleys. On one trek, Akeley and his team disturbed a herd of over seven hundred elephants, causing them to scatter in all directions, crashing through the thickly grown trees, finally forcing his companions to shoot to avoid being trampled. Then, as Akeley described, "I had made a hasty if not graceful retreat... where I could see the doings. The bull had gone about twenty-five yards and fallen. The other bulls made off at once. Half a dozen cows were around their fallen chief trying to lift him to his feet with their trunks. I had heard of this thing but had my doubts" (as quoted in Penelope Bodry-Sanders, Carl Akeley, Africa's Collector, Africa's Savior, New York, 1991, p. 139). Such experiences had a profound affect on Akeley, and inspired his designs for the American Museum of National History's African Hall. Akeley set forth an innovative plan for an open hall with a balcony and twenty-eight painted dioramas filled with representations of native flora and fauna and over forty animal groupings (Bodry-Sanders, p. 141). Such displays would allow visitors to walk among exotic animals and virtually experience their native habitat. In creating these realistic scenes, Akeley also redefined the practices of taxidermy. Rather than stuffing animal skins with straw or wood shavings, Akeley replicated the animals' shapes with armatures of wood, wire and sometimes pieces of the animal's bones. Clay was then applied to this exoskeleton to build layers of muscle, veins and tendons; next, a cast was formed, and the animal's original skin (the most perfect examples found on safari) was fit over it. Of all the taxidermy groupings, a herd of elephants was the intended central focus installed in a space Akeley believed "will be an everlasting monument to the Africa that was, the Africa that is now fast disappearing" (Akeley, p. 55). While museum trustees and supporters were thrilled with Akeley's plans for the African Hall, approving its designs in 1912, the great expense demanded long and difficult fundraising efforts. Indeed, while the proposed animal installations were clearly artful, they did not attract the same level of patronage that fine art exhibitions could--- as Akeley explained, "a taxidermist couldn't talk art." Therefore, through the creation of bronze sculptures like The Wounded Comrade, Akeley could prove himself as an artist and, perhaps, lend more credibility to his animal mounts for the Museum of National History (Bodry-Sanders, p. 161). Less didactic and perhaps more nuanced than his larger works, his first sculpture, The Wounded Comrade, reveals previously unobserved or recorded moments from the life of the animals. The sculpture does more than serve as visual evidence of Akeley's Ugandan experiences, but also suggests an emotional, tender connection as two elephants support their fallen friend, trunks wrapped around the slumped central figure. The work reveals Akeley's sensitive belief in the elephant's "sagacity, his versatility, and a certain comradeship.... I think, too, of the extraordinary fact that I have never heard or seen African elephants fighting each other. They have no enemy but man and are at peace amongst themselves" (Akeley, p. 54). The artistic experiment proved essential to the future success of both Akelely and his African Hall. Soon after The Wounded Comrade was first conceived, J.P. Morgan arrived at Akeley's studio to discuss the development of the African Hall at the Museum of Natural History. Seeing the magnificent work, Morgan immediately pledged his support to the Hall. The celebrated animal sculptor Alexander Phimister Proctor said he wished that he had created something as important as The Wounded Comrade, and encouraged museum trustee George Pratt to order a bronze cast sight unseen. The Wounded Comrade was exhibited at the Winter Exhibition of the National Academy of Design in 1913, and was so well received that Akelely was made a member of the national Sculpture Society. Akeley was heralded as a true artist, and his taxidermy seen as further evidence of his talent. Indeed he was made a member of the National Institute of Social Sciences in 1916 for "making taxidermy one of the arts" (Bodry Saunders, pp. 161-162). There are twenty-three recorded castings of the Wounded Comrade each issued by Brooklyn's Roman Bronze Works, the favored foundry of Frederic Remington and James Earle Fraser, among other notable American sculptors (Bodry-Saunders, p. 163) According to its inscription, the present example was intended for John T. McCutcheon, an editorial cartoonist for the Chicago Tribune and frequent game hunter in the United States, Canada and Mexico. McCutcheon attended a lecture on wildlife given by Akeley and was so inspired he joined him on safari in 1909. McCutcheon was a good choice of traveling companion; his professional connections could bring publicity and financial backing to Akeley and his causes (Bodry-Saunders, p. 111). Through their travels McCutcheon consistently entreated Akelely to new areas of exploration, always relishing the opportunity to savor a new sight, view a new species of animal, or simply smell the jungle air. It was not until 1936, ten years after Akeley's death on an African expedition, that the African Hall's construction was completed under the direction of James L. Clark, then the Museum's Vice Director. Upon its opening the exhibition space was named The Akeley Hall of African Mammals as memorial to its founder's lasting vision.

        Sotheby's
      • CARL ETHAN AKELEY 1864-1926
        Dec. 03, 2003

        CARL ETHAN AKELEY 1864-1926

        Est: $30,000 - $50,000

        SIGNED AND DATED (MAKER'S MARKS) inscribed The Wounded Comrade/© Carl E. Akeley/1913 and numbered A-3 underneath with the Roman Bronze Works N-Y- foundry mark

        Sotheby's
      • Carl Ethan Akeley (1864-1926)
        Jul. 17, 2002

        Carl Ethan Akeley (1864-1926)

        Est: $12,000 - $18,000

        The Old Man of Mikeno inscribed and dated 'The Old Man of Mikeno/Carl Akeley SC. 1923 Kunst Foundry N.Y.' (along the base) bronze with blackish-green patina 261/2 in. (67.3 cm.) NOTES Carl Akeley, an innovator in the fields of taxidermy and photography, was also an accomplished sculptor. His bronze groups of animals are displayed prominently throughout the American Museum of Natural History in New York where he was an associate curator in the Preparation and Mammology departments. Among his assistants were the sculptors James Lippett Clark, Robert Henry Rockwell, Charles Robert Knight and Louis P. Jonas. In 1921 Akeley went to the Virunga Mountains to collect mountain gorilla specimens for a diorama exhibit in the American Museum of Natural History. The killing of his first gorilla, a silverback which he named The Old Man of Mikeno after the mountain of the same name, was a turning point for Akeley. Looking into the dead gorilla's face, he had a change of heart. Recognizing the species' similarity to humans, he no longer wanted to destroy gorillas. He recognized their rarity and the need for research into their natural history. Akeley's party collected five gorillas that today form an integral exhibit in the American Museum of Natural History in New York. Following this expedition, Akeley urged the Belgian government to create a permanent sanctuary for the mountain gorillas, and became instrumental in the establishment of the Albert National Park located in the Congo in Africa, in 1925. SALESROOM NOTICE Please note that the Albert National Park is located in the Congo in Africa, not in Canada as written in the catalogue. Please also note that another model of Old Man of Mikeno is in the permanent collection of the Museum of Natural History and is presently on view in the primate wing.

        Christie's
      • Carl Ethan Akeley (1864-1926)
        Nov. 28, 2001

        Carl Ethan Akeley (1864-1926)

        Est: $20,000 - $30,000

        Carl Ethan Akeley (1864-1926) the wounded comrade inscribed The Wounded Comrade/&copr; Carl E. Akeley/1913 with the Kunst Foundry N.Y. foundry mark bronze, brownish black patina, with elephant hide mat height: 12in. (30.5cm.)

        Sotheby's
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