John White Abbott Paintings & Artwork for Sale | John White Abbott Art Value Price Guide

Mar. 19, 2025
JOHN WHITE ABBOTT (BRITISH 1763-1851)
Est: £3,000 - £5,000
JOHN WHITE ABBOTT (BRITISH 1763-1851) THE LOWER PART OF CORRA LINN, FALLS OF CLYDE watercolour, pen and ink on paper 23cm x 18cm (9in x 7in) The Artist's great, great, grandsonwith The Fine Art Society, London, 1946 Loyd CollectionChristie's, London, British Art on Paper, 5 June 2007, lot 3Christie's South Kensington, Old Master and British Drawings and Watercolours, 5 December 2013, lot 105 Exhibited: Newbury, Newbury Spring Festival, The Development of English Landscape Painting in Watercolours and Drawings, 1984, no. 9Literature: Leslie Parris, The Loyd Collection of Paintings, Drawings and Sculptures, Bradbury Agnew, 1967, no. 67, p. 30, pl. 59.Francis Russell et al, The Loyd Collection of Paintings, Drawings and Sculpture, privately published, 1991, no. 67, p. 30, pl. 67According to Christie's cataloguing in 2013, the original mount bore the inscription 'The lower part of Corriag... Lynn - one of the Falls of the Clyde./JWA. July 6.1791' and was numbered 'No 42' (on the verso of the mount)The lot was further footnoted: Abbott's earliest known watercolours date from 1791, when he undertook a tour of Scotland and the Lake District, through Lancashire, Derbyshire and Warwickshire. There is another drawing of Corra Linn, from the same tour, numbered 47, in the Victoria & Albert Museum, London (E.324-1924).
Lyon & Turnbull
Mar. 19, 2025
JOHN WHITE ABBOTT (BRITISH 1763-1851)
Est: £400 - £600
JOHN WHITE ABBOTT (BRITISH 1763-1851) HERMIT READING signed with initials and dated ‘Dec 24. 1814’ lower left, watercolour and ink on paper 12cm x 19cm (4 ¾in x 7 ½in) The Fine Art Society Ltd, London, April 1966
Lyon & Turnbull
Oct. 16, 2024
Abbott (John White, 1763-1851). A Gathering in the Woods, 9th March 1822
Est: £200 - £300
Abbott (John White, 1763-1851). A Gathering in the Woods, 9th March 1822 * Abbott (John White, 1763-1851). A Gathering in the Woods, 9th March 1822, pen and ink on laid paper, dated lower left, sheet size 18.7 x 29 cm (7 3/8 x 11 3/8 ins), each short edge adhered to backing paper, together with another by the same artist, Gathering Wood, pen and ink on laid paper, showing a man carrying a bundle of sticks on his back, a dog by his side, another man leaning on a stick, plus two other female figures roughly sketched, a couple of small brown spots, sheet size 17.7 x 28.4 cm (7 x 11 1/8 ins), each corner adhered to backing paper, and another by the same hand, Rowing Boat, pen, ink and wash, sheet size 5 x 8.4 cm (2 x 3 1/4 ins), each short edge adhered to thick paper (9.7 x 10.5 cm) QTY: (3) NOTE: Provenance: Sotheby's British Drawings and Watercolours 25 November 1999, lot 97 (part).
Dominic Winter Auctions
Oct. 09, 2024
JOHN WHITE ABBOTT (BRITISH 1763-1851), TRAVELLER ON A FOREST PATH
Est: £400 - £600
JOHN WHITE ABBOTT (BRITISH 1763-1851)TRAVELLER ON A FOREST PATHPen and ink sepia washDated 'March 1831' (lower left)19 x 30cm (7¼ x 11¾ in.)
Dreweatts 1759 Fine Sales
Oct. 02, 2024
JOHN WHITE ABBOTT (BRITISH 1763-1851)
Est: £600 - £800
JOHN WHITE ABBOTT (BRITISH 1763-1851) THE WARREN, MOUTH OF THE EXE inscribed The Warren, Mouth of the Exe. lower margin pen and ink and wash 18.5 x 27cm; 7 1/4 x 10 1/2in unframed
Olympia Auctions
Sep. 23, 2024
John White ABBOTT
Est: €300 - €400
John White ABBOTT (Exeter, 1763 - 1851) Jeune homme endormi dans un paysage Plume, encre grise et aquarelle Sans cadre H : 23.4 cm, L : 13.9 cm Provenance : Collection particulière européenne On y joint : Attribué à Ernest MEISSONIER Lyon, 1815 - Paris, 1891 Etude de casque de la garde républicaine Plume et encre grise, lavis gris et noir et rehauts de gouache blanche Porte le monogramme 'EM' en bas à gauche 19,8 x 14,7 cm Sans cadre Ecole anglaise de la fin du XVIIIe siècle Jeune femme lisant Crayon noir, estompe et traces de sanguine Annoté 'Richard Cosway' au verso du papier de montage Sans cadre Ecole anglaise du XIXe siècle Vue de ville en bord de lac de montagne Plume, encre brune, aquarelle et traits de crayon Annoté '16','Village ? / Schrift vgl. "near Lausanne" April 1833', '80', 'near Lausanne?', 'von Dr. Drack' au crayon noir au verso 19 x 28,1 cm Sans cadre Ecole anglaise du XIXe siècle Paysage alpin animé de personnages et d'un village Plume, encre brune, aquarelle et traits de crayon Annoté 'The Alpine Valley', '17', 'First sketch', 'Schrift vlg : Wengen Alp, July 7 (1834) / Valley of the Tarnina (1834?), Thun, Blumlis Alp, 23 Sept. 1835 / Valley de Gruyere, Sept. 1835', '1834', 'von Dr. Drack' au crayon noir au verso 21,7 x 31,5 cm Sans cadre Ensemble de 5 dessins John White ABBOTT (Exeter, 1763 - 1851) H : 23.4 cm, L : 13.9 cm On y joint : Attribué à Ernest MEISSONIER Lyon, 1815 - Paris, 1891 Etude de casque de la garde républicaine Plume et encre grise, lavis gris et noir et rehauts de gouache blanche Porte le monogramme 'EM' en bas à gauche 19,8 x 14,7 cm Sans cadre Ecole anglaise de la fin du XVIIIe siècle Jeune femme lisant Crayon noir, estompe et traces de sanguine Annoté 'Richard Cosway' au verso du papier de montage Sans cadre Ecole anglaise du XIXe siècle Vue de ville en bord de lac de montagne Plume, encre brune, aquarelle et traits de crayon Annoté '16','Village ? / Schrift vgl. "near Lausanne" April 1833', '80', 'near Lausanne?', 'von Dr. Drack' au crayon noir au verso 19 x 28,1 cm Sans cadre Ecole anglaise du XIXe siècle Paysage alpin animé de personnages et d'un village Plume, encre brune, aquarelle et traits de crayon Annoté 'The Alpine Valley', '17', 'First sketch', 'Schrift vlg : Wengen Alp, July 7 (1834) / Valley of the Tarnina (1834?), Thun, Blumlis Alp, 23 Sept. 1835 / Valley de Gruyere, Sept. 1835', '1834', 'von Dr. Drack' au crayon noir au verso 21,7 x 31,5 cm Sans cadre Ensemble de 5 dessins
Artcurial
Jul. 02, 2024
C S (19th Century English School) - Pencil drawing - "Cheddar Cliffs", signed with initials CS, 6ins x 4ins, a
Est: £50 - £100
C S (19th Century English School) - Pencil drawing - "Cheddar Cliffs", signed with initials CS, 6ins x 4ins, attributed to John White Abbott (1763-1851) - watercolour with white body colour highlights - On Splugen Pass with Mount Leistchamm in the distance, 10.25ins x 6.75ins, and nine other drawings and watercolours of topographical interest, all unframed, (11).
John Nicholson's Fine Art Auctioneers & Valuers
Jun. 28, 2024
John White Abbot (British, 1763-1851)
Est: £50 - £70
John White Abbot (British, 1763-1851) Landscape with wooded hills and a stone bridge pen and ink with wash, signed and dated June 1835 lower right 13.4 x 31.6cm.; together with 'Nettlecombe Park; by Julian Fraser (British, 20th century), pen and ink and wash, signed, titled to artist's label verso, 9.8 x 13.6cm. (2)
Martel Maides
Jun. 26, 2024
John White Abbott (British, 1763–1851)
Est: £500 - £800
John White Abbott (British, 1763–1851) Plant study, possibly mandrake watercolour and pencil 10 x 17cm
Cheffins
Feb. 21, 2024
JOHN WHITE ABBOTT (BRITISH 1763-1851), FORDLAND DEVON
Est: £400 - £600
JOHN WHITE ABBOTT (BRITISH 1763-1851)FORDLAND, DEVONPen, ink and wash11.5 x 16cm (4½ x 6¼ in.)
Dreweatts 1759 Fine Sales
Feb. 09, 2024
JOHN WHITE ABBOTT PEN & INK
Est: $100 - $150
John White Abbott (1763-1851, England) framed and matted pencil/pen/ink and grey wash titled "The Interior of a Derelict Church" with Agnew's Gallery, London label. 9" x 5" ss / 16.5" x 12.75" oa
Wiederseim Associates, Inc.
Feb. 06, 2024
John White ABBOTT Exeter, 1763 - 1851 Jeune homme endormi dans un paysage Plume, encre grise et aquarelle
Est: €600 - €800
John White ABBOTT Exeter, 1763 - 1851 Jeune homme endormi dans un paysage Plume, encre grise et aquarelle Sans cadre h: 23,40 w: 13,90 cm Provenance : Collection particulière européenne Commentaire : On y joint : Attribué à Ernest MEISSONIER Lyon, 1815 - Paris, 1891 Etude de casque de la garde républicaine Plume et encre grise, lavis gris et noir et rehauts de gouache blanche Porte le monogramme 'EM' en bas à gauche 19,8 x 14,7 cm Sans cadre Ecole anglaise de la fin du XVIIIe siècle Jeune femme lisant Crayon noir, estompe et traces de sanguine Annoté 'Richard Cosway' au verso du papier de montage Sans cadre Ecole anglaise du XIXe siècle Vue de ville en bord de lac de montagne Plume, encre brune, aquarelle et traits de crayon Annoté '16','Village ? / Schrift vgl. "near Lausanne" April 1833', '80', 'near Lausanne?', 'von Dr. Drack' au crayon noir au verso 19 x 28,1 cm Sans cadre Ecole anglaise du XIXe siècle Paysage alpin animé de personnages et d'un village Plume, encre brune, aquarelle et traits de crayon Annoté 'The Alpine Valley', '17', 'First sketch', 'Schrift vlg : Wengen Alp, July 7 (1834) / Valley of the Tarnina (1834?), Thun, Blumlis Alp, 23 Sept. 1835 / Valley de Gruyere, Sept. 1835', '1834', 'von Dr. Drack' au crayon noir au verso 21,7 x 31,5 cm Sans cadre Ensemble de 5 dessins Rapport de condition : Les dessins sont en bon état général Quelques piqûres éparses, quelques taches Dessin attribué à Meissonnier présente une déchirure sur le bord droit La jeune femme lisant présente des bords irréguliers, des pliures, des déchirures et des manques aux angles Estimation 600 - 800 €
Artcurial
Jul. 20, 2023
Abbott (John White, 1763-1851). Coast between Dawlish and Teignmouth, watercolour
Est: £400 - £600
Abbott (John White, 1763-1851). Coast between Dawlish and Teignmouth, watercolour * Abbott (John White, 1763-1851). From the Rocks between Dawlish and Teignmouth, Devon, fine watercolour with pen and brown ink on pale cream Whatman wove paper (with partial watermark), sheet size 19 x 27.5 cm (7 1/2 x 10 3/4 ins), corner-mounted on backing paper, with double-rule ink framing border, and inscription in brown ink (by the artist) to lower margin 'From the Rocks between Dawlish & Teignmouth', window-mounted QTY: (1) NOTE: Provenance: Iolo Aneurin Williams (1890-1962), collector and author of Early English Watercolours and Some Cognate Drawings by Artists born not later than 1785 (London: Connoisseur, 1952). John White Abbott was born in May 1764, the nephew of the prominent Exeter lawyer and non-conformist James White (1744-1825), and a pupil of the watercolourist Francis Towne (whom James White had accompanied on a tour of north Wales in 1777). As Towne's pupil he mastered the technique of delicate pen outline providing contrasts between loose, flat washes of colour and delicate tracery, as in the present work.
Dominic Winter Auctions
Jul. 04, 2023
JOHN WHITE ABBOTT (EXETER 1763-1851) Roslin Castle, near Edinburgh, Midlot
Est: £4,000 - £6,000
JOHN WHITE ABBOTT (EXETER 1763-1851) Roslin Castle, near Edinburgh, Midlothian, Scotland pencil, pen and grey ink and watercolour 7 1/2 x 9 1/2 in. (19 x 24.1 cm.)
Christie's
Mar. 22, 2023
JOHN WHITE ABBOTT (1763-1851)
Est: £200 - £300
JOHN WHITE ABBOTT (1763-1851) NEAR CANONTEIGN, DEVON titled and dated Near Canonteign 1819 lower left pen and wash image: 26.5 x 18cm; 10 ½ x 7in framed: 45 x 36.5cm; 17 ¾ x 14 1/2in Provenance: Abbott & Holder, London With inscription John White Abbott (1763-1851) / Near Canonteign / 25 September 1819 on a label on the reverse *sold without reserve
Olympia Auctions
Mar. 14, 2023
John White Abbott (British, 1763-1851), ‘Fordland’, ink and monochrome watercolour, 33 x 24cm
Est: £800 - £1,200
John White Abbott (British, 1763-1851) ‘Fordland' ink and monochrome watercolour Heather Newman Gallery label verso
Gorringes
Mar. 14, 2023
John White Abbott (British, 1763-1851), 'Berry Pomeroy Castle, Devon', watercolour and ink, 16 x 24cm
Est: £3,000 - £5,000
John White Abbott (British, 1763-1851) 'Berry Pomeroy Castle, Devon' watercolour and ink monogrammed and dated 1791
Gorringes
Nov. 16, 2022
John White Abbott, British 1763-1851 Rustic family in a woodland
Est: £150 - £200
John White Abbott, British 1763-1851 Rustic family in a woodland clearing; pen and grey and black ink and grey wash on paper, dated 'March 26' (lower right), 17.5 x 18 cm., (unframed). Provenance: with Abbott and Holder, London (from part of a larger group acquired from the descendants of the artist).; with Harry Moore-Gwyn Fine Art, London.; Private Collection, UK. Note: As well as a painter, Abbott practiced as a surgeon and apothecary. This charming scene, in typical monochrome, evokes a sense of familial warmth and is typical of Abbott's pen and ink drawings. Today, his works are in the British Museum, Victoria and Albert Museum, Ashmolean Museum, Fitzwilliam Museum and National Galleries of Scotland.
Roseberys
Apr. 12, 2022
John White Abbott (Exeter 1763-circa 1851) Raglan Castle, Monmouthshire
Est: £3,000 - £5,000
John White Abbott (Exeter 1763-circa 1851) Raglan Castle, Monmouthshire inscribed, signed with initials and dated 'Part of Ragland [sic] Castle-- Monmouthshire-/JWA June 2 1797' (on verso) watercolour on paper 18.2 x 23.1cm (7 3/16 x 9 1/8in). For further information on this lot please visit the Bonhams website
Bonhams
Mar. 24, 2022
JOHN WHITE ABBOTT (EXETER 1763-1851) View of Aiguilles du Dru, near Chamon
Est: £1,500 - £2,000
JOHN WHITE ABBOTT (EXETER 1763-1851) View of Aiguilles du Dru, near Chamonix, France pen and grey ink, grey and blue wash on paper 9 1/8 x 6 1/2 in. (23.2 x 16.5 cm.)
Christie's
Mar. 24, 2022
JOHN WHITE ABBOTT (EXETER 1763-1851) Exeter, Devon pencil, pen and grey ink
Est: £5,000 - £8,000
JOHN WHITE ABBOTT (EXETER 1763-1851) Exeter, Devon pencil, pen and grey ink and watercolour on paper 7 3/8 x 10 3/4 in. (18.7 x 26.7 cm.)
Christie's
Sep. 15, 2021
John White Abbott (1763-1851)
Est: £300 - £400
John White Abbott (1763-1851) John White Abbott (1763-1851) Fordland - a woodland scene with a bridge over a stream inscribed 'Fordland, June 5 1841' l.l., pen and ink and grey washes 27 x 21.3cm
Sworders
Jul. 09, 2021
John White Abbott (British 1763-1851)
Est: £1,000 - £1,500
John White Abbott (British 1763-1851) John White Abbott (British 1763-1851) Study of trees, possibly Dovedale, Derbyshire Pen and grey ink and wash 23.7 by 21.4 cm., 9Â¾ by 12Â¼ in. framed
Chiswick Auctions
May. 27, 2021
John White Abbot (British 1763-1851), A Devon mill
Est: £400 - £600
John White Abbot (British 1763-1851)A Devon millInk and watercolour15 x 22cm (5¾ x 8½ in.)Provenance:Sale, Sotheby's, 11 November 1993, lot 92
Dreweatts 1759 Fine Sales
May. 14, 2021
John White Abbot (British 1763-1851), By the Old Mill, Oil on Canvas, 56 x 44 in
Est: $1,000 - $2,000
John White Abbot (British 1763-1851) By the Old Mill Signed indistinctly l.r. Oil on canvas 56 x 44 in (142.2 x 111.8 cm)
Weschler's
May. 06, 2021
Ⓦ JOHN WHITE ABBOTT (1764-1851)
Est: £200 - £300
Ⓦ JOHN WHITE ABBOTT (1764-1851) RUSTIC FAMILY IN A WOODLAND CLEARING dated March 26 pen and sepia ink 18 x 18 cm/7 x 7 in. Provenance: Abbott and Holder; from part of a larger group acquired by descendants of the artist Part proceeds to benefit The Wallace Collection
Olympia Auctions
Mar. 30, 2021
JOHN WHITE ABBOTT (BRITISH 1763-1851)
Est: £500 - £700
JOHN WHITE ABBOTT (BRITISH 1763-1851) (i) Two peasants and a dog on a woodland walk dated Oct 27/1815 (lower right) pen and brown ink and monochrome wash 18 x 15 cm (7 3/4 x 6 in) (ii) Cattle and sheep at a river dated April 30 1809 (lower left) pen and brush and wash 17.5 x 28.5 cm (6 3/4 x 11 1/4 in) PROVENANCE: The artist's family, by descent With Heather Newman, Cotswolds (2)
Chiswick Auctions
Oct. 13, 2020
(ATTRIBUTED TO) ABBOTT, JOHN WHITE 1763 - Exeter
Est: -
(ATTRIBUTED TO) ABBOTT, JOHN WHITE 1763 - Exeter - 1851 An overshot mill (original title). Family idyll in front of a water mill. Oil on canvas, relined. Inscribed on the frame. 81 x 59 cm, framed. Keywords: paintings, images, art, artworks, pictures, Gemalde, British painter, UK
Sigalas
Oct. 09, 2020
* Abbott (John White, 1763-1851). Landscape with figures
Est: £200 - £300
** Devis (Anthony, 1729-1816). Landscape with figures, pen, ink, and wash, depicting large trees in a landscape, with 2 rustic figures resting, and 2 other figures traversing a pathway, with a vista of mountains and a tower, toned, 17 x 25.5cm (6.75 x 10ins), mounted, framed and glazed Qty: (1)
Dominic Winter Auctions
Mar. 17, 2020
JOHN WHITE ABBOTT (BRITISH 1763-1851)
Est: £400 - £600
JOHN WHITE ABBOTT (BRITISH 1763-1851) A family group by a river dated Nov. 10 1815 (lower left) pen and black ink wash 17 x 26 cm (6 1/2 x 10 1/4 in)
Chiswick Auctions
Mar. 17, 2020
JOHN WHITE ABBOTT (BRITISH 1763-1851) JOHN WHITE ABBOTT (BRITISH 1763-1851)
Est: £200 - £300
JOHN WHITE ABBOTT (BRITISH 1763-1851) Cattle and sheep at a river dated April 30 1809 (lower left) pen and brush and wash 17.5 x 28.5 cm (6 3/4 x 11 1/4 in) Provenance: The artist's family, thence by descent
Chiswick Auctions
Mar. 17, 2020
JOHN WHITE ABBOTT (BRITISH 1763-1851)
Est: £500 - £700
JOHN WHITE ABBOTT (BRITISH 1763-1851) Two peasants and a dog on a woodland walk dated Oct 27/1815 (lower right) pen and brown ink and monochrome wash 18 x 15 cm (7 3/4 x 6 in) Provenance: The artist's family, by descent With Heather Newman, Cotswolds
Chiswick Auctions
Nov. 28, 2018
Circle of John White Abbott (1763-1851) British. "Ragland Castle (Monmouthshire)", with a Figure seated in the foreground, Watercolour and Wash, Inscribed in Pencil, 9.75" x 7.75".
Est: £80 - £120
Circle of John White Abbott (1763-1851) British. "Ragland Castle (Monmouthshire)", with a Figure seated in the foreground, Watercolour and Wash, Inscribed in Pencil, 9.75" x 7.75".
John Nicholson's Fine Art Auctioneers & Valuers
Nov. 28, 2018
John White Abbott (British, 1763-1851) - Fordland, Devon, 1829
Est: £800 - £1,200
John White Abbott (British, 1763-1851) Fordland, Devon, 1829 pen and ink with sepia wash on paper h:11 w:15 cm
Cheffins
Nov. 28, 2018
John White Abbott (British, 1763–1851) Country house amongst trees, Devon
Est: £500 - £800
John White Abbott (British, 1763–1851) Country house amongst trees, Devon pencil on buff paper h:12 w:14 cm Provenance: From the collection of the late Sir Richard Parsons Other Notes: Born and educated in Exeter, John White Abbott established himself first and foremost as a surgeon and kept his practice throughout his life. He studied art under his friend Francis Towne (1739-1816), but opted not to become a professional artist. He assimilated Towne's style so well that his works are often almost indistinguishable from those of his mentor. Abbott exhibited annually at the Royal Academy between 1795 and 1805, yet he lived the life of a country gentleman and is said never to have sold a picture. As a result, a large proportion of his works have remained in his family's collection. Abbott seldom left his native Devon and, as an amateur landscape artist, mostly specialised in depicting the local scenery of the Exeter region. Sir Richard Edmund Clement Fownes Parsons (1928-2016) This sale includes selected items from the collection of the late Sir Richard Parsons, removed from his Norfolk home. Sir Richard Parsons was a career diplomat, and through the 1970s and 1980s he was successively British Ambassador to Hungary, Spain and Sweden. During the late 1960s and early 1970s he had postings to Ankara and Lagos, as well as periods in London. In 1976 he was appointed ambassador to Hungary. He was the Ambassador to Sweden from 1984 to 1987, after which he left the Diplomatic Service and settled in King's Lynn, Norfolk. In his retirement he focused on his writing and at the town's literary festival gave talks about his diplomatic adventures. Notable pieces from this collection are the wonderful Madonna and Child by the Master of San Miniato (lot 106) and the rare miniature by Isaac Oliver of Sir Richard Parsons' ancestor, Thomas Fones, who was Mayor of Plymouth (lot 161). Also of note are the vibrant watercolours by his grandfather, Alfred Parsons, RA (lots 85-88) which demonstrate the family's artistic leanings in addition to their passion for collecting. Lots 62, 63, 65, 83, 99, 130, 134, 161-165 are also from this estate. In our March 2019 Fine Art sale we will offer a Grand Tour portrait of his ancestor Edward Curtis of Mardyke House, Hotwells, Bristol, by Marco Benefial (Italian, 1684 - 1764) together with the embroidered silk waistcoat the sitter is wearing (please refer to the advertisement at the beginning of this catalogue).
Cheffins
Nov. 08, 2018
* Abbott (John White, 1763-1851). Wood Gatherers, 1810,
Est: £200 - £300
pen, black ink and grey wash on laid paper, dated Augt. 12.1810 lower left, sheet size 18.7 x 15.3 cm (7.4 x 6.1 ins), tipped onto backing paper, together with another pen & brown ink drawing on laid paper of a rustic family outside a cottage, dated March 9. 1822 lower left, sheet size 18.5 x 29 cm (7.3 x 11.4 ins), tipped onto backing paper, plus a further similar drawing of wood gatherers and a small pen and grey wash study of men in a boat, plus a coloured soft-ground etching after John White Abbott, dated 1821 lower right, all loosely contained in white paper folder with printed label for Sotheby's British Drawings & Watercolours sale of 25th November 1999, lot 97 - Quantity (1)
Dominic Winter Auctions
Sep. 12, 2018
JOHN WHITE ABBOTT (1763-1851) Ugbrooke Park, Devon inscribed and dated 'Ugbrooke. 28
Est: £4,000 - £6,000
JOHN WHITE ABBOTT (1763-1851) Ugbrooke Park, Devon inscribed and dated 'Ugbrooke. 28 July 1809' (verso) pen and grey ink, grey wash on paper watermarked 1801/ J WHATMAN 10 3/4 x 15 in. (27.3 x 38.1 cm.)
Christie's
Apr. 06, 2017
JOHN WHITE ABBOTT, (BRITISH, 1763-1851), HILLSIDE, CHUDLEIGH
Est: $150 - $200
JOHN WHITE ABBOTT (british, 1763-1851) HILLSIDE, CHUDLEIGH Inscribed and dated ''Chudleigh - July 27 1797'' bottom right, pen and ink with gray wash on laid paper. 12 7/8 x 9 in. (32.7 x 22.9cm) provenance: Jeffrey M. Kaplan, Washington, D.C.
Freeman's | Hindman
Nov. 23, 2016
John White Abbott (1763-1851), monochrome watercolour - pastoral scene, dated May 22nd 1809, 18cm x 28cm. Provenance: Gallery label verso for Abbott & Holder, 30 Museum Street, London
Est: £80 - £120
John White Abbott (1763-1851), monochrome watercolour - pastoral scene, dated May 22nd 1809, 18cm x 28cm. Provenance: Gallery label verso for Abbott & Holder, 30 Museum Street, London
Reeman Dansie
Oct. 29, 2016
JOHN WHITE ABBOTT (1763-1851): NEAR THE START 20TH JULY
Est: $1,000 - $1,500
JOHN WHITE ABBOTT (1763-1851): NEAR THE START 20TH JULY Watercolor on a hand-painted mount, 1792, signed with initials ''JWA'', titled, dated and inscribed ''Dorset'' on the reverse; together with English School, Winborne Minster, Dorset, watercolor on paper on a paper mount, unsigned, titled on the mount. 7 x 10 in. (sheet), 15 1/2 x 18 in. (frame) and 12 x 16 in. (sheet), 15 1/2 x 19 1/2 in. (frame).
STAIR
Mar. 05, 2016
J.W. Abbott Signed Drawing, Dormition of Virgin
Est: $1,200 - $2,400
John White Abbott (English, 1763-1851). "Dormition of the Virgin", graphite on paper laid down, monogrammed lower right "JWA", pencil signed lower margin "Passarotti". Drawing depicting the Virgin Mary, mother of Christ, in the moment of her death; Mary is depicted in repose with eyes closed as apostles in mourning encircle her. Framed approximately 19" x 18". Unframed 14.125" x 13.125".
Ahlers & Ogletree Inc.
Jul. 08, 2015
ATTRIBUTED TO JOHN WHITE ABBOTT (1763-1851) "Lago Magiore (
Est: £80 - £120
ATTRIBUTED TO JOHN WHITE ABBOTT (1763-1851) "Lago Magiore (sic) 1816", inscribed with title and date, watercolour, unframed, 12 x 22.5cm; together with a costal scene with figure in the mannor of John Varley, 11 x 18cm; and two Italian pen and ink drawings "Vecchio, Florence" and "Civita Vecchia", all unframed (4)
Mallams
Jul. 24, 2014
John White Abbott (1763-1851) - Italianate landscape,
Est: £300 - £500
John White Abbott (1763-1851) - Italianate landscape, pencil, pen and black ink, with sepia wash, 16 x 23 cm. (6 1/4 x 9 in) Provenance: with Thomas Agnew & Sons Ltd., no. 13226, (gallery label on reverse).
Dreweatts 1759
Mar. 12, 2014
JOHN WHITE ABBOTT (1763-1851) View down a wooded
Est: £200 - £300
JOHN WHITE ABBOTT (1763-1851) View down a wooded lane, pen, ink and grey wash drawing, 6 1/4" x 9" Prov: A descendant of the artist With Christopher Powney Harry Moore-Gwyn Gallery
Mallams
Oct. 30, 2013
JOHN WHITE ABBOTT (1763-1851) Cottages in a wooded
Est: £200 - £300
JOHN WHITE ABBOTT (1763-1851) Cottages in a wooded landscape, pen, ink and grey wash drawing, 25.4 x 34.9cm (Prov: Sotheby's, 15th June 2000 Lot 175) (Thomas Agnew & Sons Ltd label verso)
Mallams
Oct. 23, 2013
John White Abbott [1763-1851]- Lake of
Est: £250 - £350
John White Abbott [1763-1851]- Lake of Walenstadt:- Initialled JWA and FT and inscribed with title on reverse pen and grey ink and grey wash 19 x 25cm. * Footnote. This is an example of John White Abbott copying the work of Francis Towne.
Bearnes Hampton & Littlewood
Oct. 23, 2013
John White Abbott [1763-1851]- The Lake of Como:-
Est: £250 - £350
John White Abbott [1763-1851]- The Lake of Como:- initialled JWA and FT and inscribed on reverse of paper pen and grey ink and grey and brown wash, 15.5 x 21.75cms. * Footnote. This drawing is an example of JWA copying the work of Francis Towne. A very similar drawing sold at Sotheby's Lot 81 on the 11th November 1993, for £900.
Bearnes Hampton & Littlewood
Oct. 23, 2013
John White Abbott[1763-1851]- Fordland, two
Est: £300 - £500
John White Abbott[1763-1851]- Fordland, two figures conversing by a stream, one mounted on horseback:- initialled and dated 1797 inscribed bottom left, also initialled dated and inscribed on reverse 'Fordland finished on the spot' pencil drawing, 29.5 x 21.5cm. * Provenance. Elizabeth Abbott, March 1832.
Bearnes Hampton & Littlewood